| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.205 |
| Prevalence of Second Most Common Vertical Interval |
0.1884 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.919 |
| Vertical Unisons |
0.02154 |
| Vertical Minor Seconds |
0.002556 |
| Vertical Thirds |
0.3098 |
| Vertical Tritones |
0.02029 |
| Vertical Perfect Fourths |
0.0918 |
| Vertical Perfect Fifths |
0.1884 |
| Vertical Sixths |
0.1658 |
| Vertical Sevenths |
0.029 |
| Vertical Octaves |
0.1561 |
| Perfect Vertical Intervals |
0.4578 |
| Vertical Dissonance Ratio |
0.0713 |
| Vertical Minor Third Prevalence |
0.464 |
| Vertical Major Third Prevalence |
0.2819 |
| Chord Duration |
2.608 |
| Partial Chords |
0.4748 |
| Standard Triads |
0.3719 |
| Diminished and Augmented Triads |
0.04005 |
| Dominant Seventh Chords |
0.001144 |
| Seventh Chords |
0.01259 |
| Non-Standard Chords |
0.1407 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.982 |
| Average Number of Simultaneous Pitch Classes |
2.402 |
| Variability of Number of Simultaneous Pitch Classes |
0.7098 |
| Average Number of Simultaneous Pitches |
2.894 |
| Variability of Number of Simultaneous Pitches |
0.9308 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.215 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
38.76 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2162 |
| Stepwise Motion |
0.6953 |
| Melodic Thirds |
0.1362 |
| Melodic Perfect Fourths |
0.07049 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0227 |
| Melodic Sixths |
0.001195 |
| Melodic Sevenths |
0.002389 |
| Melodic Octaves |
0.009558 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.071 |
| Melodic Embellishments |
0.02021 |
| Direction of Melodic Motion |
0.4382 |
| Average Length of Melodic Arcs |
2.028 |
| Average Interval Spanned by Melodic Arcs |
4.871 |
| Melodic Pitch Variety |
5.123 |
| Mean Melodic Interval |
2.277 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4791 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4514 |
| Amount of Arpeggiation |
0.233 |
| Repeated Notes |
0.06213 |
| Importance of Middle Register |
0.7015 |
| Importance of High Register |
0.008323 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.84 |
| Mean Pitch Class |
5.134 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1082 |
| Prevalence of Most Common Pitch Class |
0.1998 |
| Relative Prevalence of Top Pitches |
0.9451 |
| Relative Prevalence of Top Pitch Classes |
0.9226 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.94 |
| Pitch Class Variability |
3.429 |
| Pitch Class Variability After Folding |
3.281 |
| Pitch Skewness |
-0.1856 |
| Pitch Class Skewness |
0.1175 |
| Pitch Class Skewness After Folding |
0.647 |
| Pitch Kurtosis |
5.283 |
| Pitch Class Kurtosis |
4.845 |
| Pitch Class Kurtosis After Folding |
6.607 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2901 |
| Note Density per Quarter Note |
0.8643 |
| Note Density per Quarter Note per Voice |
0.2161 |
| Note Density per Quarter Note Variability |
0.4195 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4875 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8799 |
| Prevalence of Very Long Rhythmic Values |
0.1415 |
| Prevalence of Dotted Notes |
0.1011 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.424 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3674 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8964 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.227 |
| Rhythmic Value Skewness |
0.5719 |
| Rhythmic Value Kurtosis |
9.011 |
| Mean Rhythmic Value Run Length |
1.679 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.255 |
| Mean Rhythmic Value Offset |
0.004756 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1379 |
| Complete Rests Fraction |
0.000618 |
| Partial Rests Fraction |
0.6517 |
| Average Rest Fraction Across Voices |
0.2855 |
| Longest Complete Rest |
0.6013 |
| Longest Partial Rest |
144.6 |
| Mean Complete Rest Duration |
0.6013 |
| Mean Partial Rest Duration |
23.15 |
| Median Complete Rest Duration |
0.6013 |
| Median Partial Rest Duration |
4.589 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
34.6 |
| Variability Across Voices of Combined Rests |
64.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.669 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1704 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.927 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8394 |
| Rhythmic Variability - Tempo Standardized |
0.05569 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
841.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.352 |
| Minimum Note Duration |
0.1367 |
| Maximum Note Duration |
4.138 |
| Average Note Duration |
0.7454 |
| Variability of Note Durations |
0.4535 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.4 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.3532 |
| Strength of Second Strongest Rhythmic Pulse |
0.2778 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.271 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.631 |
| Rhythmic Variability |
0.04063 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
92.15 |
| Duration in Seconds |
219.3 |
| Note Density |
3.835 |
| Note Density Variability |
1.291 |
| Average Time Between Attacks |
0.4981 |
| Average Time Between Attacks for Each Voice |
1.044 |
| Variability of Time Between Attacks |
0.2556 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5806 |
| Relative Range Isolation of Loudest Voice |
0.144 |
| Relative Range of Highest Line |
0.5806 |
| Relative Note Density of Highest Line |
0.3092 |
| Relative Note Durations of Lowest Line |
1.11 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.9013 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.0632 |
| Average Number of Independent Voices |
2.967 |
| Similar Motion |
0.1524 |
| Contrary Motion |
0.2243 |
| Oblique Motion |
0.5601 |
| Parallel Fifths |
0.003717 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9509 |
| Voice Equality - Number of Notes |
38.76 |
| Voice Equality - Note Duration |
14.47 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.403 |
| Importance of Loudest Voice |
10.0 |