Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2077 |
Prevalence of Second Most Common Vertical Interval |
0.1974 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9505 |
Vertical Unisons |
0.03268 |
Vertical Minor Seconds |
0.004844 |
Vertical Thirds |
0.3209 |
Vertical Tritones |
0.006713 |
Vertical Perfect Fourths |
0.0849 |
Vertical Perfect Fifths |
0.1974 |
Vertical Sixths |
0.1319 |
Vertical Sevenths |
0.02362 |
Vertical Octaves |
0.175 |
Perfect Vertical Intervals |
0.49 |
Vertical Dissonance Ratio |
0.06067 |
Vertical Minor Third Prevalence |
0.4785 |
Vertical Major Third Prevalence |
0.3878 |
Chord Duration |
1.953 |
Partial Chords |
0.435 |
Standard Triads |
0.4231 |
Diminished and Augmented Triads |
0.01124 |
Dominant Seventh Chords |
0.005171 |
Seventh Chords |
0.01461 |
Non-Standard Chords |
0.1272 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
1.564 |
Average Number of Simultaneous Pitch Classes |
2.471 |
Variability of Number of Simultaneous Pitch Classes |
0.6902 |
Average Number of Simultaneous Pitches |
3.049 |
Variability of Number of Simultaneous Pitches |
0.813 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
6.682 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
169.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
4.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1992 |
Stepwise Motion |
0.6647 |
Melodic Thirds |
0.1689 |
Melodic Perfect Fourths |
0.07344 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.03942 |
Melodic Sixths |
0.00332 |
Melodic Sevenths |
0.00249 |
Melodic Octaves |
0.007884 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.336 |
Melodic Embellishments |
0.01781 |
Direction of Melodic Motion |
0.4715 |
Average Length of Melodic Arcs |
1.948 |
Average Interval Spanned by Melodic Arcs |
5.006 |
Melodic Pitch Variety |
5.479 |
Mean Melodic Interval |
2.477 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4656 |
Relative Prevalence of Most Common Melodic Intervals |
0.4278 |
Amount of Arpeggiation |
0.2585 |
Repeated Notes |
0.03983 |
Importance of Middle Register |
0.6663 |
Importance of High Register |
0.0 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
56.72 |
Mean Pitch Class |
5.227 |
Most Common Pitch |
57.0 |
Most Common Pitch Class |
9.0 |
Prevalence of Most Common Pitch |
0.1209 |
Prevalence of Most Common Pitch Class |
0.2029 |
Relative Prevalence of Top Pitches |
0.8116 |
Relative Prevalence of Top Pitch Classes |
0.8143 |
Interval Between Most Prevalent Pitches |
3.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.668 |
Pitch Class Variability |
3.562 |
Pitch Class Variability After Folding |
3.171 |
Pitch Skewness |
0.05943 |
Pitch Class Skewness |
0.1908 |
Pitch Class Skewness After Folding |
0.5223 |
Pitch Kurtosis |
5.256 |
Pitch Class Kurtosis |
4.744 |
Pitch Class Kurtosis After Folding |
6.828 |
Major or Minor |
0.0 |
First Pitch |
50.0 |
First Pitch Class |
2.0 |
Last Pitch |
45.0 |
Last Pitch Class |
9.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
27.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
1.0 |
Range |
31.0 |
Importance of Bass Register |
0.3337 |
Note Density per Quarter Note |
0.9975 |
Note Density per Quarter Note per Voice |
0.2494 |
Note Density per Quarter Note Variability |
0.3984 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01491 |
Prevalence of Medium Rhythmic Values |
0.5101 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8087 |
Prevalence of Very Long Rhythmic Values |
0.1151 |
Prevalence of Dotted Notes |
0.1097 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.16 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3188 |
Relative Prevalence of Most Common Rhythmic Values |
0.9987 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.102 |
Rhythmic Value Skewness |
1.656 |
Rhythmic Value Kurtosis |
9.433 |
Mean Rhythmic Value Run Length |
1.642 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.091 |
Mean Rhythmic Value Offset |
0.01822 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.2694 |
Complete Rests Fraction |
0.0004096 |
Partial Rests Fraction |
0.6026 |
Average Rest Fraction Across Voices |
0.2086 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
344.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
14.33 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
49.74 |
Variability Across Voices of Combined Rests |
241.2 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
1.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5651 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2143 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.637 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7795 |
Rhythmic Variability - Tempo Standardized |
0.05013 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
2415.0 |
Initial Tempo |
232.0 |
Average Variability of Time Between Attacks for Each Voice |
3.377 |
Minimum Note Duration |
0.1293 |
Maximum Note Duration |
4.138 |
Average Note Duration |
0.822 |
Variability of Note Durations |
0.5674 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
4.0 |
Number of Moderate Rhythmic Pulses |
4.0 |
Number of Relatively Strong Rhythmic Pulses |
2.0 |
Mean Tempo |
232.0 |
Strongest Rhythmic Pulse |
58.0 |
Second Strongest Rhythmic Pulse |
116.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.4204 |
Strength of Second Strongest Rhythmic Pulse |
0.322 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.305 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.7425 |
Rhythmic Variability |
0.0435 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0000000009 |
Duration in Seconds |
626.1 |
Note Density |
3.857 |
Note Density Variability |
1.149 |
Average Time Between Attacks |
0.4814 |
Average Time Between Attacks for Each Voice |
1.094 |
Variability of Time Between Attacks |
0.297 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.5161 |
Relative Range Isolation of Loudest Voice |
0.1746 |
Relative Range of Highest Line |
0.5161 |
Relative Note Density of Highest Line |
0.106 |
Relative Note Durations of Lowest Line |
1.157 |
Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
Voice Overlap |
0.8812 |
Voice Separation |
5.333 |
Variability of Voice Separation |
3.786 |
Parallel Motion |
0.0551 |
Average Number of Independent Voices |
3.167 |
Similar Motion |
0.1325 |
Contrary Motion |
0.202 |
Oblique Motion |
0.6104 |
Parallel Fifths |
0.002345 |
Parallel Octaves |
0.0007816 |
Variability of Number of Independent Voices |
0.8082 |
Voice Equality - Number of Notes |
169.0 |
Voice Equality - Note Duration |
62.38 |
Voice Equality - Dynamics |
8.539 |
Voice Equality - Melodic Leaps |
0.5 |
Voice Equality - Range |
1.5 |
Importance of Loudest Voice |
11.67 |