| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2125 |
| Prevalence of Second Most Common Vertical Interval |
0.176 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8285 |
| Vertical Unisons |
0.0371 |
| Vertical Minor Seconds |
0.005207 |
| Vertical Thirds |
0.2877 |
| Vertical Tritones |
0.01334 |
| Vertical Perfect Fourths |
0.1106 |
| Vertical Perfect Fifths |
0.2125 |
| Vertical Sixths |
0.1377 |
| Vertical Sevenths |
0.02701 |
| Vertical Octaves |
0.139 |
| Perfect Vertical Intervals |
0.4992 |
| Vertical Dissonance Ratio |
0.08166 |
| Vertical Minor Third Prevalence |
0.4271 |
| Vertical Major Third Prevalence |
0.457 |
| Chord Duration |
1.667 |
| Partial Chords |
0.3059 |
| Standard Triads |
0.4763 |
| Diminished and Augmented Triads |
0.02933 |
| Dominant Seventh Chords |
0.002793 |
| Seventh Chords |
0.02514 |
| Non-Standard Chords |
0.1927 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.282 |
| Average Number of Simultaneous Pitch Classes |
2.62 |
| Variability of Number of Simultaneous Pitch Classes |
0.6722 |
| Average Number of Simultaneous Pitches |
3.133 |
| Variability of Number of Simultaneous Pitches |
0.8753 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2099 |
| Stepwise Motion |
0.6119 |
| Melodic Thirds |
0.1168 |
| Melodic Perfect Fourths |
0.04752 |
| Melodic Tritones |
0.00198 |
| Melodic Perfect Fifths |
0.05149 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01386 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.682 |
| Melodic Embellishments |
0.01179 |
| Direction of Melodic Motion |
0.4718 |
| Average Length of Melodic Arcs |
1.86 |
| Average Interval Spanned by Melodic Arcs |
4.773 |
| Melodic Pitch Variety |
4.464 |
| Mean Melodic Interval |
2.184 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.402 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5222 |
| Amount of Arpeggiation |
0.3386 |
| Repeated Notes |
0.1564 |
| Importance of Middle Register |
0.833 |
| Importance of High Register |
0.08448 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.72 |
| Mean Pitch Class |
4.976 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1336 |
| Prevalence of Most Common Pitch Class |
0.2259 |
| Relative Prevalence of Top Pitches |
0.8235 |
| Relative Prevalence of Top Pitch Classes |
0.7652 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.773 |
| Pitch Class Variability |
3.518 |
| Pitch Class Variability After Folding |
3.129 |
| Pitch Skewness |
-0.2358 |
| Pitch Class Skewness |
-0.02011 |
| Pitch Class Skewness After Folding |
1.012 |
| Pitch Kurtosis |
5.439 |
| Pitch Class Kurtosis |
4.943 |
| Pitch Class Kurtosis After Folding |
7.424 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.08251 |
| Note Density per Quarter Note |
1.326 |
| Note Density per Quarter Note per Voice |
0.3314 |
| Note Density per Quarter Note Variability |
0.5905 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.04322 |
| Prevalence of Medium Rhythmic Values |
0.6798 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.778 |
| Prevalence of Very Long Rhythmic Values |
0.04322 |
| Prevalence of Dotted Notes |
0.08055 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.475 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4578 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4592 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.498 |
| Rhythmic Value Skewness |
0.9524 |
| Rhythmic Value Kurtosis |
9.516 |
| Mean Rhythmic Value Run Length |
1.838 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.194 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.4896 |
| Average Rest Fraction Across Voices |
0.1797 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
40.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
9.517 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.29 |
| Variability Across Voices of Combined Rests |
22.06 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5768 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2036 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.833 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7805 |
| Rhythmic Variability - Tempo Standardized |
0.05037 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
509.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.56 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
4.0 |
| Average Note Duration |
1.238 |
| Variability of Note Durations |
0.7488 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
120.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.5768 |
| Strength of Second Strongest Rhythmic Pulse |
0.2036 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.833 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7805 |
| Rhythmic Variability |
0.05037 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
192.0 |
| Note Density |
2.651 |
| Note Density Variability |
1.129 |
| Average Time Between Attacks |
0.7726 |
| Average Time Between Attacks for Each Voice |
1.416 |
| Variability of Time Between Attacks |
0.4553 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4194 |
| Relative Range Isolation of Loudest Voice |
0.3333 |
| Relative Range of Highest Line |
0.4194 |
| Relative Note Density of Highest Line |
0.558 |
| Relative Note Durations of Lowest Line |
1.008 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.833 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.03578 |
| Average Number of Independent Voices |
3.281 |
| Similar Motion |
0.1073 |
| Contrary Motion |
0.1902 |
| Oblique Motion |
0.6667 |
| Parallel Fifths |
0.001883 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8804 |
| Voice Equality - Number of Notes |
9.811 |
| Voice Equality - Note Duration |
11.03 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.16 |
| Importance of Loudest Voice |
0.0 |