| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1911 |
| Prevalence of Second Most Common Vertical Interval |
0.1764 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9232 |
| Vertical Unisons |
0.03598 |
| Vertical Minor Seconds |
0.006155 |
| Vertical Thirds |
0.3371 |
| Vertical Tritones |
0.01199 |
| Vertical Perfect Fourths |
0.1021 |
| Vertical Perfect Fifths |
0.1764 |
| Vertical Sixths |
0.1233 |
| Vertical Sevenths |
0.01941 |
| Vertical Octaves |
0.1551 |
| Perfect Vertical Intervals |
0.4697 |
| Vertical Dissonance Ratio |
0.07517 |
| Vertical Minor Third Prevalence |
0.5055 |
| Vertical Major Third Prevalence |
0.4745 |
| Chord Duration |
1.171 |
| Partial Chords |
0.3779 |
| Standard Triads |
0.4373 |
| Diminished and Augmented Triads |
0.02558 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.003836 |
| Non-Standard Chords |
0.1809 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3846 |
| Average Number of Simultaneous Pitch Classes |
2.565 |
| Variability of Number of Simultaneous Pitch Classes |
0.6314 |
| Average Number of Simultaneous Pitches |
3.109 |
| Variability of Number of Simultaneous Pitches |
0.8235 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2228 |
| Stepwise Motion |
0.6885 |
| Melodic Thirds |
0.1246 |
| Melodic Perfect Fourths |
0.06125 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05174 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01267 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.226 |
| Melodic Embellishments |
0.02103 |
| Direction of Melodic Motion |
0.5287 |
| Average Length of Melodic Arcs |
1.924 |
| Average Interval Spanned by Melodic Arcs |
4.907 |
| Melodic Pitch Variety |
5.039 |
| Mean Melodic Interval |
2.404 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4657 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4785 |
| Amount of Arpeggiation |
0.2503 |
| Repeated Notes |
0.06125 |
| Importance of Middle Register |
0.694 |
| Importance of High Register |
0.01367 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.55 |
| Mean Pitch Class |
5.169 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.123 |
| Prevalence of Most Common Pitch Class |
0.1882 |
| Relative Prevalence of Top Pitches |
0.8205 |
| Relative Prevalence of Top Pitch Classes |
0.9385 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.9 |
| Pitch Class Variability |
3.573 |
| Pitch Class Variability After Folding |
3.155 |
| Pitch Skewness |
0.4796 |
| Pitch Class Skewness |
0.1421 |
| Pitch Class Skewness After Folding |
0.203 |
| Pitch Kurtosis |
5.581 |
| Pitch Class Kurtosis |
4.844 |
| Pitch Class Kurtosis After Folding |
7.158 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2923 |
| Note Density per Quarter Note |
1.154 |
| Note Density per Quarter Note per Voice |
0.2885 |
| Note Density per Quarter Note Variability |
0.5086 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006309 |
| Prevalence of Medium Rhythmic Values |
0.6351 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7687 |
| Prevalence of Very Long Rhythmic Values |
0.08623 |
| Prevalence of Dotted Notes |
0.07781 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.759 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4038 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5573 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.882 |
| Rhythmic Value Skewness |
1.21 |
| Rhythmic Value Kurtosis |
9.151 |
| Mean Rhythmic Value Run Length |
1.917 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.497 |
| Mean Rhythmic Value Offset |
0.05468 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.123 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.5581 |
| Average Rest Fraction Across Voices |
0.1786 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
308.3 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
11.54 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
2.658 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
42.69 |
| Variability Across Voices of Combined Rests |
148.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5914 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2153 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.747 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8067 |
| Rhythmic Variability - Tempo Standardized |
0.0516 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
951.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
8.337 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
48.0 |
| Average Note Duration |
2.57 |
| Variability of Note Durations |
2.701 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.76 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
133.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
| Strength of Strongest Rhythmic Pulse |
0.968 |
| Strength of Second Strongest Rhythmic Pulse |
0.02491 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
38.86 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9929 |
| Rhythmic Variability |
0.0763 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
25.0 |
| Duration in Seconds |
744.0 |
| Note Density |
1.278 |
| Note Density Variability |
0.6685 |
| Average Time Between Attacks |
1.488 |
| Average Time Between Attacks for Each Voice |
3.353 |
| Variability of Time Between Attacks |
0.8183 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.4846 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.2902 |
| Relative Note Durations of Lowest Line |
0.8983 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8896 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.04876 |
| Average Number of Independent Voices |
3.248 |
| Similar Motion |
0.1348 |
| Contrary Motion |
0.1797 |
| Oblique Motion |
0.6367 |
| Parallel Fifths |
0.002868 |
| Parallel Octaves |
0.001912 |
| Variability of Number of Independent Voices |
0.758 |
| Voice Equality - Number of Notes |
75.3 |
| Voice Equality - Note Duration |
133.6 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.5 |
| Importance of Loudest Voice |
0.0 |