| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2393 |
| Prevalence of Second Most Common Vertical Interval |
0.1578 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6595 |
| Vertical Unisons |
0.04596 |
| Vertical Minor Seconds |
0.007035 |
| Vertical Thirds |
0.3044 |
| Vertical Tritones |
0.008896 |
| Vertical Perfect Fourths |
0.07385 |
| Vertical Perfect Fifths |
0.1259 |
| Vertical Sixths |
0.1562 |
| Vertical Sevenths |
0.03723 |
| Vertical Octaves |
0.1933 |
| Perfect Vertical Intervals |
0.439 |
| Vertical Dissonance Ratio |
0.1117 |
| Vertical Minor Third Prevalence |
0.3824 |
| Vertical Major Third Prevalence |
0.3879 |
| Chord Duration |
1.372 |
| Partial Chords |
0.504 |
| Standard Triads |
0.2802 |
| Diminished and Augmented Triads |
0.008065 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.02016 |
| Non-Standard Chords |
0.1956 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4946 |
| Average Number of Simultaneous Pitch Classes |
2.401 |
| Variability of Number of Simultaneous Pitch Classes |
0.7001 |
| Average Number of Simultaneous Pitches |
3.018 |
| Variability of Number of Simultaneous Pitches |
0.8019 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.471 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
3.162 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.205 |
| Stepwise Motion |
0.605 |
| Melodic Thirds |
0.1975 |
| Melodic Perfect Fourths |
0.04 |
| Melodic Tritones |
0.01 |
| Melodic Perfect Fifths |
0.03 |
| Melodic Sixths |
0.02 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.762 |
| Melodic Embellishments |
0.02228 |
| Direction of Melodic Motion |
0.4737 |
| Average Length of Melodic Arcs |
2.099 |
| Average Interval Spanned by Melodic Arcs |
5.25 |
| Melodic Pitch Variety |
4.934 |
| Mean Melodic Interval |
2.29 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5125 |
| Amount of Arpeggiation |
0.325 |
| Repeated Notes |
0.0975 |
| Importance of Middle Register |
0.7104 |
| Importance of High Register |
0.03218 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
59.62 |
| Mean Pitch Class |
5.101 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.09158 |
| Prevalence of Most Common Pitch Class |
0.1856 |
| Relative Prevalence of Top Pitches |
0.8378 |
| Relative Prevalence of Top Pitch Classes |
0.8267 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.69 |
| Pitch Class Variability |
3.681 |
| Pitch Class Variability After Folding |
3.528 |
| Pitch Skewness |
0.07822 |
| Pitch Class Skewness |
0.08271 |
| Pitch Class Skewness After Folding |
0.562 |
| Pitch Kurtosis |
5.215 |
| Pitch Class Kurtosis |
4.872 |
| Pitch Class Kurtosis After Folding |
6.22 |
| Major or Minor |
0.0 |
| First Pitch |
72.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
35.0 |
| Importance of Bass Register |
0.2574 |
| Note Density per Quarter Note |
1.48 |
| Note Density per Quarter Note per Voice |
0.37 |
| Note Density per Quarter Note Variability |
0.5765 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
5.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0396 |
| Prevalence of Medium Rhythmic Values |
0.7252 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6906 |
| Prevalence of Very Long Rhythmic Values |
0.0 |
| Prevalence of Dotted Notes |
0.07178 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
4.0 |
| Mean Rhythmic Value |
2.149 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4158 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6488 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.106 |
| Rhythmic Value Skewness |
0.4028 |
| Rhythmic Value Kurtosis |
5.187 |
| Mean Rhythmic Value Run Length |
1.61 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.109 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.003633 |
| Partial Rests Fraction |
0.5824 |
| Average Rest Fraction Across Voices |
0.2051 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
5.894 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.609 |
| Variability Across Voices of Combined Rests |
8.869 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4584 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2611 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.755 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7195 |
| Rhythmic Variability - Tempo Standardized |
0.04556 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
404.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6628 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
1.034 |
| Average Note Duration |
0.5557 |
| Variability of Note Durations |
0.2861 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.3097 |
| Strength of Second Strongest Rhythmic Pulse |
0.3008 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.03 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6105 |
| Rhythmic Variability |
0.03864 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000001314 |
| Duration in Seconds |
70.6 |
| Note Density |
5.722 |
| Note Density Variability |
2.16 |
| Average Time Between Attacks |
0.3263 |
| Average Time Between Attacks for Each Voice |
0.6598 |
| Variability of Time Between Attacks |
0.151 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4571 |
| Relative Range Isolation of Loudest Voice |
0.4952 |
| Relative Range of Highest Line |
0.4571 |
| Relative Note Density of Highest Line |
0.6832 |
| Relative Note Durations of Lowest Line |
0.9971 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8317 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.04167 |
| Average Number of Independent Voices |
3.191 |
| Similar Motion |
0.1306 |
| Contrary Motion |
0.1556 |
| Oblique Motion |
0.6722 |
| Parallel Fifths |
0.002778 |
| Parallel Octaves |
0.005556 |
| Variability of Number of Independent Voices |
0.8181 |
| Voice Equality - Number of Notes |
3.162 |
| Voice Equality - Note Duration |
2.294 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
11.67 |