| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1841 |
| Prevalence of Second Most Common Vertical Interval |
0.1654 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8981 |
| Vertical Unisons |
0.02364 |
| Vertical Minor Seconds |
0.01232 |
| Vertical Thirds |
0.323 |
| Vertical Tritones |
0.02165 |
| Vertical Perfect Fourths |
0.1309 |
| Vertical Perfect Fifths |
0.1574 |
| Vertical Sixths |
0.1507 |
| Vertical Sevenths |
0.02776 |
| Vertical Octaves |
0.1417 |
| Perfect Vertical Intervals |
0.4536 |
| Vertical Dissonance Ratio |
0.07831 |
| Vertical Minor Third Prevalence |
0.3143 |
| Vertical Major Third Prevalence |
0.2679 |
| Chord Duration |
2.081 |
| Partial Chords |
0.6356 |
| Standard Triads |
0.2458 |
| Diminished and Augmented Triads |
0.02542 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1186 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.636 |
| Average Number of Simultaneous Pitch Classes |
2.15 |
| Variability of Number of Simultaneous Pitch Classes |
0.6647 |
| Average Number of Simultaneous Pitches |
2.446 |
| Variability of Number of Simultaneous Pitches |
0.6793 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.961 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
15.31 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2478 |
| Stepwise Motion |
0.7435 |
| Melodic Thirds |
0.1652 |
| Melodic Perfect Fourths |
0.0 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.01304 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
4.429 |
| Melodic Embellishments |
0.03004 |
| Direction of Melodic Motion |
0.5047 |
| Average Length of Melodic Arcs |
2.232 |
| Average Interval Spanned by Melodic Arcs |
4.421 |
| Melodic Pitch Variety |
4.363 |
| Mean Melodic Interval |
1.857 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4957 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5 |
| Amount of Arpeggiation |
0.2565 |
| Repeated Notes |
0.07826 |
| Importance of Middle Register |
0.8026 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
59.42 |
| Mean Pitch Class |
4.691 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1416 |
| Prevalence of Most Common Pitch Class |
0.1931 |
| Relative Prevalence of Top Pitches |
0.8788 |
| Relative Prevalence of Top Pitch Classes |
0.9778 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
5.197 |
| Pitch Class Variability |
3.261 |
| Pitch Class Variability After Folding |
3.699 |
| Pitch Skewness |
-0.1164 |
| Pitch Class Skewness |
0.6356 |
| Pitch Class Skewness After Folding |
0.9329 |
| Pitch Kurtosis |
5.364 |
| Pitch Class Kurtosis |
5.356 |
| Pitch Class Kurtosis After Folding |
5.69 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
17.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
24.0 |
| Importance of Bass Register |
0.1974 |
| Note Density per Quarter Note |
0.8292 |
| Note Density per Quarter Note per Voice |
0.2764 |
| Note Density per Quarter Note Variability |
0.4172 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
5.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4549 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8455 |
| Prevalence of Very Long Rhythmic Values |
0.03004 |
| Prevalence of Dotted Notes |
0.06009 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.996 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4549 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6604 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.461 |
| Rhythmic Value Skewness |
-0.008815 |
| Rhythmic Value Kurtosis |
8.031 |
| Mean Rhythmic Value Run Length |
1.879 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.554 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.003529 |
| Partial Rests Fraction |
0.4377 |
| Average Rest Fraction Across Voices |
0.172 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
40.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
9.061 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.08 |
| Variability Across Voices of Combined Rests |
23.18 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.618 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1963 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.148 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8143 |
| Rhythmic Variability - Tempo Standardized |
0.05296 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
233.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5381 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
1.667 |
| Average Note Duration |
0.6241 |
| Variability of Note Durations |
0.3043 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3008 |
| Strength of Second Strongest Rhythmic Pulse |
0.2524 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.192 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5533 |
| Rhythmic Variability |
0.03695 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000001051 |
| Duration in Seconds |
58.54 |
| Note Density |
3.98 |
| Note Density Variability |
1.268 |
| Average Time Between Attacks |
0.4089 |
| Average Time Between Attacks for Each Voice |
0.697 |
| Variability of Time Between Attacks |
0.1965 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.625 |
| Relative Range Isolation of Loudest Voice |
0.1047 |
| Relative Range of Highest Line |
0.625 |
| Relative Note Density of Highest Line |
0.824 |
| Relative Note Durations of Lowest Line |
1.16 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8455 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
2.828 |
| Parallel Motion |
0.06757 |
| Average Number of Independent Voices |
2.493 |
| Similar Motion |
0.1306 |
| Contrary Motion |
0.1892 |
| Oblique Motion |
0.6126 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6268 |
| Voice Equality - Number of Notes |
15.31 |
| Voice Equality - Note Duration |
4.829 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.528 |
| Importance of Loudest Voice |
12.5 |