| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1999 |
| Prevalence of Second Most Common Vertical Interval |
0.193 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9655 |
| Vertical Unisons |
0.02531 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.3404 |
| Vertical Tritones |
0.01507 |
| Vertical Perfect Fourths |
0.09462 |
| Vertical Perfect Fifths |
0.1806 |
| Vertical Sixths |
0.1312 |
| Vertical Sevenths |
0.02679 |
| Vertical Octaves |
0.1746 |
| Perfect Vertical Intervals |
0.4751 |
| Vertical Dissonance Ratio |
0.05627 |
| Vertical Minor Third Prevalence |
0.5859 |
| Vertical Major Third Prevalence |
0.454 |
| Chord Duration |
2.133 |
| Partial Chords |
0.336 |
| Standard Triads |
0.4767 |
| Diminished and Augmented Triads |
0.05645 |
| Dominant Seventh Chords |
0.002688 |
| Seventh Chords |
0.01882 |
| Non-Standard Chords |
0.1685 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.217 |
| Average Number of Simultaneous Pitch Classes |
2.656 |
| Variability of Number of Simultaneous Pitch Classes |
0.6137 |
| Average Number of Simultaneous Pitches |
3.398 |
| Variability of Number of Simultaneous Pitches |
0.6923 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.971 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
19.36 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1925 |
| Stepwise Motion |
0.6315 |
| Melodic Thirds |
0.176 |
| Melodic Perfect Fourths |
0.07039 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02692 |
| Melodic Sixths |
0.006211 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008282 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.25 |
| Melodic Embellishments |
0.01643 |
| Direction of Melodic Motion |
0.4369 |
| Average Length of Melodic Arcs |
1.805 |
| Average Interval Spanned by Melodic Arcs |
4.541 |
| Melodic Pitch Variety |
4.624 |
| Mean Melodic Interval |
2.333 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4389 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4387 |
| Amount of Arpeggiation |
0.2919 |
| Repeated Notes |
0.08075 |
| Importance of Middle Register |
0.6756 |
| Importance of High Register |
0.002053 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.31 |
| Mean Pitch Class |
5.051 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1109 |
| Prevalence of Most Common Pitch Class |
0.193 |
| Relative Prevalence of Top Pitches |
0.9815 |
| Relative Prevalence of Top Pitch Classes |
0.9574 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.74 |
| Pitch Class Variability |
3.377 |
| Pitch Class Variability After Folding |
3.395 |
| Pitch Skewness |
0.3044 |
| Pitch Class Skewness |
0.04561 |
| Pitch Class Skewness After Folding |
0.615 |
| Pitch Kurtosis |
5.235 |
| Pitch Class Kurtosis |
4.881 |
| Pitch Class Kurtosis After Folding |
6.446 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3224 |
| Note Density per Quarter Note |
1.265 |
| Note Density per Quarter Note per Voice |
0.3162 |
| Note Density per Quarter Note Variability |
0.527 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6119 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8994 |
| Prevalence of Very Long Rhythmic Values |
0.04312 |
| Prevalence of Dotted Notes |
0.07187 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.774 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5113 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5823 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.433 |
| Rhythmic Value Skewness |
1.62 |
| Rhythmic Value Kurtosis |
11.56 |
| Mean Rhythmic Value Run Length |
1.634 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.219 |
| Mean Rhythmic Value Offset |
0.002053 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.02382 |
| Complete Rests Fraction |
0.002672 |
| Partial Rests Fraction |
0.389 |
| Average Rest Fraction Across Voices |
0.1233 |
| Longest Complete Rest |
1.029 |
| Longest Partial Rest |
20.12 |
| Mean Complete Rest Duration |
1.029 |
| Mean Partial Rest Duration |
6.781 |
| Median Complete Rest Duration |
1.029 |
| Median Partial Rest Duration |
6.223 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.272 |
| Variability Across Voices of Combined Rests |
35.57 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7286 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1375 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.3 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.866 |
| Rhythmic Variability - Tempo Standardized |
0.0591 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
487.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6734 |
| Minimum Note Duration |
0.2091 |
| Maximum Note Duration |
3.103 |
| Average Note Duration |
0.6913 |
| Variability of Note Durations |
0.3642 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
242.3 |
| Strongest Rhythmic Pulse |
41.0 |
| Second Strongest Rhythmic Pulse |
61.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.3162 |
| Strength of Second Strongest Rhythmic Pulse |
0.3009 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.051 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6171 |
| Rhythmic Variability |
0.04069 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
21.45 |
| Duration in Seconds |
96.0 |
| Note Density |
5.073 |
| Note Density Variability |
1.631 |
| Average Time Between Attacks |
0.4734 |
| Average Time Between Attacks for Each Voice |
0.7809 |
| Variability of Time Between Attacks |
0.2419 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.2261 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.5339 |
| Relative Note Durations of Lowest Line |
1.05 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8768 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.05243 |
| Average Number of Independent Voices |
3.516 |
| Similar Motion |
0.1845 |
| Contrary Motion |
0.2932 |
| Oblique Motion |
0.4699 |
| Parallel Fifths |
0.001942 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6691 |
| Voice Equality - Number of Notes |
19.36 |
| Voice Equality - Note Duration |
8.87 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
0.9574 |
| Importance of Loudest Voice |
10.0 |