| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1902 |
| Prevalence of Second Most Common Vertical Interval |
0.1656 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8707 |
| Vertical Unisons |
0.01601 |
| Vertical Minor Seconds |
0.001905 |
| Vertical Thirds |
0.3268 |
| Vertical Tritones |
0.0122 |
| Vertical Perfect Fourths |
0.1374 |
| Vertical Perfect Fifths |
0.1902 |
| Vertical Sixths |
0.1334 |
| Vertical Sevenths |
0.01905 |
| Vertical Octaves |
0.1429 |
| Perfect Vertical Intervals |
0.4865 |
| Vertical Dissonance Ratio |
0.05636 |
| Vertical Minor Third Prevalence |
0.5763 |
| Vertical Major Third Prevalence |
0.5916 |
| Chord Duration |
1.814 |
| Partial Chords |
0.1133 |
| Standard Triads |
0.6641 |
| Diminished and Augmented Triads |
0.05859 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.02148 |
| Non-Standard Chords |
0.2012 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.378 |
| Average Number of Simultaneous Pitch Classes |
2.887 |
| Variability of Number of Simultaneous Pitch Classes |
0.4832 |
| Average Number of Simultaneous Pitches |
3.588 |
| Variability of Number of Simultaneous Pitches |
0.6523 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2593 |
| Stepwise Motion |
0.5717 |
| Melodic Thirds |
0.09037 |
| Melodic Perfect Fourths |
0.03929 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04912 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007859 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.19 |
| Melodic Embellishments |
0.03704 |
| Direction of Melodic Motion |
0.4456 |
| Average Length of Melodic Arcs |
1.838 |
| Average Interval Spanned by Melodic Arcs |
4.376 |
| Melodic Pitch Variety |
4.112 |
| Mean Melodic Interval |
1.831 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3124 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8302 |
| Amount of Arpeggiation |
0.389 |
| Repeated Notes |
0.2417 |
| Importance of Middle Register |
0.7992 |
| Importance of High Register |
0.001949 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.82 |
| Mean Pitch Class |
5.856 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.154 |
| Prevalence of Most Common Pitch Class |
0.2534 |
| Relative Prevalence of Top Pitches |
0.8608 |
| Relative Prevalence of Top Pitch Classes |
0.6615 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
5.884 |
| Pitch Class Variability |
3.555 |
| Pitch Class Variability After Folding |
2.714 |
| Pitch Skewness |
0.3588 |
| Pitch Class Skewness |
0.7222 |
| Pitch Class Skewness After Folding |
-0.0431 |
| Pitch Kurtosis |
5.701 |
| Pitch Class Kurtosis |
4.867 |
| Pitch Class Kurtosis After Folding |
6.897 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.1988 |
| Note Density per Quarter Note |
0.943 |
| Note Density per Quarter Note per Voice |
0.2358 |
| Note Density per Quarter Note Variability |
0.4604 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4405 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8986 |
| Prevalence of Very Long Rhythmic Values |
0.2203 |
| Prevalence of Dotted Notes |
0.1053 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.747 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3392 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8966 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.273 |
| Rhythmic Value Skewness |
-0.3345 |
| Rhythmic Value Kurtosis |
5.975 |
| Mean Rhythmic Value Run Length |
1.429 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.7802 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.03423 |
| Partial Rests Fraction |
0.3007 |
| Average Rest Fraction Across Voices |
0.1125 |
| Longest Complete Rest |
5.32 |
| Longest Partial Rest |
29.26 |
| Mean Complete Rest Duration |
3.724 |
| Mean Partial Rest Duration |
5.562 |
| Median Complete Rest Duration |
2.66 |
| Median Partial Rest Duration |
2.66 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
1.457 |
| Variability of Partial Rest Durations |
5.696 |
| Variability Across Voices of Combined Rests |
29.92 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.736 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1523 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.832 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8884 |
| Rhythmic Variability - Tempo Standardized |
0.05975 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
513.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.366 |
| Minimum Note Duration |
0.6 |
| Maximum Note Duration |
14.4 |
| Average Note Duration |
3.396 |
| Variability of Note Durations |
2.351 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
1.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.82 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
0.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
67.0 |
| Strength of Strongest Rhythmic Pulse |
1.0 |
| Strength of Second Strongest Rhythmic Pulse |
0.0 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
0.0 |
| Combined Strength of Two Strongest Rhythmic Pulses |
1.0 |
| Rhythmic Variability |
0.07881 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
25.0 |
| Duration in Seconds |
490.8 |
| Note Density |
1.045 |
| Note Density Variability |
0.6349 |
| Average Time Between Attacks |
2.057 |
| Average Time Between Attacks for Each Voice |
3.937 |
| Variability of Time Between Attacks |
1.439 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4828 |
| Relative Range Isolation of Loudest Voice |
0.4779 |
| Relative Range of Highest Line |
0.4828 |
| Relative Note Density of Highest Line |
0.5146 |
| Relative Note Durations of Lowest Line |
1.224 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.8616 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.1173 |
| Average Number of Independent Voices |
3.668 |
| Similar Motion |
0.08878 |
| Contrary Motion |
0.1491 |
| Oblique Motion |
0.6449 |
| Parallel Fifths |
0.00335 |
| Parallel Octaves |
0.005025 |
| Variability of Number of Independent Voices |
0.6119 |
| Voice Equality - Number of Notes |
32.1 |
| Voice Equality - Note Duration |
26.99 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.0 |
| Importance of Loudest Voice |
0.0 |