File

Last modified on: April 13, 2020, 8:25 p.m.

Mar1002d-Missa_Coda_di_pavon-Sanctus.mid


Source
RenComp7
Musical Work
Missa Coda di pavon
Section
Sanctus
File Type
Symbolic Music
File Format
.mid
File Size
10.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2192
Prevalence of Second Most Common Vertical Interval 0.1961
Prevalence Ratio of Two Most Common Vertical Intervals 0.8949
Vertical Unisons 0.02909
Vertical Minor Seconds 0.003181
Vertical Thirds 0.3281
Vertical Tritones 0.001761
Vertical Perfect Fourths 0.08037
Vertical Perfect Fifths 0.1961
Vertical Sixths 0.1291
Vertical Sevenths 0.02333
Vertical Octaves 0.1901
Perfect Vertical Intervals 0.4956
Vertical Dissonance Ratio 0.04944
Vertical Minor Third Prevalence 0.3216
Vertical Major Third Prevalence 0.371
Chord Duration 2.155
Partial Chords 0.6452
Standard Triads 0.2874
Diminished and Augmented Triads 0.0
Dominant Seventh Chords 0.0
Seventh Chords 0.004774
Non-Standard Chords 0.06254
Complex Chords 0.0
Minor Major Triad Ratio 0.4816
Average Number of Simultaneous Pitch Classes 2.186
Variability of Number of Simultaneous Pitch Classes 0.6658
Average Number of Simultaneous Pitches 2.654
Variability of Number of Simultaneous Pitches 0.9257
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 6.936
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 85.02
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2059
Stepwise Motion 0.6606
Melodic Thirds 0.1516
Melodic Perfect Fourths 0.07436
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04957
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.01239
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.607
Melodic Embellishments 0.02469
Direction of Melodic Motion 0.4683
Average Length of Melodic Arcs 2.006
Average Interval Spanned by Melodic Arcs 5.228
Melodic Pitch Variety 5.21
Mean Melodic Interval 2.496
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4547
Relative Prevalence of Most Common Melodic Intervals 0.4528
Amount of Arpeggiation 0.265
Repeated Notes 0.05148
Importance of Middle Register 0.8357
Importance of High Register 0.06268
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 62.17
Mean Pitch Class 4.832
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1206
Prevalence of Most Common Pitch Class 0.2165
Relative Prevalence of Top Pitches 0.8898
Relative Prevalence of Top Pitch Classes 0.7851
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.858
Pitch Class Variability 3.646
Pitch Class Variability After Folding 3.227
Pitch Skewness 0.3565
Pitch Class Skewness -0.1383
Pitch Class Skewness After Folding 1.022
Pitch Kurtosis 5.559
Pitch Class Kurtosis 4.805
Pitch Class Kurtosis After Folding 7.114
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 23.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 9.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.1016
Note Density per Quarter Note 0.9294
Note Density per Quarter Note per Voice 0.2323
Note Density per Quarter Note Variability 0.4776
Range of Rhythmic Values 11.0
Number of Different Rhythmic Values Present 10.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.005698
Prevalence of Short Rhythmic Values 0.005698
Prevalence of Medium Rhythmic Values 0.4217
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7987
Prevalence of Very Long Rhythmic Values 0.1216
Prevalence of Dotted Notes 0.3818
Shortest Rhythmic Value 0.125
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.059
Most Common Rhythmic Value 3.0
Prevalence of Most Common Rhythmic Value 0.2422
Relative Prevalence of Most Common Rhythmic Values 0.9333
Difference Between Most Common Rhythmic Values 1.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.781
Rhythmic Value Skewness 0.09878
Rhythmic Value Kurtosis 9.093
Mean Rhythmic Value Run Length 1.685
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.412
Mean Rhythmic Value Offset 0.1184
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.1973
Complete Rests Fraction 0.0009603
Partial Rests Fraction 0.6933
Average Rest Fraction Across Voices 0.3172
Longest Complete Rest 1.028
Longest Partial Rest 327.9
Mean Complete Rest Duration 1.028
Mean Partial Rest Duration 20.83
Median Complete Rest Duration 1.028
Median Partial Rest Duration 2.763
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 55.68
Variability Across Voices of Combined Rests 198.4
Number of Strong Rhythmic Pulses - Tempo Standardized 4.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 5.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 4.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 45.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.333
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.3196
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.3114
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 1.026
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.631
Rhythmic Variability - Tempo Standardized 0.03799
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.5
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1053.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 3.746
Minimum Note Duration 0.002155
Maximum Note Duration 3.103
Average Note Duration 0.7335
Variability of Note Durations 0.4182
Amount of Staccato 0.005698
Number of Strong Rhythmic Pulses 5.0
Number of Moderate Rhythmic Pulses 8.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 247.3
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 41.0
Harmonicity of Two Strongest Rhythmic Pulses 1.463
Strength of Strongest Rhythmic Pulse 0.2218
Strength of Second Strongest Rhythmic Pulse 0.1635
Strength Ratio of Two Strongest Rhythmic Pulses 1.356
Combined Strength of Two Strongest Rhythmic Pulses 0.3853
Rhythmic Variability 0.02952
Rhythmic Looseness 0.0
Polyrhythms 0.4
Tempo Variability 54.23
Duration in Seconds 282.8
Note Density 3.724
Note Density Variability 1.335
Average Time Between Attacks 0.5144
Average Time Between Attacks for Each Voice 1.157
Variability of Time Between Attacks 0.2848
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5484
Relative Range Isolation of Loudest Voice 0.5
Relative Range of Highest Line 0.5484
Relative Note Density of Highest Line 0.2621
Relative Note Durations of Lowest Line 1.114
Relative Size of Melodic Intervals in Lowest Line 0.8889
Voice Overlap 0.8291
Voice Separation 5.333
Variability of Voice Separation 2.082
Parallel Motion 0.05166
Average Number of Independent Voices 2.735
Similar Motion 0.2055
Contrary Motion 0.2526
Oblique Motion 0.4902
Parallel Fifths 0.008037
Parallel Octaves 0.001148
Variability of Number of Independent Voices 0.9489
Voice Equality - Number of Notes 85.02
Voice Equality - Note Duration 49.51
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 2.16
Importance of Loudest Voice 10.0