File

Last modified on: April 13, 2020, 8:28 p.m.

Mar1004c-Missa_Dio_te_salvi_Gotterello-Credo.mid


Source
RenComp7
Musical Work
Missa Dio te salvi Gotterello
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
14.2 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2101
Prevalence of Second Most Common Vertical Interval 0.1872
Prevalence Ratio of Two Most Common Vertical Intervals 0.8911
Vertical Unisons 0.02641
Vertical Minor Seconds 0.002551
Vertical Thirds 0.3166
Vertical Tritones 0.008269
Vertical Perfect Fourths 0.08826
Vertical Perfect Fifths 0.1858
Vertical Sixths 0.1496
Vertical Sevenths 0.02376
Vertical Octaves 0.1837
Perfect Vertical Intervals 0.4842
Vertical Dissonance Ratio 0.05218
Vertical Minor Third Prevalence 0.4485
Vertical Major Third Prevalence 0.3318
Chord Duration 3.047
Partial Chords 0.5047
Standard Triads 0.3829
Diminished and Augmented Triads 0.02498
Dominant Seventh Chords 0.0006246
Seventh Chords 0.003748
Non-Standard Chords 0.1087
Complex Chords 0.0
Minor Major Triad Ratio 1.376
Average Number of Simultaneous Pitch Classes 2.386
Variability of Number of Simultaneous Pitch Classes 0.6621
Average Number of Simultaneous Pitches 2.967
Variability of Number of Simultaneous Pitches 0.847
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 20.0
Variation of Dynamics 7.173
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 40.29
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1954
Stepwise Motion 0.6226
Melodic Thirds 0.141
Melodic Perfect Fourths 0.0685
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03022
Melodic Sixths 0.002686
Melodic Sevenths 0.0006716
Melodic Octaves 0.006044
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.962
Melodic Embellishments 0.01875
Direction of Melodic Motion 0.4476
Average Length of Melodic Arcs 2.009
Average Interval Spanned by Melodic Arcs 4.975
Melodic Pitch Variety 5.037
Mean Melodic Interval 2.165
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4271
Relative Prevalence of Most Common Melodic Intervals 0.4575
Amount of Arpeggiation 0.3062
Repeated Notes 0.1283
Importance of Middle Register 0.6437
Importance of High Register 0.004689
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 56.67
Mean Pitch Class 5.052
Most Common Pitch 57.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1092
Prevalence of Most Common Pitch Class 0.2123
Relative Prevalence of Top Pitches 0.9877
Relative Prevalence of Top Pitch Classes 0.918
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.842
Pitch Class Variability 3.451
Pitch Class Variability After Folding 3.204
Pitch Skewness 0.151
Pitch Class Skewness 0.04542
Pitch Class Skewness After Folding 0.5632
Pitch Kurtosis 5.195
Pitch Class Kurtosis 4.792
Pitch Class Kurtosis After Folding 6.831
Major or Minor 0.0
First Pitch 57.0
First Pitch Class 9.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 28.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.3516
Note Density per Quarter Note 0.8536
Note Density per Quarter Note per Voice 0.2134
Note Density per Quarter Note Variability 0.4634
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.4387
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8875
Prevalence of Very Long Rhythmic Values 0.144
Prevalence of Dotted Notes 0.1011
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.566
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.3798
Relative Prevalence of Most Common Rhythmic Values 0.8589
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.271
Rhythmic Value Skewness -0.5734
Rhythmic Value Kurtosis 9.1
Mean Rhythmic Value Run Length 1.568
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.046
Mean Rhythmic Value Offset 0.01608
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.3871
Complete Rests Fraction 0.0003479
Partial Rests Fraction 0.62
Average Rest Fraction Across Voices 0.2424
Longest Complete Rest 0.6085
Longest Partial Rest 78.95
Mean Complete Rest Duration 0.6085
Mean Partial Rest Duration 16.79
Median Complete Rest Duration 0.6085
Median Partial Rest Duration 11.22
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 16.67
Variability Across Voices of Combined Rests 125.5
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.7001
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1626
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.306
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8627
Rhythmic Variability - Tempo Standardized 0.05751
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1493.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.553
Minimum Note Duration 0.1367
Maximum Note Duration 6.207
Average Note Duration 0.7907
Variability of Note Durations 0.4854
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 288.6
Strongest Rhythmic Pulse 68.0
Second Strongest Rhythmic Pulse 45.0
Harmonicity of Two Strongest Rhythmic Pulses 1.511
Strength of Strongest Rhythmic Pulse 0.3581
Strength of Second Strongest Rhythmic Pulse 0.2951
Strength Ratio of Two Strongest Rhythmic Pulses 1.213
Combined Strength of Two Strongest Rhythmic Pulses 0.6532
Rhythmic Variability 0.04136
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 85.3
Duration in Seconds 389.6
Note Density 3.832
Note Density Variability 1.119
Average Time Between Attacks 0.5359
Average Time Between Attacks for Each Voice 1.044
Variability of Time Between Attacks 0.2858
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5484
Relative Range Isolation of Loudest Voice 0.09038
Relative Range of Highest Line 0.5484
Relative Note Density of Highest Line 0.1741
Relative Note Durations of Lowest Line 1.006
Relative Size of Melodic Intervals in Lowest Line 0.6667
Voice Overlap 0.9056
Voice Separation 5.333
Variability of Voice Separation 1.155
Parallel Motion 0.0518
Average Number of Independent Voices 3.059
Similar Motion 0.1697
Contrary Motion 0.232
Oblique Motion 0.5465
Parallel Fifths 0.002252
Parallel Octaves 0.002252
Variability of Number of Independent Voices 0.8683
Voice Equality - Number of Notes 40.29
Voice Equality - Note Duration 27.95
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.5774
Voice Equality - Range 1.258
Importance of Loudest Voice 10.0