| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2357 |
| Prevalence of Second Most Common Vertical Interval |
0.2021 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8575 |
| Vertical Unisons |
0.02791 |
| Vertical Minor Seconds |
0.001949 |
| Vertical Thirds |
0.3848 |
| Vertical Tritones |
0.006938 |
| Vertical Perfect Fourths |
0.03391 |
| Vertical Perfect Fifths |
0.1585 |
| Vertical Sixths |
0.1406 |
| Vertical Sevenths |
0.02799 |
| Vertical Octaves |
0.2078 |
| Perfect Vertical Intervals |
0.4281 |
| Vertical Dissonance Ratio |
0.04881 |
| Vertical Minor Third Prevalence |
0.3947 |
| Vertical Major Third Prevalence |
0.4699 |
| Chord Duration |
4.367 |
| Partial Chords |
0.5335 |
| Standard Triads |
0.3682 |
| Diminished and Augmented Triads |
0.006276 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.09833 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6 |
| Average Number of Simultaneous Pitch Classes |
2.318 |
| Variability of Number of Simultaneous Pitch Classes |
0.6479 |
| Average Number of Simultaneous Pitches |
2.831 |
| Variability of Number of Simultaneous Pitches |
0.3945 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.569 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
65.76 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2051 |
| Stepwise Motion |
0.6763 |
| Melodic Thirds |
0.1186 |
| Melodic Perfect Fourths |
0.07692 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05449 |
| Melodic Sixths |
0.003205 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009615 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.9474 |
| Melodic Embellishments |
0.003175 |
| Direction of Melodic Motion |
0.4642 |
| Average Length of Melodic Arcs |
2.035 |
| Average Interval Spanned by Melodic Arcs |
5.243 |
| Melodic Pitch Variety |
5.238 |
| Mean Melodic Interval |
2.474 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4712 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4354 |
| Amount of Arpeggiation |
0.2436 |
| Repeated Notes |
0.0609 |
| Importance of Middle Register |
0.7365 |
| Importance of High Register |
0.05397 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.17 |
| Mean Pitch Class |
4.562 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.09524 |
| Prevalence of Most Common Pitch Class |
0.2413 |
| Relative Prevalence of Top Pitches |
0.9667 |
| Relative Prevalence of Top Pitch Classes |
0.7105 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
8.011 |
| Pitch Class Variability |
3.653 |
| Pitch Class Variability After Folding |
3.165 |
| Pitch Skewness |
-0.1106 |
| Pitch Class Skewness |
0.4615 |
| Pitch Class Skewness After Folding |
0.8938 |
| Pitch Kurtosis |
4.954 |
| Pitch Class Kurtosis |
4.94 |
| Pitch Class Kurtosis After Folding |
7.514 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2095 |
| Note Density per Quarter Note |
0.591 |
| Note Density per Quarter Note per Voice |
0.197 |
| Note Density per Quarter Note Variability |
0.2692 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.181 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9492 |
| Prevalence of Very Long Rhythmic Values |
0.3524 |
| Prevalence of Dotted Notes |
0.1206 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.889 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4667 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4966 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.394 |
| Rhythmic Value Skewness |
1.114 |
| Rhythmic Value Kurtosis |
6.133 |
| Mean Rhythmic Value Run Length |
1.479 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.003 |
| Mean Rhythmic Value Offset |
0.0254 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3182 |
| Complete Rests Fraction |
0.001486 |
| Partial Rests Fraction |
0.09857 |
| Average Rest Fraction Across Voices |
0.03385 |
| Longest Complete Rest |
0.7922 |
| Longest Partial Rest |
9.741 |
| Mean Complete Rest Duration |
0.7922 |
| Mean Partial Rest Duration |
4.51 |
| Median Complete Rest Duration |
0.7922 |
| Median Partial Rest Duration |
4.871 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
2.971 |
| Variability Across Voices of Combined Rests |
6.199 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7947 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1718 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.625 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9665 |
| Rhythmic Variability - Tempo Standardized |
0.06403 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
315.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5426 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.8391 |
| Variability of Note Durations |
0.4727 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
366.5 |
| Strongest Rhythmic Pulse |
44.0 |
| Second Strongest Rhythmic Pulse |
88.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.3729 |
| Strength of Second Strongest Rhythmic Pulse |
0.355 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.05 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7279 |
| Rhythmic Variability |
0.04259 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
75.44 |
| Duration in Seconds |
91.19 |
| Note Density |
3.454 |
| Note Density Variability |
0.9296 |
| Average Time Between Attacks |
0.583 |
| Average Time Between Attacks for Each Voice |
0.8602 |
| Variability of Time Between Attacks |
0.2907 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.7477 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.6667 |
| Relative Note Durations of Lowest Line |
1.008 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.527 |
| Voice Separation |
9.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.04319 |
| Average Number of Independent Voices |
2.91 |
| Similar Motion |
0.1894 |
| Contrary Motion |
0.2757 |
| Oblique Motion |
0.4917 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.2865 |
| Voice Equality - Number of Notes |
6.0 |
| Voice Equality - Note Duration |
1.061 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
1.0 |
| Voice Equality - Range |
2.517 |
| Importance of Loudest Voice |
20.0 |