File

Last modified on: April 13, 2020, 8:27 p.m.

Mar1001c-Missa_Cela_sans_plus-Credo.mid


Source
RenComp7
Musical Work
Missa Cela sans plus
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
17.5 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2004
Prevalence of Second Most Common Vertical Interval 0.1994
Prevalence Ratio of Two Most Common Vertical Intervals 0.9949
Vertical Unisons 0.03521
Vertical Minor Seconds 0.002906
Vertical Thirds 0.3151
Vertical Tritones 0.007837
Vertical Perfect Fourths 0.08152
Vertical Perfect Fifths 0.1994
Vertical Sixths 0.1434
Vertical Sevenths 0.0264
Vertical Octaves 0.1652
Perfect Vertical Intervals 0.4813
Vertical Dissonance Ratio 0.06411
Vertical Minor Third Prevalence 0.4706
Vertical Major Third Prevalence 0.399
Chord Duration 2.911
Partial Chords 0.4468
Standard Triads 0.4038
Diminished and Augmented Triads 0.01686
Dominant Seventh Chords 0.001022
Seventh Chords 0.01124
Non-Standard Chords 0.1381
Complex Chords 0.0
Minor Major Triad Ratio 0.9059
Average Number of Simultaneous Pitch Classes 2.473
Variability of Number of Simultaneous Pitch Classes 0.6739
Average Number of Simultaneous Pitches 3.02
Variability of Number of Simultaneous Pitches 0.8003
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 6.144
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 166.3
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1819
Stepwise Motion 0.66
Melodic Thirds 0.1565
Melodic Perfect Fourths 0.07932
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04495
Melodic Sixths 0.001058
Melodic Sevenths 0.001586
Melodic Octaves 0.01534
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.364
Melodic Embellishments 0.0285
Direction of Melodic Motion 0.4429
Average Length of Melodic Arcs 1.981
Average Interval Spanned by Melodic Arcs 5.289
Melodic Pitch Variety 5.815
Mean Melodic Interval 2.574
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4781
Relative Prevalence of Most Common Melodic Intervals 0.3805
Amount of Arpeggiation 0.2597
Repeated Notes 0.04125
Importance of Middle Register 0.6654
Importance of High Register 0.006332
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 56.89
Mean Pitch Class 5.194
Most Common Pitch 62.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1103
Prevalence of Most Common Pitch Class 0.21
Relative Prevalence of Top Pitches 0.8995
Relative Prevalence of Top Pitch Classes 0.804
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.938
Pitch Class Variability 3.422
Pitch Class Variability After Folding 3.066
Pitch Skewness 0.2708
Pitch Class Skewness 0.1698
Pitch Class Skewness After Folding 0.4115
Pitch Kurtosis 5.286
Pitch Class Kurtosis 4.84
Pitch Class Kurtosis After Folding 7.327
Major or Minor 0.0
First Pitch 50.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 26.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.3282
Note Density per Quarter Note 0.8985
Note Density per Quarter Note per Voice 0.2246
Note Density per Quarter Note Variability 0.4603
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.4211
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8786
Prevalence of Very Long Rhythmic Values 0.1303
Prevalence of Dotted Notes 0.1087
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.491
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.3947
Relative Prevalence of Most Common Rhythmic Values 0.7594
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.105
Rhythmic Value Skewness -0.7258
Rhythmic Value Kurtosis 9.014
Mean Rhythmic Value Run Length 1.627
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.207
Mean Rhythmic Value Offset 0.0153
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4774
Complete Rests Fraction 0.0003141
Partial Rests Fraction 0.5974
Average Rest Fraction Across Voices 0.2094
Longest Complete Rest 0.6625
Longest Partial Rest 511.4
Mean Complete Rest Duration 0.6625
Mean Partial Rest Duration 19.2
Median Complete Rest Duration 0.6625
Median Partial Rest Duration 4.073
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 57.05
Variability Across Voices of Combined Rests 375.5
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6557
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1691
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.877
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8248
Rhythmic Variability - Tempo Standardized 0.05477
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1895.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 2.506
Minimum Note Duration 0.2083
Maximum Note Duration 6.667
Average Note Duration 0.72
Variability of Note Durations 0.4373
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 311.2
Strongest Rhythmic Pulse 74.0
Second Strongest Rhythmic Pulse 49.0
Harmonicity of Two Strongest Rhythmic Pulses 1.51
Strength of Strongest Rhythmic Pulse 0.3354
Strength of Second Strongest Rhythmic Pulse 0.2523
Strength Ratio of Two Strongest Rhythmic Pulses 1.329
Combined Strength of Two Strongest Rhythmic Pulses 0.5877
Rhythmic Variability 0.03806
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 80.82
Duration in Seconds 431.5
Note Density 4.392
Note Density Variability 1.183
Average Time Between Attacks 0.4444
Average Time Between Attacks for Each Voice 1.01
Variability of Time Between Attacks 0.2218
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5484
Relative Range Isolation of Loudest Voice 0.2447
Relative Range of Highest Line 0.5484
Relative Note Density of Highest Line 0.1372
Relative Note Durations of Lowest Line 0.9899
Relative Size of Melodic Intervals in Lowest Line 0.8889
Voice Overlap 0.8639
Voice Separation 5.333
Variability of Voice Separation 2.082
Parallel Motion 0.05941
Average Number of Independent Voices 3.151
Similar Motion 0.1483
Contrary Motion 0.2082
Oblique Motion 0.5841
Parallel Fifths 0.002996
Parallel Octaves 0.002496
Variability of Number of Independent Voices 0.7955
Voice Equality - Number of Notes 166.3
Voice Equality - Note Duration 76.83
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 2.5
Importance of Loudest Voice 11.67