| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.199 |
| Prevalence of Second Most Common Vertical Interval |
0.1896 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9529 |
| Vertical Unisons |
0.04265 |
| Vertical Minor Seconds |
0.002928 |
| Vertical Thirds |
0.344 |
| Vertical Tritones |
0.01503 |
| Vertical Perfect Fourths |
0.08037 |
| Vertical Perfect Fifths |
0.1727 |
| Vertical Sixths |
0.1555 |
| Vertical Sevenths |
0.02043 |
| Vertical Octaves |
0.147 |
| Perfect Vertical Intervals |
0.4427 |
| Vertical Dissonance Ratio |
0.06141 |
| Vertical Minor Third Prevalence |
0.5381 |
| Vertical Major Third Prevalence |
0.4153 |
| Chord Duration |
2.118 |
| Partial Chords |
0.3966 |
| Standard Triads |
0.4504 |
| Diminished and Augmented Triads |
0.04095 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01293 |
| Non-Standard Chords |
0.1401 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.069 |
| Average Number of Simultaneous Pitch Classes |
2.612 |
| Variability of Number of Simultaneous Pitch Classes |
0.5859 |
| Average Number of Simultaneous Pitches |
3.146 |
| Variability of Number of Simultaneous Pitches |
0.6653 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
15.0 |
| Variation of Dynamics |
6.458 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
46.36 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2506 |
| Stepwise Motion |
0.7029 |
| Melodic Thirds |
0.1574 |
| Melodic Perfect Fourths |
0.06652 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03326 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008869 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.731 |
| Melodic Embellishments |
0.04835 |
| Direction of Melodic Motion |
0.4645 |
| Average Length of Melodic Arcs |
1.995 |
| Average Interval Spanned by Melodic Arcs |
4.753 |
| Melodic Pitch Variety |
5.301 |
| Mean Melodic Interval |
2.357 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4523 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5539 |
| Amount of Arpeggiation |
0.2306 |
| Repeated Notes |
0.03104 |
| Importance of Middle Register |
0.6242 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.49 |
| Mean Pitch Class |
5.292 |
| Most Common Pitch |
50.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.0989 |
| Prevalence of Most Common Pitch Class |
0.1912 |
| Relative Prevalence of Top Pitches |
0.9333 |
| Relative Prevalence of Top Pitch Classes |
0.8046 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.783 |
| Pitch Class Variability |
3.224 |
| Pitch Class Variability After Folding |
3.905 |
| Pitch Skewness |
-0.01847 |
| Pitch Class Skewness |
0.272 |
| Pitch Class Skewness After Folding |
1.113 |
| Pitch Kurtosis |
5.225 |
| Pitch Class Kurtosis |
4.844 |
| Pitch Class Kurtosis After Folding |
4.987 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3758 |
| Note Density per Quarter Note |
0.962 |
| Note Density per Quarter Note per Voice |
0.2405 |
| Note Density per Quarter Note Variability |
0.4398 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.444 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.778 |
| Prevalence of Very Long Rhythmic Values |
0.1495 |
| Prevalence of Dotted Notes |
0.1604 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.36 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3055 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7266 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.278 |
| Rhythmic Value Skewness |
0.4746 |
| Rhythmic Value Kurtosis |
8.194 |
| Mean Rhythmic Value Run Length |
1.507 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.074 |
| Mean Rhythmic Value Offset |
0.07912 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.008 |
| Complete Rests Fraction |
0.002097 |
| Partial Rests Fraction |
0.5708 |
| Average Rest Fraction Across Voices |
0.1728 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
64.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
9.342 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.82 |
| Variability Across Voices of Combined Rests |
40.93 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4876 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2579 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.89 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7455 |
| Rhythmic Variability - Tempo Standardized |
0.04762 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
455.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.034 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.7166 |
| Variability of Note Durations |
0.5735 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2745 |
| Strength of Second Strongest Rhythmic Pulse |
0.2225 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.234 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.497 |
| Rhythmic Variability |
0.03426 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000004313 |
| Duration in Seconds |
98.54 |
| Note Density |
4.617 |
| Note Density Variability |
1.499 |
| Average Time Between Attacks |
0.4204 |
| Average Time Between Attacks for Each Voice |
0.8577 |
| Variability of Time Between Attacks |
0.2558 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.2727 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.5626 |
| Relative Note Durations of Lowest Line |
0.8446 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9077 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.04603 |
| Average Number of Independent Voices |
3.316 |
| Similar Motion |
0.1757 |
| Contrary Motion |
0.1548 |
| Oblique Motion |
0.6234 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6733 |
| Voice Equality - Number of Notes |
20.81 |
| Voice Equality - Note Duration |
8.528 |
| Voice Equality - Dynamics |
7.5 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.872 |
| Importance of Loudest Voice |
11.67 |