| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2021 |
| Prevalence of Second Most Common Vertical Interval |
0.1834 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9072 |
| Vertical Unisons |
0.03331 |
| Vertical Minor Seconds |
0.002163 |
| Vertical Thirds |
0.3171 |
| Vertical Tritones |
0.01928 |
| Vertical Perfect Fourths |
0.108 |
| Vertical Perfect Fifths |
0.1834 |
| Vertical Sixths |
0.1288 |
| Vertical Sevenths |
0.03136 |
| Vertical Octaves |
0.1471 |
| Perfect Vertical Intervals |
0.4718 |
| Vertical Dissonance Ratio |
0.08966 |
| Vertical Minor Third Prevalence |
0.3092 |
| Vertical Major Third Prevalence |
0.4803 |
| Chord Duration |
3.611 |
| Partial Chords |
0.4514 |
| Standard Triads |
0.3194 |
| Diminished and Augmented Triads |
0.05556 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.2292 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.2432 |
| Average Number of Simultaneous Pitch Classes |
2.467 |
| Variability of Number of Simultaneous Pitch Classes |
0.5951 |
| Average Number of Simultaneous Pitches |
2.875 |
| Variability of Number of Simultaneous Pitches |
0.3684 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.272 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
8.021 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2457 |
| Stepwise Motion |
0.6971 |
| Melodic Thirds |
0.1086 |
| Melodic Perfect Fourths |
0.07429 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03429 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02857 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.375 |
| Melodic Embellishments |
0.03371 |
| Direction of Melodic Motion |
0.4424 |
| Average Length of Melodic Arcs |
2.037 |
| Average Interval Spanned by Melodic Arcs |
5.123 |
| Melodic Pitch Variety |
5.113 |
| Mean Melodic Interval |
2.474 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4514 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5443 |
| Amount of Arpeggiation |
0.2286 |
| Repeated Notes |
0.05714 |
| Importance of Middle Register |
0.9045 |
| Importance of High Register |
0.08989 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.71 |
| Mean Pitch Class |
4.73 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1461 |
| Prevalence of Most Common Pitch Class |
0.2472 |
| Relative Prevalence of Top Pitches |
0.8462 |
| Relative Prevalence of Top Pitch Classes |
0.75 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
5.886 |
| Pitch Class Variability |
3.774 |
| Pitch Class Variability After Folding |
2.943 |
| Pitch Skewness |
-0.03436 |
| Pitch Class Skewness |
0.5806 |
| Pitch Class Skewness After Folding |
0.7903 |
| Pitch Kurtosis |
5.136 |
| Pitch Class Kurtosis |
4.862 |
| Pitch Class Kurtosis After Folding |
7.915 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
60.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
17.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
24.0 |
| Importance of Bass Register |
0.005618 |
| Note Density per Quarter Note |
0.5836 |
| Note Density per Quarter Note per Voice |
0.1945 |
| Note Density per Quarter Note Variability |
0.2429 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.1573 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9494 |
| Prevalence of Very Long Rhythmic Values |
0.3876 |
| Prevalence of Dotted Notes |
0.1067 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
5.056 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4382 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6795 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.369 |
| Rhythmic Value Skewness |
1.337 |
| Rhythmic Value Kurtosis |
5.442 |
| Mean Rhythmic Value Run Length |
1.712 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.334 |
| Mean Rhythmic Value Offset |
0.02247 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2998 |
| Complete Rests Fraction |
0.003251 |
| Partial Rests Fraction |
0.02948 |
| Average Rest Fraction Across Voices |
0.01199 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
8.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
2.744 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
0.9917 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
3.504 |
| Variability Across Voices of Combined Rests |
4.619 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6973 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2061 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.383 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9034 |
| Rhythmic Variability - Tempo Standardized |
0.05765 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
178.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5244 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
1.058 |
| Variability of Note Durations |
0.511 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.5811 |
| Strength of Second Strongest Rhythmic Pulse |
0.188 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.091 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7691 |
| Rhythmic Variability |
0.04951 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000001683 |
| Duration in Seconds |
63.54 |
| Note Density |
2.801 |
| Note Density Variability |
0.72 |
| Average Time Between Attacks |
0.7153 |
| Average Time Between Attacks for Each Voice |
1.069 |
| Variability of Time Between Attacks |
0.3495 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5417 |
| Relative Range Isolation of Loudest Voice |
0.6866 |
| Relative Range of Highest Line |
0.5417 |
| Relative Note Density of Highest Line |
1.197 |
| Relative Note Durations of Lowest Line |
0.9995 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.736 |
| Voice Separation |
5.5 |
| Variability of Voice Separation |
4.95 |
| Parallel Motion |
0.05348 |
| Average Number of Independent Voices |
2.974 |
| Similar Motion |
0.1872 |
| Contrary Motion |
0.2299 |
| Oblique Motion |
0.5294 |
| Parallel Fifths |
0.0107 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.1601 |
| Voice Equality - Number of Notes |
8.021 |
| Voice Equality - Note Duration |
0.9622 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
1.0 |
| Voice Equality - Range |
0.5774 |
| Importance of Loudest Voice |
12.5 |