| Distance Between Two Most Common Vertical Intervals |
9.0 |
| Prevalence of Most Common Vertical Interval |
0.5714 |
| Prevalence of Second Most Common Vertical Interval |
0.2214 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.3875 |
| Vertical Unisons |
0.0 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.003571 |
| Vertical Tritones |
0.0 |
| Vertical Perfect Fourths |
0.0 |
| Vertical Perfect Fifths |
0.0125 |
| Vertical Sixths |
0.7161 |
| Vertical Sevenths |
0.04643 |
| Vertical Octaves |
0.2214 |
| Perfect Vertical Intervals |
0.2339 |
| Vertical Dissonance Ratio |
0.04869 |
| Vertical Minor Third Prevalence |
0.003571 |
| Vertical Major Third Prevalence |
0.0 |
| Chord Duration |
4.109 |
| Partial Chords |
1.0 |
| Standard Triads |
0.0 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.0 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.0 |
| Average Number of Simultaneous Pitch Classes |
1.779 |
| Variability of Number of Simultaneous Pitch Classes |
0.4152 |
| Average Number of Simultaneous Pitches |
2.0 |
| Variability of Number of Simultaneous Pitches |
0.0 |
| Most Common Vertical Interval |
9.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
10.01 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
2.121 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1519 |
| Stepwise Motion |
0.3949 |
| Melodic Thirds |
0.1316 |
| Melodic Perfect Fourths |
0.0 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.002532 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.476 |
| Melodic Embellishments |
0.005038 |
| Direction of Melodic Motion |
0.4737 |
| Average Length of Melodic Arcs |
1.866 |
| Average Interval Spanned by Melodic Arcs |
3.821 |
| Melodic Pitch Variety |
2.825 |
| Mean Melodic Interval |
1.104 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4709 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5161 |
| Amount of Arpeggiation |
0.6051 |
| Repeated Notes |
0.4709 |
| Importance of Middle Register |
0.9773 |
| Importance of High Register |
0.0 |
| Dominant Spread |
2.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.53 |
| Mean Pitch Class |
5.877 |
| Most Common Pitch |
69.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.3275 |
| Prevalence of Most Common Pitch Class |
0.4257 |
| Relative Prevalence of Top Pitches |
0.8308 |
| Relative Prevalence of Top Pitch Classes |
0.645 |
| Interval Between Most Prevalent Pitches |
9.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
5.017 |
| Pitch Class Variability |
3.975 |
| Pitch Class Variability After Folding |
3.337 |
| Pitch Skewness |
-0.378 |
| Pitch Class Skewness |
-2.357 |
| Pitch Class Skewness After Folding |
0.1268 |
| Pitch Kurtosis |
4.638 |
| Pitch Class Kurtosis |
4.686 |
| Pitch Class Kurtosis After Folding |
6.968 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
15.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
19.0 |
| Importance of Bass Register |
0.02267 |
| Note Density per Quarter Note |
0.6695 |
| Note Density per Quarter Note per Voice |
0.3347 |
| Note Density per Quarter Note Variability |
0.2377 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
5.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6222 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9924 |
| Prevalence of Very Long Rhythmic Values |
0.02015 |
| Prevalence of Dotted Notes |
0.007557 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.821 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.6146 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5697 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.213 |
| Rhythmic Value Skewness |
2.032 |
| Rhythmic Value Kurtosis |
10.34 |
| Mean Rhythmic Value Run Length |
2.169 |
| Median Rhythmic Value Run Length |
2.0 |
| Variability in Rhythmic Value Run Lengths |
1.551 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.05564 |
| Partial Rests Fraction |
0.05564 |
| Average Rest Fraction Across Voices |
0.05564 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
4.0 |
| Mean Complete Rest Duration |
3.666 |
| Mean Partial Rest Duration |
3.666 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
1.003 |
| Variability of Partial Rest Durations |
0.9728 |
| Variability Across Voices of Combined Rests |
0.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.9709 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.0153 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
63.46 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9862 |
| Rhythmic Variability - Tempo Standardized |
0.07652 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
397.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4077 |
| Minimum Note Duration |
0.2586 |
| Maximum Note Duration |
2.069 |
| Average Note Duration |
0.7296 |
| Variability of Note Durations |
0.3136 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.5177 |
| Strength of Second Strongest Rhythmic Pulse |
0.4661 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.111 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9838 |
| Rhythmic Variability |
0.05472 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0000000002141 |
| Duration in Seconds |
153.4 |
| Note Density |
2.589 |
| Note Density Variability |
0.4928 |
| Average Time Between Attacks |
0.7019 |
| Average Time Between Attacks for Each Voice |
0.7679 |
| Variability of Time Between Attacks |
0.3925 |
| Maximum Number of Independent Voices |
2.0 |
| Relative Range of Loudest Voice |
0.4211 |
| Relative Range Isolation of Loudest Voice |
1.0 |
| Relative Range of Highest Line |
0.4211 |
| Relative Note Density of Highest Line |
0.3375 |
| Relative Note Durations of Lowest Line |
1.008 |
| Relative Size of Melodic Intervals in Lowest Line |
0.0 |
| Voice Overlap |
0.0 |
| Voice Separation |
9.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.1111 |
| Average Number of Independent Voices |
2.0 |
| Similar Motion |
0.3185 |
| Contrary Motion |
0.1185 |
| Oblique Motion |
0.4519 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.03704 |
| Variability of Number of Independent Voices |
0.0 |
| Voice Equality - Number of Notes |
2.121 |
| Voice Equality - Note Duration |
0.0 |
| Voice Equality - Dynamics |
14.14 |
| Voice Equality - Melodic Leaps |
0.7071 |
| Voice Equality - Range |
0.7071 |
| Importance of Loudest Voice |
20.0 |