| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1839 |
| Prevalence of Second Most Common Vertical Interval |
0.179 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9734 |
| Vertical Unisons |
0.01781 |
| Vertical Minor Seconds |
0.004088 |
| Vertical Thirds |
0.3485 |
| Vertical Tritones |
0.01027 |
| Vertical Perfect Fourths |
0.08832 |
| Vertical Perfect Fifths |
0.179 |
| Vertical Sixths |
0.145 |
| Vertical Sevenths |
0.02396 |
| Vertical Octaves |
0.1661 |
| Perfect Vertical Intervals |
0.4512 |
| Vertical Dissonance Ratio |
0.05846 |
| Vertical Minor Third Prevalence |
0.4703 |
| Vertical Major Third Prevalence |
0.4571 |
| Chord Duration |
2.318 |
| Partial Chords |
0.4102 |
| Standard Triads |
0.4618 |
| Diminished and Augmented Triads |
0.02144 |
| Dominant Seventh Chords |
0.001738 |
| Seventh Chords |
0.01217 |
| Non-Standard Chords |
0.1159 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.023 |
| Average Number of Simultaneous Pitch Classes |
2.537 |
| Variability of Number of Simultaneous Pitch Classes |
0.64 |
| Average Number of Simultaneous Pitches |
3.119 |
| Variability of Number of Simultaneous Pitches |
0.841 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.835 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
100.7 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2164 |
| Stepwise Motion |
0.6718 |
| Melodic Thirds |
0.1419 |
| Melodic Perfect Fourths |
0.06091 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03607 |
| Melodic Sixths |
0.002957 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01597 |
| Melodic Large Intervals |
0.0005914 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.857 |
| Melodic Embellishments |
0.02594 |
| Direction of Melodic Motion |
0.4603 |
| Average Length of Melodic Arcs |
2.046 |
| Average Interval Spanned by Melodic Arcs |
5.222 |
| Melodic Pitch Variety |
5.454 |
| Mean Melodic Interval |
2.384 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4554 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4753 |
| Amount of Arpeggiation |
0.2637 |
| Repeated Notes |
0.06978 |
| Importance of Middle Register |
0.6781 |
| Importance of High Register |
0.007665 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.76 |
| Mean Pitch Class |
5.613 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.09788 |
| Prevalence of Most Common Pitch Class |
0.1904 |
| Relative Prevalence of Top Pitches |
0.8916 |
| Relative Prevalence of Top Pitch Classes |
0.8607 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
7.523 |
| Pitch Class Variability |
3.319 |
| Pitch Class Variability After Folding |
4.109 |
| Pitch Skewness |
0.04797 |
| Pitch Class Skewness |
-0.3496 |
| Pitch Class Skewness After Folding |
1.169 |
| Pitch Kurtosis |
5.2 |
| Pitch Class Kurtosis |
4.791 |
| Pitch Class Kurtosis After Folding |
4.621 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3143 |
| Note Density per Quarter Note |
0.9293 |
| Note Density per Quarter Note per Voice |
0.2323 |
| Note Density per Quarter Note Variability |
0.4894 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007075 |
| Prevalence of Medium Rhythmic Values |
0.5159 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8084 |
| Prevalence of Very Long Rhythmic Values |
0.1504 |
| Prevalence of Dotted Notes |
0.1527 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.347 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3243 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7727 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.494 |
| Rhythmic Value Skewness |
1.62 |
| Rhythmic Value Kurtosis |
8.939 |
| Mean Rhythmic Value Run Length |
1.588 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.166 |
| Mean Rhythmic Value Offset |
0.07547 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5941 |
| Complete Rests Fraction |
0.001788 |
| Partial Rests Fraction |
0.5389 |
| Average Rest Fraction Across Voices |
0.1997 |
| Longest Complete Rest |
2.222 |
| Longest Partial Rest |
176.6 |
| Mean Complete Rest Duration |
1.632 |
| Mean Partial Rest Duration |
20.53 |
| Median Complete Rest Duration |
2.222 |
| Median Partial Rest Duration |
4.204 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.834 |
| Variability of Partial Rest Durations |
34.41 |
| Variability Across Voices of Combined Rests |
319.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5597 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2244 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.494 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7841 |
| Rhythmic Variability - Tempo Standardized |
0.05018 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1696.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.118 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.8483 |
| Variability of Note Durations |
0.7067 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
252.5 |
| Strongest Rhythmic Pulse |
61.0 |
| Second Strongest Rhythmic Pulse |
41.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.2915 |
| Strength of Second Strongest Rhythmic Pulse |
0.2692 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.083 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5607 |
| Rhythmic Variability |
0.03768 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
60.05 |
| Duration in Seconds |
449.1 |
| Note Density |
3.777 |
| Note Density Variability |
1.418 |
| Average Time Between Attacks |
0.501 |
| Average Time Between Attacks for Each Voice |
1.374 |
| Variability of Time Between Attacks |
0.3606 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5758 |
| Relative Range Isolation of Loudest Voice |
0.6152 |
| Relative Range of Highest Line |
0.5758 |
| Relative Note Density of Highest Line |
0.1557 |
| Relative Note Durations of Lowest Line |
0.9484 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.763 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
4.726 |
| Parallel Motion |
0.0535 |
| Average Number of Independent Voices |
3.187 |
| Similar Motion |
0.133 |
| Contrary Motion |
0.2115 |
| Oblique Motion |
0.602 |
| Parallel Fifths |
0.004 |
| Parallel Octaves |
0.001 |
| Variability of Number of Independent Voices |
0.8309 |
| Voice Equality - Number of Notes |
192.5 |
| Voice Equality - Note Duration |
78.63 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.986 |
| Importance of Loudest Voice |
15.0 |