File

Last modified on: April 13, 2020, 8:28 p.m.

Mar2075-Miserere_mei_deus.mid


Source
RenComp7
Musical Work
Miserere mei deus
File Type
Symbolic Music
File Format
.mid
File Size
19.3 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2217
Prevalence of Second Most Common Vertical Interval 0.1934
Prevalence Ratio of Two Most Common Vertical Intervals 0.8723
Vertical Unisons 0.01151
Vertical Minor Seconds 0.0
Vertical Thirds 0.3086
Vertical Tritones 0.002703
Vertical Perfect Fourths 0.03349
Vertical Perfect Fifths 0.2217
Vertical Sixths 0.2203
Vertical Sevenths 0.01595
Vertical Octaves 0.1819
Perfect Vertical Intervals 0.4486
Vertical Dissonance Ratio 0.02308
Vertical Minor Third Prevalence 0.3337
Vertical Major Third Prevalence 0.4435
Chord Duration 3.232
Partial Chords 0.464
Standard Triads 0.4786
Diminished and Augmented Triads 0.001125
Dominant Seventh Chords 0.0
Seventh Chords 0.0
Non-Standard Chords 0.05737
Complex Chords 0.0
Minor Major Triad Ratio 0.9429
Average Number of Simultaneous Pitch Classes 2.456
Variability of Number of Simultaneous Pitch Classes 0.5937
Average Number of Simultaneous Pitches 2.956
Variability of Number of Simultaneous Pitches 0.2056
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 20.0
Variation of Dynamics 8.539
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 10.5
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 3.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.155
Stepwise Motion 0.4706
Melodic Thirds 0.09974
Melodic Perfect Fourths 0.05473
Melodic Tritones 0.0
Melodic Perfect Fifths 0.02558
Melodic Sixths 0.004092
Melodic Sevenths 0.0
Melodic Octaves 0.0133
Melodic Large Intervals 0.0
Most Common Melodic Interval 0.0
Minor Major Melodic Third Ratio 1.167
Melodic Embellishments 0.002554
Direction of Melodic Motion 0.4479
Average Length of Melodic Arcs 1.721
Average Interval Spanned by Melodic Arcs 4.568
Melodic Pitch Variety 3.788
Mean Melodic Interval 1.78
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.332
Relative Prevalence of Most Common Melodic Intervals 0.9507
Amount of Arpeggiation 0.4706
Repeated Notes 0.332
Importance of Middle Register 0.9132
Importance of High Register 0.003575
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 62.37
Mean Pitch Class 4.669
Most Common Pitch 72.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.168
Prevalence of Most Common Pitch Class 0.2891
Relative Prevalence of Top Pitches 0.7234
Relative Prevalence of Top Pitch Classes 0.5636
Interval Between Most Prevalent Pitches 15.0
Interval Between Most Prevalent Pitch Classes 9.0
Pitch Variability 6.732
Pitch Class Variability 3.855
Pitch Class Variability After Folding 3.006
Pitch Skewness -0.4912
Pitch Class Skewness 0.5206
Pitch Class Skewness After Folding 0.7616
Pitch Kurtosis 4.977
Pitch Class Kurtosis 4.649
Pitch Class Kurtosis After Folding 7.877
Major or Minor 0.0
First Pitch 60.0
First Pitch Class 0.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 19.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 5.0
Number of Common Pitch Classes 1.0
Range 26.0
Importance of Bass Register 0.08325
Note Density per Quarter Note 1.003
Note Density per Quarter Note per Voice 0.3342
Note Density per Quarter Note Variability 0.3084
Range of Rhythmic Values 6.0
Number of Different Rhythmic Values Present 6.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.57
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.9607
Prevalence of Very Long Rhythmic Values 0.01532
Prevalence of Dotted Notes 0.0143
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 8.0
Mean Rhythmic Value 2.866
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5306
Relative Prevalence of Most Common Rhythmic Values 0.7575
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.196
Rhythmic Value Skewness 2.172
Rhythmic Value Kurtosis 8.475
Mean Rhythmic Value Run Length 2.021
Median Rhythmic Value Run Length 2.0
Variability in Rhythmic Value Run Lengths 1.237
Mean Rhythmic Value Offset 0.0
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.0
Complete Rests Fraction 0.03942
Partial Rests Fraction 0.04761
Average Rest Fraction Across Voices 0.04215
Longest Complete Rest 4.0
Longest Partial Rest 4.0
Mean Complete Rest Duration 3.85
Mean Partial Rest Duration 3.632
Median Complete Rest Duration 4.0
Median Partial Rest Duration 4.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.6727
Variability of Partial Rest Durations 0.8634
Variability Across Voices of Combined Rests 7.572
Number of Strong Rhythmic Pulses - Tempo Standardized 1.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.8906
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.05808
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 15.33
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.9487
Rhythmic Variability - Tempo Standardized 0.0704
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 1958.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 0.3785
Minimum Note Duration 0.2586
Maximum Note Duration 2.069
Average Note Duration 0.7413
Variability of Note Durations 0.3094
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 2.0
Number of Moderate Rhythmic Pulses 4.0
Number of Relatively Strong Rhythmic Pulses 2.0
Mean Tempo 232.0
Strongest Rhythmic Pulse 58.0
Second Strongest Rhythmic Pulse 116.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.5285
Strength of Second Strongest Rhythmic Pulse 0.4237
Strength Ratio of Two Strongest Rhythmic Pulses 1.247
Combined Strength of Two Strongest Rhythmic Pulses 0.9522
Rhythmic Variability 0.05325
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 8.111e-10
Duration in Seconds 505.1
Note Density 3.877
Note Density Variability 0.8275
Average Time Between Attacks 0.6736
Average Time Between Attacks for Each Voice 0.7695
Variability of Time Between Attacks 0.3606
Maximum Number of Independent Voices 3.0
Relative Range of Loudest Voice 0.3846
Relative Range Isolation of Loudest Voice 0.8729
Relative Range of Highest Line 0.3846
Relative Note Density of Highest Line 0.1073
Relative Note Durations of Lowest Line 1.012
Relative Size of Melodic Intervals in Lowest Line 0.75
Voice Overlap 0.6256
Voice Separation 7.5
Variability of Voice Separation 0.7071
Parallel Motion 0.06434
Average Number of Independent Voices 2.991
Similar Motion 0.2546
Contrary Motion 0.3279
Oblique Motion 0.3532
Parallel Fifths 0.01164
Parallel Octaves 0.00616
Variability of Number of Independent Voices 0.09196
Voice Equality - Number of Notes 10.5
Voice Equality - Note Duration 1.958
Voice Equality - Dynamics 10.41
Voice Equality - Melodic Leaps 0.5774
Voice Equality - Range 2.0
Importance of Loudest Voice 12.5