| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1926 |
| Prevalence of Second Most Common Vertical Interval |
0.1917 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9953 |
| Vertical Unisons |
0.03154 |
| Vertical Minor Seconds |
0.004288 |
| Vertical Thirds |
0.3472 |
| Vertical Tritones |
0.009237 |
| Vertical Perfect Fourths |
0.08312 |
| Vertical Perfect Fifths |
0.1622 |
| Vertical Sixths |
0.1544 |
| Vertical Sevenths |
0.02856 |
| Vertical Octaves |
0.161 |
| Perfect Vertical Intervals |
0.4379 |
| Vertical Dissonance Ratio |
0.06444 |
| Vertical Minor Third Prevalence |
0.3755 |
| Vertical Major Third Prevalence |
0.4273 |
| Chord Duration |
2.569 |
| Partial Chords |
0.4984 |
| Standard Triads |
0.391 |
| Diminished and Augmented Triads |
0.01376 |
| Dominant Seventh Chords |
0.001058 |
| Seventh Chords |
0.006349 |
| Non-Standard Chords |
0.1042 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4839 |
| Average Number of Simultaneous Pitch Classes |
2.4 |
| Variability of Number of Simultaneous Pitch Classes |
0.6767 |
| Average Number of Simultaneous Pitches |
2.887 |
| Variability of Number of Simultaneous Pitches |
0.8781 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.931 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
106.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2195 |
| Stepwise Motion |
0.631 |
| Melodic Thirds |
0.1389 |
| Melodic Perfect Fourths |
0.05938 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04984 |
| Melodic Sixths |
0.005302 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.003181 |
| Melodic Large Intervals |
0.00106 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.673 |
| Melodic Embellishments |
0.02112 |
| Direction of Melodic Motion |
0.4893 |
| Average Length of Melodic Arcs |
1.892 |
| Average Interval Spanned by Melodic Arcs |
4.772 |
| Melodic Pitch Variety |
5.307 |
| Mean Melodic Interval |
2.258 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4115 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5335 |
| Amount of Arpeggiation |
0.3043 |
| Repeated Notes |
0.1113 |
| Importance of Middle Register |
0.8215 |
| Importance of High Register |
0.01373 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.34 |
| Mean Pitch Class |
5.128 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1067 |
| Prevalence of Most Common Pitch Class |
0.1827 |
| Relative Prevalence of Top Pitches |
0.8812 |
| Relative Prevalence of Top Pitch Classes |
0.948 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.489 |
| Pitch Class Variability |
3.56 |
| Pitch Class Variability After Folding |
3.296 |
| Pitch Skewness |
0.4433 |
| Pitch Class Skewness |
0.1077 |
| Pitch Class Skewness After Folding |
0.322 |
| Pitch Kurtosis |
5.257 |
| Pitch Class Kurtosis |
4.882 |
| Pitch Class Kurtosis After Folding |
6.803 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1647 |
| Note Density per Quarter Note |
0.9168 |
| Note Density per Quarter Note per Voice |
0.2292 |
| Note Density per Quarter Note Variability |
0.4304 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002112 |
| Prevalence of Medium Rhythmic Values |
0.4551 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.905 |
| Prevalence of Very Long Rhythmic Values |
0.08976 |
| Prevalence of Dotted Notes |
0.0887 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.254 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4076 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8834 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.748 |
| Rhythmic Value Skewness |
0.4367 |
| Rhythmic Value Kurtosis |
9.6 |
| Mean Rhythmic Value Run Length |
1.605 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.113 |
| Mean Rhythmic Value Offset |
0.008448 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1837 |
| Complete Rests Fraction |
0.000856 |
| Partial Rests Fraction |
0.6209 |
| Average Rest Fraction Across Voices |
0.2471 |
| Longest Complete Rest |
0.8842 |
| Longest Partial Rest |
74.9 |
| Mean Complete Rest Duration |
0.8842 |
| Mean Partial Rest Duration |
17.02 |
| Median Complete Rest Duration |
0.8842 |
| Median Partial Rest Duration |
7.133 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
19.69 |
| Variability Across Voices of Combined Rests |
53.08 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7275 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1356 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.367 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8631 |
| Rhythmic Variability - Tempo Standardized |
0.05914 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
947.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.471 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
4.138 |
| Average Note Duration |
0.7675 |
| Variability of Note Durations |
0.4164 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
259.8 |
| Strongest Rhythmic Pulse |
65.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.512 |
| Strength of Strongest Rhythmic Pulse |
0.348 |
| Strength of Second Strongest Rhythmic Pulse |
0.2961 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.175 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6442 |
| Rhythmic Variability |
0.04134 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
28.0 |
| Duration in Seconds |
241.4 |
| Note Density |
3.924 |
| Note Density Variability |
1.171 |
| Average Time Between Attacks |
0.5022 |
| Average Time Between Attacks for Each Voice |
0.9909 |
| Variability of Time Between Attacks |
0.2518 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5161 |
| Relative Range Isolation of Loudest Voice |
0.3477 |
| Relative Range of Highest Line |
0.5161 |
| Relative Note Density of Highest Line |
0.2872 |
| Relative Note Durations of Lowest Line |
1.006 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.905 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.06107 |
| Average Number of Independent Voices |
2.994 |
| Similar Motion |
0.159 |
| Contrary Motion |
0.229 |
| Oblique Motion |
0.5509 |
| Parallel Fifths |
0.002545 |
| Parallel Octaves |
0.001272 |
| Variability of Number of Independent Voices |
0.8815 |
| Voice Equality - Number of Notes |
21.44 |
| Voice Equality - Note Duration |
12.4 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
15.0 |