| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2064 |
| Prevalence of Second Most Common Vertical Interval |
0.1985 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9617 |
| Vertical Unisons |
0.01795 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.284 |
| Vertical Tritones |
0.004487 |
| Vertical Perfect Fourths |
0.03393 |
| Vertical Perfect Fifths |
0.1985 |
| Vertical Sixths |
0.2509 |
| Vertical Sevenths |
0.0185 |
| Vertical Octaves |
0.1885 |
| Perfect Vertical Intervals |
0.4388 |
| Vertical Dissonance Ratio |
0.02696 |
| Vertical Minor Third Prevalence |
0.4176 |
| Vertical Major Third Prevalence |
0.3454 |
| Chord Duration |
3.568 |
| Partial Chords |
0.3852 |
| Standard Triads |
0.5359 |
| Diminished and Augmented Triads |
0.01332 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.07889 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.767 |
| Average Number of Simultaneous Pitch Classes |
2.459 |
| Variability of Number of Simultaneous Pitch Classes |
0.664 |
| Average Number of Simultaneous Pitches |
2.937 |
| Variability of Number of Simultaneous Pitches |
0.2429 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.45 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
9.238 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1314 |
| Stepwise Motion |
0.3814 |
| Melodic Thirds |
0.1022 |
| Melodic Perfect Fourths |
0.06661 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02281 |
| Melodic Sixths |
0.006387 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01551 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.383 |
| Melodic Embellishments |
0.0 |
| Direction of Melodic Motion |
0.4233 |
| Average Length of Melodic Arcs |
1.672 |
| Average Interval Spanned by Melodic Arcs |
4.795 |
| Melodic Pitch Variety |
3.471 |
| Mean Melodic Interval |
1.717 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4051 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6171 |
| Amount of Arpeggiation |
0.5456 |
| Repeated Notes |
0.4051 |
| Importance of Middle Register |
0.9254 |
| Importance of High Register |
0.009099 |
| Dominant Spread |
2.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.57 |
| Mean Pitch Class |
4.337 |
| Most Common Pitch |
72.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.2038 |
| Prevalence of Most Common Pitch Class |
0.3312 |
| Relative Prevalence of Top Pitches |
0.8571 |
| Relative Prevalence of Top Pitch Classes |
0.6044 |
| Interval Between Most Prevalent Pitches |
8.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
6.67 |
| Pitch Class Variability |
3.846 |
| Pitch Class Variability After Folding |
2.363 |
| Pitch Skewness |
-0.4575 |
| Pitch Class Skewness |
0.2626 |
| Pitch Class Skewness After Folding |
0.4298 |
| Pitch Kurtosis |
5.019 |
| Pitch Class Kurtosis |
4.621 |
| Pitch Class Kurtosis After Folding |
9.144 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.06551 |
| Note Density per Quarter Note |
0.9734 |
| Note Density per Quarter Note per Voice |
0.3245 |
| Note Density per Quarter Note Variability |
0.3058 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5541 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9727 |
| Prevalence of Very Long Rhythmic Values |
0.02275 |
| Prevalence of Dotted Notes |
0.01365 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.941 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5268 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7789 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.264 |
| Rhythmic Value Skewness |
2.232 |
| Rhythmic Value Kurtosis |
9.193 |
| Mean Rhythmic Value Run Length |
1.835 |
| Median Rhythmic Value Run Length |
2.0 |
| Variability in Rhythmic Value Run Lengths |
1.059 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.04339 |
| Partial Rests Fraction |
0.05048 |
| Average Rest Fraction Across Voices |
0.04576 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
4.0 |
| Mean Complete Rest Duration |
3.769 |
| Mean Partial Rest Duration |
3.604 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.8344 |
| Variability of Partial Rest Durations |
0.9311 |
| Variability Across Voices of Combined Rests |
4.619 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.9029 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.05321 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
16.97 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9561 |
| Rhythmic Variability - Tempo Standardized |
0.07132 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1099.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3967 |
| Minimum Note Duration |
0.2586 |
| Maximum Note Duration |
2.069 |
| Average Note Duration |
0.7606 |
| Variability of Note Durations |
0.327 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.5234 |
| Strength of Second Strongest Rhythmic Pulse |
0.4366 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.199 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9601 |
| Rhythmic Variability |
0.05358 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0000000004752 |
| Duration in Seconds |
292.0 |
| Note Density |
3.764 |
| Note Density Variability |
0.7165 |
| Average Time Between Attacks |
0.6891 |
| Average Time Between Attacks for Each Voice |
0.791 |
| Variability of Time Between Attacks |
0.3732 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.3077 |
| Relative Range Isolation of Loudest Voice |
0.8864 |
| Relative Range of Highest Line |
0.3077 |
| Relative Note Density of Highest Line |
0.1911 |
| Relative Note Durations of Lowest Line |
0.974 |
| Relative Size of Melodic Intervals in Lowest Line |
0.0 |
| Voice Overlap |
0.4595 |
| Voice Separation |
7.0 |
| Variability of Voice Separation |
1.414 |
| Parallel Motion |
0.05121 |
| Average Number of Independent Voices |
2.993 |
| Similar Motion |
0.2642 |
| Contrary Motion |
0.2749 |
| Oblique Motion |
0.4097 |
| Parallel Fifths |
0.009434 |
| Parallel Octaves |
0.005391 |
| Variability of Number of Independent Voices |
0.08575 |
| Voice Equality - Number of Notes |
9.238 |
| Voice Equality - Note Duration |
1.195 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
1.0 |
| Voice Equality - Range |
3.055 |
| Importance of Loudest Voice |
12.5 |