| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2145 |
| Prevalence of Second Most Common Vertical Interval |
0.1751 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8163 |
| Vertical Unisons |
0.02647 |
| Vertical Minor Seconds |
0.001857 |
| Vertical Thirds |
0.3234 |
| Vertical Tritones |
0.007384 |
| Vertical Perfect Fourths |
0.1053 |
| Vertical Perfect Fifths |
0.1751 |
| Vertical Sixths |
0.1367 |
| Vertical Sevenths |
0.02038 |
| Vertical Octaves |
0.188 |
| Perfect Vertical Intervals |
0.4948 |
| Vertical Dissonance Ratio |
0.0472 |
| Vertical Minor Third Prevalence |
0.419 |
| Vertical Major Third Prevalence |
0.354 |
| Chord Duration |
2.879 |
| Partial Chords |
0.4991 |
| Standard Triads |
0.4016 |
| Diminished and Augmented Triads |
0.01578 |
| Dominant Seventh Chords |
0.00325 |
| Seventh Chords |
0.01068 |
| Non-Standard Chords |
0.08867 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.115 |
| Average Number of Simultaneous Pitch Classes |
2.308 |
| Variability of Number of Simultaneous Pitch Classes |
0.7434 |
| Average Number of Simultaneous Pitches |
2.867 |
| Variability of Number of Simultaneous Pitches |
0.9887 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.878 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
42.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2127 |
| Stepwise Motion |
0.6742 |
| Melodic Thirds |
0.1408 |
| Melodic Perfect Fourths |
0.05447 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04419 |
| Melodic Sixths |
0.001028 |
| Melodic Sevenths |
0.002055 |
| Melodic Octaves |
0.01439 |
| Melodic Large Intervals |
0.002055 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.703 |
| Melodic Embellishments |
0.02968 |
| Direction of Melodic Motion |
0.4394 |
| Average Length of Melodic Arcs |
1.864 |
| Average Interval Spanned by Melodic Arcs |
4.776 |
| Melodic Pitch Variety |
5.234 |
| Mean Melodic Interval |
2.41 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4615 |
| Relative Prevalence of Most Common Melodic Intervals |
0.461 |
| Amount of Arpeggiation |
0.2703 |
| Repeated Notes |
0.0668 |
| Importance of Middle Register |
0.7277 |
| Importance of High Register |
0.01331 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.81 |
| Mean Pitch Class |
5.544 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1259 |
| Prevalence of Most Common Pitch Class |
0.2129 |
| Relative Prevalence of Top Pitches |
0.8293 |
| Relative Prevalence of Top Pitch Classes |
0.8558 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.121 |
| Pitch Class Variability |
3.364 |
| Pitch Class Variability After Folding |
3.981 |
| Pitch Skewness |
0.1199 |
| Pitch Class Skewness |
-1.299 |
| Pitch Class Skewness After Folding |
1.652 |
| Pitch Kurtosis |
5.493 |
| Pitch Class Kurtosis |
4.73 |
| Pitch Class Kurtosis After Folding |
4.901 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.259 |
| Note Density per Quarter Note |
0.7627 |
| Note Density per Quarter Note per Voice |
0.1907 |
| Note Density per Quarter Note Variability |
0.5345 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01024 |
| Prevalence of Medium Rhythmic Values |
0.434 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8362 |
| Prevalence of Very Long Rhythmic Values |
0.1822 |
| Prevalence of Dotted Notes |
0.175 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.763 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3071 |
| Relative Prevalence of Most Common Rhythmic Values |
0.88 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.791 |
| Rhythmic Value Skewness |
0.8195 |
| Rhythmic Value Kurtosis |
8.065 |
| Mean Rhythmic Value Run Length |
1.571 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.342 |
| Mean Rhythmic Value Offset |
0.05322 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6874 |
| Complete Rests Fraction |
0.01644 |
| Partial Rests Fraction |
0.6095 |
| Average Rest Fraction Across Voices |
0.2792 |
| Longest Complete Rest |
12.65 |
| Longest Partial Rest |
92.76 |
| Mean Complete Rest Duration |
5.265 |
| Mean Partial Rest Duration |
16.25 |
| Median Complete Rest Duration |
4.217 |
| Median Partial Rest Duration |
11.89 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
5.134 |
| Variability of Partial Rest Durations |
18.23 |
| Variability Across Voices of Combined Rests |
112.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5395 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2301 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.345 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7696 |
| Rhythmic Variability - Tempo Standardized |
0.04923 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
977.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.996 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.9275 |
| Variability of Note Durations |
0.716 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
247.0 |
| Strongest Rhythmic Pulse |
62.0 |
| Second Strongest Rhythmic Pulse |
41.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.512 |
| Strength of Strongest Rhythmic Pulse |
0.2971 |
| Strength of Second Strongest Rhythmic Pulse |
0.2674 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.111 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5645 |
| Rhythmic Variability |
0.03759 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
25.87 |
| Duration in Seconds |
314.3 |
| Note Density |
3.109 |
| Note Density Variability |
1.684 |
| Average Time Between Attacks |
0.6433 |
| Average Time Between Attacks for Each Voice |
1.288 |
| Variability of Time Between Attacks |
0.5771 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.625 |
| Relative Range Isolation of Loudest Voice |
0.4217 |
| Relative Range of Highest Line |
0.625 |
| Relative Note Density of Highest Line |
0.2743 |
| Relative Note Durations of Lowest Line |
0.9619 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8045 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.06369 |
| Average Number of Independent Voices |
2.959 |
| Similar Motion |
0.2045 |
| Contrary Motion |
0.238 |
| Oblique Motion |
0.4939 |
| Parallel Fifths |
0.003352 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
1.001 |
| Voice Equality - Number of Notes |
42.3 |
| Voice Equality - Note Duration |
27.6 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.559 |
| Importance of Loudest Voice |
11.67 |