| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2016 |
| Prevalence of Second Most Common Vertical Interval |
0.1972 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9782 |
| Vertical Unisons |
0.02555 |
| Vertical Minor Seconds |
0.005754 |
| Vertical Thirds |
0.3456 |
| Vertical Tritones |
0.008969 |
| Vertical Perfect Fourths |
0.1099 |
| Vertical Perfect Fifths |
0.2016 |
| Vertical Sixths |
0.1081 |
| Vertical Sevenths |
0.01709 |
| Vertical Octaves |
0.1592 |
| Perfect Vertical Intervals |
0.4962 |
| Vertical Dissonance Ratio |
0.05273 |
| Vertical Minor Third Prevalence |
0.6366 |
| Vertical Major Third Prevalence |
0.5069 |
| Chord Duration |
1.952 |
| Partial Chords |
0.179 |
| Standard Triads |
0.649 |
| Diminished and Augmented Triads |
0.0194 |
| Dominant Seventh Chords |
0.003527 |
| Seventh Chords |
0.02028 |
| Non-Standard Chords |
0.1517 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.547 |
| Average Number of Simultaneous Pitch Classes |
2.82 |
| Variability of Number of Simultaneous Pitch Classes |
0.54 |
| Average Number of Simultaneous Pitches |
3.585 |
| Variability of Number of Simultaneous Pitches |
0.6277 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1802 |
| Stepwise Motion |
0.5977 |
| Melodic Thirds |
0.07868 |
| Melodic Perfect Fourths |
0.09391 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03173 |
| Melodic Sixths |
0.01269 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01777 |
| Melodic Large Intervals |
0.001269 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.583 |
| Melodic Embellishments |
0.01515 |
| Direction of Melodic Motion |
0.4292 |
| Average Length of Melodic Arcs |
1.761 |
| Average Interval Spanned by Melodic Arcs |
4.85 |
| Melodic Pitch Variety |
4.425 |
| Mean Melodic Interval |
2.308 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4175 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4316 |
| Amount of Arpeggiation |
0.2957 |
| Repeated Notes |
0.1662 |
| Importance of Middle Register |
0.7323 |
| Importance of High Register |
0.0 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.0 |
| Mean Pitch Class |
5.067 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1338 |
| Prevalence of Most Common Pitch Class |
0.2311 |
| Relative Prevalence of Top Pitches |
0.9434 |
| Relative Prevalence of Top Pitch Classes |
0.7268 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.396 |
| Pitch Class Variability |
3.525 |
| Pitch Class Variability After Folding |
3.322 |
| Pitch Skewness |
-0.2813 |
| Pitch Class Skewness |
0.05696 |
| Pitch Class Skewness After Folding |
0.5052 |
| Pitch Kurtosis |
5.406 |
| Pitch Class Kurtosis |
4.771 |
| Pitch Class Kurtosis After Folding |
6.802 |
| Major or Minor |
0.0 |
| First Pitch |
48.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.005051 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.005051 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2677 |
| Note Density per Quarter Note |
1.354 |
| Note Density per Quarter Note per Voice |
1.354 |
| Note Density per Quarter Note Variability |
0.5136 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.04545 |
| Prevalence of Medium Rhythmic Values |
0.6452 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.846 |
| Prevalence of Very Long Rhythmic Values |
0.06692 |
| Prevalence of Dotted Notes |
0.1263 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.689 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4912 |
| Relative Prevalence of Most Common Rhythmic Values |
0.437 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.725 |
| Rhythmic Value Skewness |
1.199 |
| Rhythmic Value Kurtosis |
14.89 |
| Mean Rhythmic Value Run Length |
1.927 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.45 |
| Mean Rhythmic Value Offset |
0.0404 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4002 |
| Complete Rests Fraction |
0.005128 |
| Partial Rests Fraction |
0.005128 |
| Average Rest Fraction Across Voices |
0.005128 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
2.0 |
| Mean Complete Rest Duration |
1.5 |
| Mean Partial Rest Duration |
1.5 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.7071 |
| Variability of Partial Rest Durations |
0.7071 |
| Variability Across Voices of Combined Rests |
0.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6513 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1724 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.777 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8237 |
| Rhythmic Variability - Tempo Standardized |
0.05415 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
792.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.2484 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.5118 |
| Variability of Note Durations |
0.3697 |
| Amount of Staccato |
0.04545 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2086 |
| Strength of Second Strongest Rhythmic Pulse |
0.205 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.018 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4136 |
| Rhythmic Variability |
0.03212 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
109.7 |
| Note Density |
7.221 |
| Note Density Variability |
1.753 |
| Average Time Between Attacks |
0.3326 |
| Average Time Between Attacks for Each Voice |
0.3326 |
| Variability of Time Between Attacks |
0.2484 |
| Maximum Number of Independent Voices |
1.0 |
| Relative Range of Loudest Voice |
1.0 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
1.0 |
| Relative Note Density of Highest Line |
0.07323 |
| Relative Note Durations of Lowest Line |
1.0 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.0 |
| Voice Separation |
0.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.06068 |
| Average Number of Independent Voices |
1.0 |
| Similar Motion |
0.2035 |
| Contrary Motion |
0.1643 |
| Oblique Motion |
0.5714 |
| Parallel Fifths |
0.002528 |
| Parallel Octaves |
0.002528 |
| Variability of Number of Independent Voices |
0.0 |
| Voice Equality - Number of Notes |
0.0 |
| Voice Equality - Note Duration |
0.0 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
0.0 |