| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1797 |
| Prevalence of Second Most Common Vertical Interval |
0.1763 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9814 |
| Vertical Unisons |
0.02705 |
| Vertical Minor Seconds |
0.004518 |
| Vertical Thirds |
0.3501 |
| Vertical Tritones |
0.01091 |
| Vertical Perfect Fourths |
0.09275 |
| Vertical Perfect Fifths |
0.1797 |
| Vertical Sixths |
0.1381 |
| Vertical Sevenths |
0.02902 |
| Vertical Octaves |
0.1437 |
| Perfect Vertical Intervals |
0.4432 |
| Vertical Dissonance Ratio |
0.07364 |
| Vertical Minor Third Prevalence |
0.5604 |
| Vertical Major Third Prevalence |
0.5652 |
| Chord Duration |
1.956 |
| Partial Chords |
0.25 |
| Standard Triads |
0.5459 |
| Diminished and Augmented Triads |
0.02296 |
| Dominant Seventh Chords |
0.002551 |
| Seventh Chords |
0.02551 |
| Non-Standard Chords |
0.1786 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8609 |
| Average Number of Simultaneous Pitch Classes |
2.729 |
| Variability of Number of Simultaneous Pitch Classes |
0.6697 |
| Average Number of Simultaneous Pitches |
3.333 |
| Variability of Number of Simultaneous Pitches |
0.7864 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.506 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
30.87 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2254 |
| Stepwise Motion |
0.6942 |
| Melodic Thirds |
0.1496 |
| Melodic Perfect Fourths |
0.07589 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03571 |
| Melodic Sixths |
0.002232 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.002232 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.31 |
| Melodic Embellishments |
0.03982 |
| Direction of Melodic Motion |
0.493 |
| Average Length of Melodic Arcs |
1.814 |
| Average Interval Spanned by Melodic Arcs |
4.35 |
| Melodic Pitch Variety |
5.204 |
| Mean Melodic Interval |
2.353 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4688 |
| Relative Prevalence of Most Common Melodic Intervals |
0.481 |
| Amount of Arpeggiation |
0.2277 |
| Repeated Notes |
0.04018 |
| Importance of Middle Register |
0.7544 |
| Importance of High Register |
0.006637 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.9 |
| Mean Pitch Class |
5.124 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1062 |
| Prevalence of Most Common Pitch Class |
0.177 |
| Relative Prevalence of Top Pitches |
0.8542 |
| Relative Prevalence of Top Pitch Classes |
0.9375 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.729 |
| Pitch Class Variability |
3.513 |
| Pitch Class Variability After Folding |
3.179 |
| Pitch Skewness |
-0.1657 |
| Pitch Class Skewness |
0.1058 |
| Pitch Class Skewness After Folding |
0.3758 |
| Pitch Kurtosis |
5.171 |
| Pitch Class Kurtosis |
4.957 |
| Pitch Class Kurtosis After Folding |
7.08 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2389 |
| Note Density per Quarter Note |
1.089 |
| Note Density per Quarter Note per Voice |
0.2723 |
| Note Density per Quarter Note Variability |
0.4196 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4403 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8451 |
| Prevalence of Very Long Rhythmic Values |
0.07965 |
| Prevalence of Dotted Notes |
0.1106 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.168 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4004 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7127 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.76 |
| Rhythmic Value Skewness |
0.2866 |
| Rhythmic Value Kurtosis |
9.296 |
| Mean Rhythmic Value Run Length |
1.564 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.129 |
| Mean Rhythmic Value Offset |
0.004425 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.09407 |
| Complete Rests Fraction |
0.001971 |
| Partial Rests Fraction |
0.4347 |
| Average Rest Fraction Across Voices |
0.1409 |
| Longest Complete Rest |
0.8179 |
| Longest Partial Rest |
36.73 |
| Mean Complete Rest Duration |
0.8179 |
| Mean Partial Rest Duration |
6.32 |
| Median Complete Rest Duration |
0.8179 |
| Median Partial Rest Duration |
4.081 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.441 |
| Variability Across Voices of Combined Rests |
47.28 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5919 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2171 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.726 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8091 |
| Rhythmic Variability - Tempo Standardized |
0.05171 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
452.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6797 |
| Minimum Note Duration |
0.2091 |
| Maximum Note Duration |
2.509 |
| Average Note Duration |
0.7998 |
| Variability of Note Durations |
0.4317 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
237.7 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3184 |
| Strength of Second Strongest Rhythmic Pulse |
0.2766 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.151 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.595 |
| Rhythmic Variability |
0.03895 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
16.76 |
| Duration in Seconds |
105.2 |
| Note Density |
4.297 |
| Note Density Variability |
1.622 |
| Average Time Between Attacks |
0.4589 |
| Average Time Between Attacks for Each Voice |
0.9379 |
| Variability of Time Between Attacks |
0.2137 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4828 |
| Relative Range Isolation of Loudest Voice |
0.2727 |
| Relative Range of Highest Line |
0.4828 |
| Relative Note Density of Highest Line |
0.5929 |
| Relative Note Durations of Lowest Line |
1.007 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8717 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.04924 |
| Average Number of Independent Voices |
3.454 |
| Similar Motion |
0.1345 |
| Contrary Motion |
0.2008 |
| Oblique Motion |
0.6155 |
| Parallel Fifths |
0.007576 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7399 |
| Voice Equality - Number of Notes |
30.87 |
| Voice Equality - Note Duration |
11.99 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.217 |
| Importance of Loudest Voice |
11.67 |