File

Last modified on: April 13, 2020, 8:10 p.m.

Alma_Redemptoris-4-Sanctus_y_Benedictus.mid


Source
RenComp7
Musical Work
Missa Alma Redemptoris
Section
Sanctus and Benedictus
File Type
Symbolic Music
File Format
.mid
File Size
8.1 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2429
Prevalence of Second Most Common Vertical Interval 0.1901
Prevalence Ratio of Two Most Common Vertical Intervals 0.7828
Vertical Unisons 0.05747
Vertical Minor Seconds 0.005169
Vertical Thirds 0.2722
Vertical Tritones 0.01105
Vertical Perfect Fourths 0.1081
Vertical Perfect Fifths 0.1901
Vertical Sixths 0.1207
Vertical Sevenths 0.02103
Vertical Octaves 0.1854
Perfect Vertical Intervals 0.5411
Vertical Dissonance Ratio 0.0707
Vertical Minor Third Prevalence 0.6783
Vertical Major Third Prevalence 0.6967
Chord Duration 1.556
Partial Chords 0.08673
Standard Triads 0.6437
Diminished and Augmented Triads 0.05016
Dominant Seventh Chords 0.008359
Seventh Chords 0.02821
Non-Standard Chords 0.2414
Complex Chords 0.03135
Minor Major Triad Ratio 0.1846
Average Number of Simultaneous Pitch Classes 3.032
Variability of Number of Simultaneous Pitch Classes 0.6157
Average Number of Simultaneous Pitches 4.361
Variability of Number of Simultaneous Pitches 1.428
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1737
Stepwise Motion 0.5623
Melodic Thirds 0.1063
Melodic Perfect Fourths 0.09943
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03771
Melodic Sixths 0.002286
Melodic Sevenths 0.0
Melodic Octaves 0.016
Melodic Large Intervals 0.001143
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.325
Melodic Embellishments 0.006795
Direction of Melodic Motion 0.4709
Average Length of Melodic Arcs 1.994
Average Interval Spanned by Melodic Arcs 5.483
Melodic Pitch Variety 4.916
Mean Melodic Interval 2.309
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3886
Relative Prevalence of Most Common Melodic Intervals 0.45
Amount of Arpeggiation 0.3349
Repeated Notes 0.1749
Importance of Middle Register 0.6682
Importance of High Register 0.06229
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 59.29
Mean Pitch Class 5.639
Most Common Pitch 57.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1087
Prevalence of Most Common Pitch Class 0.2242
Relative Prevalence of Top Pitches 0.9479
Relative Prevalence of Top Pitch Classes 0.8788
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.812
Pitch Class Variability 3.339
Pitch Class Variability After Folding 1.923
Pitch Skewness -0.08916
Pitch Class Skewness -0.3246
Pitch Class Skewness After Folding 0.9471
Pitch Kurtosis 5.378
Pitch Class Kurtosis 4.701
Pitch Class Kurtosis After Folding 5.141
Major or Minor 0.0
First Pitch 62.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 27.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 38.0
Importance of Bass Register 0.2695
Note Density per Quarter Note 1.809
Note Density per Quarter Note per Voice 0.2262
Note Density per Quarter Note Variability 0.8985
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.02492
Prevalence of Medium Rhythmic Values 0.6161
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7248
Prevalence of Very Long Rhythmic Values 0.08267
Prevalence of Dotted Notes 0.1087
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.711
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3409
Relative Prevalence of Most Common Rhythmic Values 0.7342
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.927
Rhythmic Value Skewness 1.107
Rhythmic Value Kurtosis 9.816
Mean Rhythmic Value Run Length 1.698
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.129
Mean Rhythmic Value Offset 0.02718
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4658
Complete Rests Fraction 0.0
Partial Rests Fraction 0.7959
Average Rest Fraction Across Voices 0.3811
Longest Complete Rest 0.0
Longest Partial Rest 215.1
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 20.38
Median Complete Rest Duration 0.0
Median Partial Rest Duration 5.976
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 42.35
Variability Across Voices of Combined Rests 90.77
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5235
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2343
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.234
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7578
Rhythmic Variability - Tempo Standardized 0.04828
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 883.0
Initial Tempo 100.0
Average Variability of Time Between Attacks for Each Voice 3.091
Minimum Note Duration 0.3
Maximum Note Duration 14.4
Average Note Duration 1.648
Variability of Note Durations 1.263
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 2.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 2.0
Mean Tempo 99.8
Strongest Rhythmic Pulse 50.0
Second Strongest Rhythmic Pulse 100.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.671
Strength of Second Strongest Rhythmic Pulse 0.2867
Strength Ratio of Two Strongest Rhythmic Pulses 2.341
Combined Strength of Two Strongest Rhythmic Pulses 0.9577
Rhythmic Variability 0.05738
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 3.194
Duration in Seconds 294.0
Note Density 3.003
Note Density Variability 1.574
Average Time Between Attacks 0.818
Average Time Between Attacks for Each Voice 2.162
Variability of Time Between Attacks 0.3875
Maximum Number of Independent Voices 8.0
Relative Range of Loudest Voice 0.3684
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 0.3684
Relative Note Density of Highest Line 0.6433
Relative Note Durations of Lowest Line 0.9924
Relative Size of Melodic Intervals in Lowest Line 0.5333
Voice Overlap 1.0
Voice Separation 3.143
Variability of Voice Separation 2.795
Parallel Motion 0.0394
Average Number of Independent Voices 4.955
Similar Motion 0.139
Contrary Motion 0.1078
Oblique Motion 0.7138
Parallel Fifths 0.0
Parallel Octaves 0.006952
Variability of Number of Independent Voices 1.88
Voice Equality - Number of Notes 38.73
Voice Equality - Note Duration 54.69
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.6409
Voice Equality - Range 2.375
Importance of Loudest Voice 0.0