| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2076 |
| Prevalence of Second Most Common Vertical Interval |
0.1734 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8353 |
| Vertical Unisons |
0.03082 |
| Vertical Minor Seconds |
0.004604 |
| Vertical Thirds |
0.3181 |
| Vertical Tritones |
0.01168 |
| Vertical Perfect Fourths |
0.09035 |
| Vertical Perfect Fifths |
0.1734 |
| Vertical Sixths |
0.146 |
| Vertical Sevenths |
0.0283 |
| Vertical Octaves |
0.1767 |
| Perfect Vertical Intervals |
0.4713 |
| Vertical Dissonance Ratio |
0.06907 |
| Vertical Minor Third Prevalence |
0.4599 |
| Vertical Major Third Prevalence |
0.4148 |
| Chord Duration |
2.96 |
| Partial Chords |
0.4411 |
| Standard Triads |
0.4021 |
| Diminished and Augmented Triads |
0.03151 |
| Dominant Seventh Chords |
0.00137 |
| Seventh Chords |
0.005479 |
| Non-Standard Chords |
0.1514 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.135 |
| Average Number of Simultaneous Pitch Classes |
2.473 |
| Variability of Number of Simultaneous Pitch Classes |
0.6653 |
| Average Number of Simultaneous Pitches |
3.075 |
| Variability of Number of Simultaneous Pitches |
0.7956 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.207 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
118.6 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2106 |
| Stepwise Motion |
0.6966 |
| Melodic Thirds |
0.1416 |
| Melodic Perfect Fourths |
0.06039 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04457 |
| Melodic Sixths |
0.001438 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01438 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.736 |
| Melodic Embellishments |
0.03513 |
| Direction of Melodic Motion |
0.4753 |
| Average Length of Melodic Arcs |
1.997 |
| Average Interval Spanned by Melodic Arcs |
5.088 |
| Melodic Pitch Variety |
5.548 |
| Mean Melodic Interval |
2.457 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.486 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4334 |
| Amount of Arpeggiation |
0.2416 |
| Repeated Notes |
0.04098 |
| Importance of Middle Register |
0.6638 |
| Importance of High Register |
0.005018 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
57.26 |
| Mean Pitch Class |
5.368 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1011 |
| Prevalence of Most Common Pitch Class |
0.1871 |
| Relative Prevalence of Top Pitches |
0.9716 |
| Relative Prevalence of Top Pitch Classes |
0.9349 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.92 |
| Pitch Class Variability |
3.435 |
| Pitch Class Variability After Folding |
3.157 |
| Pitch Skewness |
0.2191 |
| Pitch Class Skewness |
0.3212 |
| Pitch Class Skewness After Folding |
0.4516 |
| Pitch Kurtosis |
5.316 |
| Pitch Class Kurtosis |
4.848 |
| Pitch Class Kurtosis After Folding |
7.007 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3312 |
| Note Density per Quarter Note |
0.8868 |
| Note Density per Quarter Note per Voice |
0.2217 |
| Note Density per Quarter Note Variability |
0.4536 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4208 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8545 |
| Prevalence of Very Long Rhythmic Values |
0.1541 |
| Prevalence of Dotted Notes |
0.1176 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.574 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3613 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7619 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.298 |
| Rhythmic Value Skewness |
-0.556 |
| Rhythmic Value Kurtosis |
8.248 |
| Mean Rhythmic Value Run Length |
1.618 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.179 |
| Mean Rhythmic Value Offset |
0.02294 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.338 |
| Complete Rests Fraction |
0.0004294 |
| Partial Rests Fraction |
0.5976 |
| Average Rest Fraction Across Voices |
0.2118 |
| Longest Complete Rest |
0.6755 |
| Longest Partial Rest |
182.8 |
| Mean Complete Rest Duration |
0.6755 |
| Mean Partial Rest Duration |
18.77 |
| Median Complete Rest Duration |
0.6755 |
| Median Partial Rest Duration |
5.45 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
32.86 |
| Variability Across Voices of Combined Rests |
221.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5993 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.202 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.966 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8014 |
| Rhythmic Variability - Tempo Standardized |
0.05204 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1395.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.786 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
4.138 |
| Average Note Duration |
0.7132 |
| Variability of Note Durations |
0.4497 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
75.0 |
| Second Strongest Rhythmic Pulse |
50.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3362 |
| Strength of Second Strongest Rhythmic Pulse |
0.2379 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.413 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5742 |
| Rhythmic Variability |
0.03735 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
86.38 |
| Duration in Seconds |
315.6 |
| Note Density |
4.42 |
| Note Density Variability |
1.194 |
| Average Time Between Attacks |
0.4452 |
| Average Time Between Attacks for Each Voice |
0.9984 |
| Variability of Time Between Attacks |
0.2326 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.2455 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.1864 |
| Relative Note Durations of Lowest Line |
0.9726 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.8595 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
2.0 |
| Parallel Motion |
0.06155 |
| Average Number of Independent Voices |
3.192 |
| Similar Motion |
0.1432 |
| Contrary Motion |
0.2248 |
| Oblique Motion |
0.5705 |
| Parallel Fifths |
0.004149 |
| Parallel Octaves |
0.002075 |
| Variability of Number of Independent Voices |
0.796 |
| Voice Equality - Number of Notes |
118.6 |
| Voice Equality - Note Duration |
44.51 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.449 |
| Importance of Loudest Voice |
11.67 |