File

Last modified on: April 13, 2020, 8:08 p.m.

Alma_Redemptoris-2-Gloria.mid


Source
RenComp7
Musical Work
Missa Alma Redemptoris
Section
Gloria
File Type
Symbolic Music
File Format
.mid
File Size
11.2 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2703
Prevalence of Second Most Common Vertical Interval 0.2121
Prevalence Ratio of Two Most Common Vertical Intervals 0.7848
Vertical Unisons 0.0585
Vertical Minor Seconds 0.002369
Vertical Thirds 0.2697
Vertical Tritones 0.002369
Vertical Perfect Fourths 0.1122
Vertical Perfect Fifths 0.2121
Vertical Sixths 0.1107
Vertical Sevenths 0.007619
Vertical Octaves 0.2118
Perfect Vertical Intervals 0.5947
Vertical Dissonance Ratio 0.02559
Vertical Minor Third Prevalence 0.6233
Vertical Major Third Prevalence 0.7465
Chord Duration 2.115
Partial Chords 0.127
Standard Triads 0.7593
Diminished and Augmented Triads 0.007105
Dominant Seventh Chords 0.0
Seventh Chords 0.003552
Non-Standard Chords 0.1101
Complex Chords 0.005329
Minor Major Triad Ratio 0.2935
Average Number of Simultaneous Pitch Classes 2.872
Variability of Number of Simultaneous Pitch Classes 0.4991
Average Number of Simultaneous Pitches 4.451
Variability of Number of Simultaneous Pitches 1.558
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1538
Stepwise Motion 0.3863
Melodic Thirds 0.0982
Melodic Perfect Fourths 0.07365
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05892
Melodic Sixths 0.00491
Melodic Sevenths 0.0008183
Melodic Octaves 0.01227
Melodic Large Intervals 0.0008183
Most Common Melodic Interval 0.0
Minor Major Melodic Third Ratio 2.077
Melodic Embellishments 0.0122
Direction of Melodic Motion 0.4698
Average Length of Melodic Arcs 1.615
Average Interval Spanned by Melodic Arcs 4.834
Melodic Pitch Variety 3.946
Mean Melodic Interval 1.935
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3642
Relative Prevalence of Most Common Melodic Intervals 0.6382
Amount of Arpeggiation 0.5344
Repeated Notes 0.3642
Importance of Middle Register 0.722
Importance of High Register 0.06098
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 60.53
Mean Pitch Class 5.914
Most Common Pitch 66.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1106
Prevalence of Most Common Pitch Class 0.2089
Relative Prevalence of Top Pitches 0.8676
Relative Prevalence of Top Pitch Classes 0.7821
Interval Between Most Prevalent Pitches 4.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.865
Pitch Class Variability 3.373
Pitch Class Variability After Folding 1.996
Pitch Skewness -0.4087
Pitch Class Skewness -0.07664
Pitch Class Skewness After Folding -0.3201
Pitch Kurtosis 5.516
Pitch Class Kurtosis 4.706
Pitch Class Kurtosis After Folding 5.596
Major or Minor 0.0
First Pitch 57.0
First Pitch Class 9.0
Last Pitch 38.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 30.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 38.0
Importance of Bass Register 0.2171
Note Density per Quarter Note 2.135
Note Density per Quarter Note per Voice 0.2669
Note Density per Quarter Note Variability 1.157
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0122
Prevalence of Medium Rhythmic Values 0.7447
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.6894
Prevalence of Very Long Rhythmic Values 0.05122
Prevalence of Dotted Notes 0.06423
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.354
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4341
Relative Prevalence of Most Common Rhythmic Values 0.6704
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.667
Rhythmic Value Skewness 0.6378
Rhythmic Value Kurtosis 12.51
Mean Rhythmic Value Run Length 1.671
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.004
Mean Rhythmic Value Offset 0.03577
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.814
Complete Rests Fraction 0.0
Partial Rests Fraction 0.669
Average Rest Fraction Across Voices 0.3605
Longest Complete Rest 0.0
Longest Partial Rest 130.5
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 14.7
Median Complete Rest Duration 0.0
Median Partial Rest Duration 6.021
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 22.98
Variability Across Voices of Combined Rests 45.08
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5254
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2299
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.286
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7553
Rhythmic Variability - Tempo Standardized 0.04841
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 1.0
Metrical Diversity 2.0
Total Number of Notes 1230.0
Initial Tempo 100.0
Average Variability of Time Between Attacks for Each Voice 5.077
Minimum Note Duration 0.3
Maximum Note Duration 19.2
Average Note Duration 1.433
Variability of Note Durations 1.217
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 2.0
Number of Moderate Rhythmic Pulses 4.0
Number of Relatively Strong Rhythmic Pulses 2.0
Mean Tempo 100.9
Strongest Rhythmic Pulse 51.0
Second Strongest Rhythmic Pulse 101.0
Harmonicity of Two Strongest Rhythmic Pulses 1.98
Strength of Strongest Rhythmic Pulse 0.6768
Strength of Second Strongest Rhythmic Pulse 0.2941
Strength Ratio of Two Strongest Rhythmic Pulses 2.301
Combined Strength of Two Strongest Rhythmic Pulses 0.9709
Rhythmic Variability 0.05802
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 7.747
Duration in Seconds 344.4
Note Density 3.571
Note Density Variability 1.875
Average Time Between Attacks 0.9292
Average Time Between Attacks for Each Voice 2.181
Variability of Time Between Attacks 0.43
Maximum Number of Independent Voices 8.0
Relative Range of Loudest Voice 0.3684
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 0.3684
Relative Note Density of Highest Line 0.4553
Relative Note Durations of Lowest Line 1.004
Relative Size of Melodic Intervals in Lowest Line 0.7273
Voice Overlap 1.0
Voice Separation 3.0
Variability of Voice Separation 2.309
Parallel Motion 0.04068
Average Number of Independent Voices 5.104
Similar Motion 0.2011
Contrary Motion 0.1887
Oblique Motion 0.5695
Parallel Fifths 0.0
Parallel Octaves 0.01017
Variability of Number of Independent Voices 2.171
Voice Equality - Number of Notes 25.47
Voice Equality - Note Duration 26.96
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.744
Voice Equality - Range 3.845
Importance of Loudest Voice 0.0