File

Last modified on: April 13, 2020, 8:16 p.m.

Magnificat_Tertii_Toni-pares.mid


Source
RenComp7
Musical Work
Magnificat Tertii Toni
Section
pares
File Type
Symbolic Music
File Format
.mid
File Size
20.9 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.3258
Prevalence of Second Most Common Vertical Interval 0.1634
Prevalence Ratio of Two Most Common Vertical Intervals 0.5014
Vertical Unisons 0.1867
Vertical Minor Seconds 0.005718
Vertical Thirds 0.2487
Vertical Tritones 0.005625
Vertical Perfect Fourths 0.1006
Vertical Perfect Fifths 0.1634
Vertical Sixths 0.106
Vertical Sevenths 0.0189
Vertical Octaves 0.1391
Perfect Vertical Intervals 0.5898
Vertical Dissonance Ratio 0.05874
Vertical Minor Third Prevalence 0.5275
Vertical Major Third Prevalence 0.5658
Chord Duration 1.716
Partial Chords 0.2517
Standard Triads 0.5384
Diminished and Augmented Triads 0.01379
Dominant Seventh Chords 0.000431
Seventh Chords 0.01293
Non-Standard Chords 0.197
Complex Chords 0.003448
Minor Major Triad Ratio 0.3801
Average Number of Simultaneous Pitch Classes 2.725
Variability of Number of Simultaneous Pitch Classes 0.6422
Average Number of Simultaneous Pitches 3.531
Variability of Number of Simultaneous Pitches 1.07
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2239
Stepwise Motion 0.5703
Melodic Thirds 0.1519
Melodic Perfect Fourths 0.05695
Melodic Tritones 0.001726
Melodic Perfect Fifths 0.03408
Melodic Sixths 0.002588
Melodic Sevenths 0.0008628
Melodic Octaves 0.01639
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 4.101
Melodic Embellishments 0.01677
Direction of Melodic Motion 0.4946
Average Length of Melodic Arcs 1.748
Average Interval Spanned by Melodic Arcs 4.492
Melodic Pitch Variety 4.71
Mean Melodic Interval 2.163
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3464
Relative Prevalence of Most Common Melodic Intervals 0.6463
Amount of Arpeggiation 0.3684
Repeated Notes 0.1652
Importance of Middle Register 0.8426
Importance of High Register 0.009462
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 60.81
Mean Pitch Class 4.766
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1441
Prevalence of Most Common Pitch Class 0.2318
Relative Prevalence of Top Pitches 0.791
Relative Prevalence of Top Pitch Classes 0.6512
Interval Between Most Prevalent Pitches 4.0
Interval Between Most Prevalent Pitch Classes 9.0
Pitch Variability 6.528
Pitch Class Variability 3.63
Pitch Class Variability After Folding 3.329
Pitch Skewness -0.3586
Pitch Class Skewness -0.1937
Pitch Class Skewness After Folding 0.2748
Pitch Kurtosis 5.719
Pitch Class Kurtosis 4.806
Pitch Class Kurtosis After Folding 6.67
Major or Minor 0.0
First Pitch 67.0
First Pitch Class 7.0
Last Pitch 45.0
Last Pitch Class 9.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 28.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 36.0
Importance of Bass Register 0.148
Note Density per Quarter Note 1.912
Note Density per Quarter Note per Voice 0.2731
Note Density per Quarter Note Variability 0.8346
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.008602
Prevalence of Medium Rhythmic Values 0.6641
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7772
Prevalence of Very Long Rhythmic Values 0.07097
Prevalence of Dotted Notes 0.07398
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.687
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4413
Relative Prevalence of Most Common Rhythmic Values 0.4873
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.882
Rhythmic Value Skewness 1.096
Rhythmic Value Kurtosis 12.04
Mean Rhythmic Value Run Length 1.836
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.435
Mean Rhythmic Value Offset 0.06538
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.9866
Complete Rests Fraction 0.0
Partial Rests Fraction 0.6977
Average Rest Fraction Across Voices 0.2474
Longest Complete Rest 0.0
Longest Partial Rest 240.4
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 11.83
Median Complete Rest Duration 0.0
Median Partial Rest Duration 1.987
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 38.38
Variability Across Voices of Combined Rests 115.1
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6009
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1987
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.024
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7996
Rhythmic Variability - Tempo Standardized 0.05196
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 2325.0
Initial Tempo 120.0
Average Variability of Time Between Attacks for Each Voice 5.804
Minimum Note Duration 0.25
Maximum Note Duration 20.0
Average Note Duration 1.387
Variability of Note Durations 1.209
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 119.6
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.6009
Strength of Second Strongest Rhythmic Pulse 0.1987
Strength Ratio of Two Strongest Rhythmic Pulses 3.024
Combined Strength of Two Strongest Rhythmic Pulses 0.7996
Rhythmic Variability 0.05196
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 4.851
Duration in Seconds 612.0
Note Density 3.799
Note Density Variability 1.582
Average Time Between Attacks 0.7825
Average Time Between Attacks for Each Voice 1.891
Variability of Time Between Attacks 0.3585
Maximum Number of Independent Voices 7.0
Relative Range of Loudest Voice 0.4444
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 0.4444
Relative Note Density of Highest Line 0.2077
Relative Note Durations of Lowest Line 0.9477
Relative Size of Melodic Intervals in Lowest Line 0.5833
Voice Overlap 0.9794
Voice Separation 3.0
Variability of Voice Separation 2.449
Parallel Motion 0.02684
Average Number of Independent Voices 5.263
Similar Motion 0.1101
Contrary Motion 0.1294
Oblique Motion 0.7337
Parallel Fifths 0.002065
Parallel Octaves 0.0006882
Variability of Number of Independent Voices 1.463
Voice Equality - Number of Notes 78.86
Voice Equality - Note Duration 57.91
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.488
Voice Equality - Range 1.464
Importance of Loudest Voice 0.0