| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2125 |
| Prevalence of Second Most Common Vertical Interval |
0.168 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7902 |
| Vertical Unisons |
0.04299 |
| Vertical Minor Seconds |
0.004696 |
| Vertical Thirds |
0.3131 |
| Vertical Tritones |
0.008261 |
| Vertical Perfect Fourths |
0.1155 |
| Vertical Perfect Fifths |
0.1594 |
| Vertical Sixths |
0.147 |
| Vertical Sevenths |
0.01919 |
| Vertical Octaves |
0.1696 |
| Perfect Vertical Intervals |
0.4874 |
| Vertical Dissonance Ratio |
0.05541 |
| Vertical Minor Third Prevalence |
0.5262 |
| Vertical Major Third Prevalence |
0.5355 |
| Chord Duration |
1.645 |
| Partial Chords |
0.2814 |
| Standard Triads |
0.5289 |
| Diminished and Augmented Triads |
0.02251 |
| Dominant Seventh Chords |
0.004823 |
| Seventh Chords |
0.03376 |
| Non-Standard Chords |
0.1559 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6368 |
| Average Number of Simultaneous Pitch Classes |
2.713 |
| Variability of Number of Simultaneous Pitch Classes |
0.6414 |
| Average Number of Simultaneous Pitches |
3.477 |
| Variability of Number of Simultaneous Pitches |
0.6569 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.005 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
67.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1878 |
| Stepwise Motion |
0.6179 |
| Melodic Thirds |
0.2052 |
| Melodic Perfect Fourths |
0.08079 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05022 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01092 |
| Melodic Large Intervals |
0.004367 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.357 |
| Melodic Embellishments |
0.02165 |
| Direction of Melodic Motion |
0.473 |
| Average Length of Melodic Arcs |
1.755 |
| Average Interval Spanned by Melodic Arcs |
4.759 |
| Melodic Pitch Variety |
5.55 |
| Mean Melodic Interval |
2.677 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4301 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4365 |
| Amount of Arpeggiation |
0.2991 |
| Repeated Notes |
0.03057 |
| Importance of Middle Register |
0.855 |
| Importance of High Register |
0.01732 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
61.16 |
| Mean Pitch Class |
5.126 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.119 |
| Prevalence of Most Common Pitch Class |
0.1645 |
| Relative Prevalence of Top Pitches |
0.8545 |
| Relative Prevalence of Top Pitch Classes |
0.9868 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.214 |
| Pitch Class Variability |
3.478 |
| Pitch Class Variability After Folding |
3.206 |
| Pitch Skewness |
-0.1463 |
| Pitch Class Skewness |
0.1083 |
| Pitch Class Skewness After Folding |
0.3605 |
| Pitch Kurtosis |
5.391 |
| Pitch Class Kurtosis |
4.921 |
| Pitch Class Kurtosis After Folding |
7.07 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.1277 |
| Note Density per Quarter Note |
1.422 |
| Note Density per Quarter Note per Voice |
0.3554 |
| Note Density per Quarter Note Variability |
0.6546 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02814 |
| Prevalence of Medium Rhythmic Values |
0.658 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7381 |
| Prevalence of Very Long Rhythmic Values |
0.06061 |
| Prevalence of Dotted Notes |
0.09307 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.589 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3961 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5847 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.729 |
| Rhythmic Value Skewness |
1.022 |
| Rhythmic Value Kurtosis |
11.1 |
| Mean Rhythmic Value Run Length |
1.644 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.184 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.003051 |
| Partial Rests Fraction |
0.2738 |
| Average Rest Fraction Across Voices |
0.07998 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
5.776 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.143 |
| Variability Across Voices of Combined Rests |
26.15 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4745 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2518 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.884 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7264 |
| Rhythmic Variability - Tempo Standardized |
0.04573 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
462.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6341 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
3.103 |
| Average Note Duration |
0.6695 |
| Variability of Note Durations |
0.447 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
9.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.3409 |
| Strength of Second Strongest Rhythmic Pulse |
0.2898 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.176 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6308 |
| Rhythmic Variability |
0.03873 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.00000000009692 |
| Duration in Seconds |
84.05 |
| Note Density |
5.497 |
| Note Density Variability |
2.106 |
| Average Time Between Attacks |
0.401 |
| Average Time Between Attacks for Each Voice |
0.7098 |
| Variability of Time Between Attacks |
0.2632 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5769 |
| Relative Range Isolation of Loudest Voice |
0.3689 |
| Relative Range of Highest Line |
0.5769 |
| Relative Note Density of Highest Line |
0.5887 |
| Relative Note Durations of Lowest Line |
1.132 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.9026 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.06034 |
| Average Number of Independent Voices |
3.691 |
| Similar Motion |
0.1672 |
| Contrary Motion |
0.1931 |
| Oblique Motion |
0.5793 |
| Parallel Fifths |
0.005172 |
| Parallel Octaves |
0.003448 |
| Variability of Number of Independent Voices |
0.5362 |
| Voice Equality - Number of Notes |
16.78 |
| Voice Equality - Note Duration |
6.764 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.291 |
| Importance of Loudest Voice |
15.0 |