| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2104 |
| Prevalence of Second Most Common Vertical Interval |
0.2051 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9749 |
| Vertical Unisons |
0.0218 |
| Vertical Minor Seconds |
0.003562 |
| Vertical Thirds |
0.3266 |
| Vertical Tritones |
0.006012 |
| Vertical Perfect Fourths |
0.1041 |
| Vertical Perfect Fifths |
0.1973 |
| Vertical Sixths |
0.1172 |
| Vertical Sevenths |
0.01585 |
| Vertical Octaves |
0.1886 |
| Perfect Vertical Intervals |
0.5118 |
| Vertical Dissonance Ratio |
0.04644 |
| Vertical Minor Third Prevalence |
0.442 |
| Vertical Major Third Prevalence |
0.6469 |
| Chord Duration |
2.968 |
| Partial Chords |
0.2983 |
| Standard Triads |
0.5661 |
| Diminished and Augmented Triads |
0.01186 |
| Dominant Seventh Chords |
0.003051 |
| Seventh Chords |
0.01017 |
| Non-Standard Chords |
0.1254 |
| Complex Chords |
0.000008475 |
| Minor Major Triad Ratio |
0.3745 |
| Average Number of Simultaneous Pitch Classes |
2.678 |
| Variability of Number of Simultaneous Pitch Classes |
0.5686 |
| Average Number of Simultaneous Pitches |
3.491 |
| Variability of Number of Simultaneous Pitches |
0.6541 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.786 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
53.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1752 |
| Stepwise Motion |
0.5323 |
| Melodic Thirds |
0.149 |
| Melodic Perfect Fourths |
0.08762 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06791 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008762 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.615 |
| Melodic Embellishments |
0.03272 |
| Direction of Melodic Motion |
0.4637 |
| Average Length of Melodic Arcs |
1.747 |
| Average Interval Spanned by Melodic Arcs |
4.932 |
| Melodic Pitch Variety |
4.962 |
| Mean Melodic Interval |
2.412 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3571 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4908 |
| Amount of Arpeggiation |
0.3801 |
| Repeated Notes |
0.1544 |
| Importance of Middle Register |
0.8135 |
| Importance of High Register |
0.04035 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.55 |
| Mean Pitch Class |
4.881 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1287 |
| Prevalence of Most Common Pitch Class |
0.2116 |
| Relative Prevalence of Top Pitches |
0.7712 |
| Relative Prevalence of Top Pitch Classes |
0.8814 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.075 |
| Pitch Class Variability |
3.471 |
| Pitch Class Variability After Folding |
3.235 |
| Pitch Skewness |
-0.8083 |
| Pitch Class Skewness |
-0.1027 |
| Pitch Class Skewness After Folding |
1.046 |
| Pitch Kurtosis |
5.394 |
| Pitch Class Kurtosis |
4.95 |
| Pitch Class Kurtosis After Folding |
7.125 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1461 |
| Note Density per Quarter Note |
0.9017 |
| Note Density per Quarter Note per Voice |
0.2254 |
| Note Density per Quarter Note Variability |
0.3792 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3293 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9073 |
| Prevalence of Very Long Rhythmic Values |
0.2236 |
| Prevalence of Dotted Notes |
0.1908 |
| Shortest Rhythmic Value |
0.75 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.966 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3446 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6867 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.282 |
| Rhythmic Value Skewness |
-0.04515 |
| Rhythmic Value Kurtosis |
6.6 |
| Mean Rhythmic Value Run Length |
1.767 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.196 |
| Mean Rhythmic Value Offset |
0.09288 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.744 |
| Complete Rests Fraction |
0.004916 |
| Partial Rests Fraction |
0.3556 |
| Average Rest Fraction Across Voices |
0.1054 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
104.0 |
| Mean Complete Rest Duration |
2.496 |
| Mean Partial Rest Duration |
8.93 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
2.127 |
| Variability of Partial Rest Durations |
17.83 |
| Variability Across Voices of Combined Rests |
112.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.333 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5608 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1553 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.611 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7161 |
| Rhythmic Variability - Tempo Standardized |
0.04771 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
917.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.307 |
| Minimum Note Duration |
0.1724 |
| Maximum Note Duration |
8.276 |
| Average Note Duration |
1.026 |
| Variability of Note Durations |
0.6608 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.4699 |
| Strength of Second Strongest Rhythmic Pulse |
0.2586 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.817 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7285 |
| Rhythmic Variability |
0.0432 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0000000003875 |
| Duration in Seconds |
263.0 |
| Note Density |
3.486 |
| Note Density Variability |
1.197 |
| Average Time Between Attacks |
0.668 |
| Average Time Between Attacks for Each Voice |
1.201 |
| Variability of Time Between Attacks |
0.3745 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.4704 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.301 |
| Relative Note Durations of Lowest Line |
1.07 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.7154 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
5.132 |
| Parallel Motion |
0.04449 |
| Average Number of Independent Voices |
3.596 |
| Similar Motion |
0.181 |
| Contrary Motion |
0.2457 |
| Oblique Motion |
0.5288 |
| Parallel Fifths |
0.006067 |
| Parallel Octaves |
0.001011 |
| Variability of Number of Independent Voices |
0.5895 |
| Voice Equality - Number of Notes |
53.8 |
| Voice Equality - Note Duration |
29.21 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.9574 |
| Voice Equality - Range |
2.217 |
| Importance of Loudest Voice |
11.67 |