| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2002 |
| Prevalence of Second Most Common Vertical Interval |
0.1945 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9712 |
| Vertical Unisons |
0.03059 |
| Vertical Minor Seconds |
0.005302 |
| Vertical Thirds |
0.3333 |
| Vertical Tritones |
0.007543 |
| Vertical Perfect Fourths |
0.09608 |
| Vertical Perfect Fifths |
0.1945 |
| Vertical Sixths |
0.133 |
| Vertical Sevenths |
0.0219 |
| Vertical Octaves |
0.1629 |
| Perfect Vertical Intervals |
0.4841 |
| Vertical Dissonance Ratio |
0.0522 |
| Vertical Minor Third Prevalence |
0.5833 |
| Vertical Major Third Prevalence |
0.4382 |
| Chord Duration |
3.066 |
| Partial Chords |
0.3315 |
| Standard Triads |
0.5195 |
| Diminished and Augmented Triads |
0.02119 |
| Dominant Seventh Chords |
0.0008254 |
| Seventh Chords |
0.01073 |
| Non-Standard Chords |
0.1383 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.678 |
| Average Number of Simultaneous Pitch Classes |
2.644 |
| Variability of Number of Simultaneous Pitch Classes |
0.6083 |
| Average Number of Simultaneous Pitches |
3.325 |
| Variability of Number of Simultaneous Pitches |
0.7322 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.447 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
77.15 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1852 |
| Stepwise Motion |
0.623 |
| Melodic Thirds |
0.1526 |
| Melodic Perfect Fourths |
0.05755 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04003 |
| Melodic Sixths |
0.002502 |
| Melodic Sevenths |
0.000834 |
| Melodic Octaves |
0.01001 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.66 |
| Melodic Embellishments |
0.0133 |
| Direction of Melodic Motion |
0.4563 |
| Average Length of Melodic Arcs |
1.895 |
| Average Interval Spanned by Melodic Arcs |
4.852 |
| Melodic Pitch Variety |
4.793 |
| Mean Melodic Interval |
2.279 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4379 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4229 |
| Amount of Arpeggiation |
0.3169 |
| Repeated Notes |
0.1134 |
| Importance of Middle Register |
0.6766 |
| Importance of High Register |
0.003325 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.84 |
| Mean Pitch Class |
5.135 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1272 |
| Prevalence of Most Common Pitch Class |
0.2012 |
| Relative Prevalence of Top Pitches |
0.8497 |
| Relative Prevalence of Top Pitch Classes |
0.9752 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.611 |
| Pitch Class Variability |
3.483 |
| Pitch Class Variability After Folding |
3.182 |
| Pitch Skewness |
0.2244 |
| Pitch Class Skewness |
0.1167 |
| Pitch Class Skewness After Folding |
0.4992 |
| Pitch Kurtosis |
5.294 |
| Pitch Class Kurtosis |
4.788 |
| Pitch Class Kurtosis After Folding |
7.023 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.32 |
| Note Density per Quarter Note |
0.957 |
| Note Density per Quarter Note per Voice |
0.2393 |
| Note Density per Quarter Note Variability |
0.4933 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003325 |
| Prevalence of Medium Rhythmic Values |
0.468 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8712 |
| Prevalence of Very Long Rhythmic Values |
0.1638 |
| Prevalence of Dotted Notes |
0.1014 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.55 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3392 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9926 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.303 |
| Rhythmic Value Skewness |
-0.5857 |
| Rhythmic Value Kurtosis |
7.987 |
| Mean Rhythmic Value Run Length |
1.628 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.157 |
| Mean Rhythmic Value Offset |
0.0692 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.093 |
| Complete Rests Fraction |
0.0005137 |
| Partial Rests Fraction |
0.42 |
| Average Rest Fraction Across Voices |
0.1403 |
| Longest Complete Rest |
0.6457 |
| Longest Partial Rest |
69.0 |
| Mean Complete Rest Duration |
0.6457 |
| Mean Partial Rest Duration |
10.37 |
| Median Complete Rest Duration |
0.6457 |
| Median Partial Rest Duration |
3.97 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.97 |
| Variability Across Voices of Combined Rests |
144.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6559 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1591 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.122 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.815 |
| Rhythmic Variability - Tempo Standardized |
0.0542 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1203.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9937 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
8.333 |
| Average Note Duration |
0.7542 |
| Variability of Note Durations |
0.5208 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
303.3 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3225 |
| Strength of Second Strongest Rhythmic Pulse |
0.2657 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.214 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5882 |
| Rhythmic Variability |
0.03776 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
79.96 |
| Duration in Seconds |
263.8 |
| Note Density |
4.56 |
| Note Density Variability |
1.098 |
| Average Time Between Attacks |
0.4764 |
| Average Time Between Attacks for Each Voice |
0.9065 |
| Variability of Time Between Attacks |
0.2524 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6774 |
| Relative Range Isolation of Loudest Voice |
0.1953 |
| Relative Range of Highest Line |
0.6774 |
| Relative Note Density of Highest Line |
0.2128 |
| Relative Note Durations of Lowest Line |
1.026 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8778 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.05514 |
| Average Number of Independent Voices |
3.462 |
| Similar Motion |
0.1579 |
| Contrary Motion |
0.2206 |
| Oblique Motion |
0.5664 |
| Parallel Fifths |
0.0008354 |
| Parallel Octaves |
0.0008354 |
| Variability of Number of Independent Voices |
0.725 |
| Voice Equality - Number of Notes |
77.15 |
| Voice Equality - Note Duration |
30.33 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.109 |
| Importance of Loudest Voice |
10.0 |