| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2206 |
| Prevalence of Second Most Common Vertical Interval |
0.1949 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8836 |
| Vertical Unisons |
0.03425 |
| Vertical Minor Seconds |
0.00784 |
| Vertical Thirds |
0.2741 |
| Vertical Tritones |
0.01244 |
| Vertical Perfect Fourths |
0.1266 |
| Vertical Perfect Fifths |
0.1949 |
| Vertical Sixths |
0.1164 |
| Vertical Sevenths |
0.0219 |
| Vertical Octaves |
0.1864 |
| Perfect Vertical Intervals |
0.5421 |
| Vertical Dissonance Ratio |
0.07223 |
| Vertical Minor Third Prevalence |
0.6392 |
| Vertical Major Third Prevalence |
0.7168 |
| Chord Duration |
1.077 |
| Partial Chords |
0.06905 |
| Standard Triads |
0.6444 |
| Diminished and Augmented Triads |
0.04603 |
| Dominant Seventh Chords |
0.004762 |
| Seventh Chords |
0.03651 |
| Non-Standard Chords |
0.25 |
| Complex Chords |
0.01111 |
| Minor Major Triad Ratio |
0.2047 |
| Average Number of Simultaneous Pitch Classes |
3.059 |
| Variability of Number of Simultaneous Pitch Classes |
0.4876 |
| Average Number of Simultaneous Pitches |
4.396 |
| Variability of Number of Simultaneous Pitches |
1.033 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1878 |
| Stepwise Motion |
0.5591 |
| Melodic Thirds |
0.08131 |
| Melodic Perfect Fourths |
0.0637 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04443 |
| Melodic Sixths |
0.002515 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01676 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.622 |
| Melodic Embellishments |
0.0342 |
| Direction of Melodic Motion |
0.5087 |
| Average Length of Melodic Arcs |
2.031 |
| Average Interval Spanned by Melodic Arcs |
5.412 |
| Melodic Pitch Variety |
4.444 |
| Mean Melodic Interval |
2.058 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3713 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6253 |
| Amount of Arpeggiation |
0.3747 |
| Repeated Notes |
0.2322 |
| Importance of Middle Register |
0.8015 |
| Importance of High Register |
0.0342 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.87 |
| Mean Pitch Class |
5.624 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1026 |
| Prevalence of Most Common Pitch Class |
0.1985 |
| Relative Prevalence of Top Pitches |
0.9187 |
| Relative Prevalence of Top Pitch Classes |
0.9118 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.537 |
| Pitch Class Variability |
3.608 |
| Pitch Class Variability After Folding |
2.106 |
| Pitch Skewness |
-0.2347 |
| Pitch Class Skewness |
-0.3128 |
| Pitch Class Skewness After Folding |
-0.1616 |
| Pitch Kurtosis |
5.468 |
| Pitch Class Kurtosis |
4.795 |
| Pitch Class Kurtosis After Folding |
6.117 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1643 |
| Note Density per Quarter Note |
1.897 |
| Note Density per Quarter Note per Voice |
0.3162 |
| Note Density per Quarter Note Variability |
0.5591 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02002 |
| Prevalence of Medium Rhythmic Values |
0.7114 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6997 |
| Prevalence of Very Long Rhythmic Values |
0.0759 |
| Prevalence of Dotted Notes |
0.1309 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.444 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4112 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6815 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.801 |
| Rhythmic Value Skewness |
0.7393 |
| Rhythmic Value Kurtosis |
13.19 |
| Mean Rhythmic Value Run Length |
1.654 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.237 |
| Mean Rhythmic Value Offset |
0.03336 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6106 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6716 |
| Average Rest Fraction Across Voices |
0.2175 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
50.56 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
9.065 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
3.992 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.86 |
| Variability Across Voices of Combined Rests |
18.18 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5123 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2494 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.054 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7617 |
| Rhythmic Variability - Tempo Standardized |
0.04798 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1199.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.533 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
28.8 |
| Average Note Duration |
2.232 |
| Variability of Note Durations |
2.191 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.84 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
133.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
| Strength of Strongest Rhythmic Pulse |
0.9329 |
| Strength of Second Strongest Rhythmic Pulse |
0.04024 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
23.18 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9732 |
| Rhythmic Variability |
0.07359 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
25.0 |
| Duration in Seconds |
570.0 |
| Note Density |
2.104 |
| Note Density Variability |
1.062 |
| Average Time Between Attacks |
1.186 |
| Average Time Between Attacks for Each Voice |
2.78 |
| Variability of Time Between Attacks |
0.6519 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.02871 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.3453 |
| Relative Note Durations of Lowest Line |
1.077 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.9366 |
| Voice Separation |
3.8 |
| Variability of Voice Separation |
3.114 |
| Parallel Motion |
0.04108 |
| Average Number of Independent Voices |
4.699 |
| Similar Motion |
0.1602 |
| Contrary Motion |
0.1265 |
| Oblique Motion |
0.6721 |
| Parallel Fifths |
0.001643 |
| Parallel Octaves |
0.002465 |
| Variability of Number of Independent Voices |
1.1 |
| Voice Equality - Number of Notes |
13.24 |
| Voice Equality - Note Duration |
16.4 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8367 |
| Voice Equality - Range |
1.835 |
| Importance of Loudest Voice |
0.0 |