| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2087 |
| Prevalence of Second Most Common Vertical Interval |
0.2019 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9673 |
| Vertical Unisons |
0.04335 |
| Vertical Minor Seconds |
0.003902 |
| Vertical Thirds |
0.3562 |
| Vertical Tritones |
0.01188 |
| Vertical Perfect Fourths |
0.06987 |
| Vertical Perfect Fifths |
0.1656 |
| Vertical Sixths |
0.1306 |
| Vertical Sevenths |
0.02276 |
| Vertical Octaves |
0.1654 |
| Perfect Vertical Intervals |
0.4442 |
| Vertical Dissonance Ratio |
0.07415 |
| Vertical Minor Third Prevalence |
0.4667 |
| Vertical Major Third Prevalence |
0.3604 |
| Chord Duration |
2.174 |
| Partial Chords |
0.5023 |
| Standard Triads |
0.3401 |
| Diminished and Augmented Triads |
0.02252 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.004505 |
| Non-Standard Chords |
0.1532 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7159 |
| Average Number of Simultaneous Pitch Classes |
2.394 |
| Variability of Number of Simultaneous Pitch Classes |
0.6367 |
| Average Number of Simultaneous Pitches |
2.867 |
| Variability of Number of Simultaneous Pitches |
0.7209 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.155 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
31.32 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2257 |
| Stepwise Motion |
0.7235 |
| Melodic Thirds |
0.146 |
| Melodic Perfect Fourths |
0.03319 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03097 |
| Melodic Sixths |
0.004425 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01327 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.125 |
| Melodic Embellishments |
0.03509 |
| Direction of Melodic Motion |
0.4744 |
| Average Length of Melodic Arcs |
1.911 |
| Average Interval Spanned by Melodic Arcs |
4.471 |
| Melodic Pitch Variety |
4.532 |
| Mean Melodic Interval |
2.272 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4978 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4533 |
| Amount of Arpeggiation |
0.2389 |
| Repeated Notes |
0.04867 |
| Importance of Middle Register |
0.7412 |
| Importance of High Register |
0.01316 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
57.31 |
| Mean Pitch Class |
5.882 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1272 |
| Prevalence of Most Common Pitch Class |
0.2149 |
| Relative Prevalence of Top Pitches |
0.9483 |
| Relative Prevalence of Top Pitch Classes |
0.9388 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
7.487 |
| Pitch Class Variability |
3.534 |
| Pitch Class Variability After Folding |
3.988 |
| Pitch Skewness |
0.0369 |
| Pitch Class Skewness |
-0.9495 |
| Pitch Class Skewness After Folding |
0.881 |
| Pitch Kurtosis |
5.551 |
| Pitch Class Kurtosis |
4.781 |
| Pitch Class Kurtosis After Folding |
4.858 |
| Major or Minor |
0.0 |
| First Pitch |
43.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2456 |
| Note Density per Quarter Note |
0.948 |
| Note Density per Quarter Note per Voice |
0.237 |
| Note Density per Quarter Note Variability |
0.4373 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4781 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7961 |
| Prevalence of Very Long Rhythmic Values |
0.114 |
| Prevalence of Dotted Notes |
0.1031 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
3.171 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3268 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8389 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.974 |
| Rhythmic Value Skewness |
0.26 |
| Rhythmic Value Kurtosis |
6.813 |
| Mean Rhythmic Value Run Length |
1.708 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.106 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.002062 |
| Partial Rests Fraction |
0.7422 |
| Average Rest Fraction Across Voices |
0.2484 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
64.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
14.48 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
16.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
15.4 |
| Variability Across Voices of Combined Rests |
74.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5825 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2102 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.771 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7926 |
| Rhythmic Variability - Tempo Standardized |
0.05125 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
456.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.043 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
1.667 |
| Average Note Duration |
0.6606 |
| Variability of Note Durations |
0.4112 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2727 |
| Strength of Second Strongest Rhythmic Pulse |
0.2439 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.118 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5166 |
| Rhythmic Variability |
0.03521 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
0.0000000004393 |
| Duration in Seconds |
100.2 |
| Note Density |
4.551 |
| Note Density Variability |
1.765 |
| Average Time Between Attacks |
0.4239 |
| Average Time Between Attacks for Each Voice |
0.8523 |
| Variability of Time Between Attacks |
0.2516 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5882 |
| Relative Range Isolation of Loudest Voice |
0.5755 |
| Relative Range of Highest Line |
0.5882 |
| Relative Note Density of Highest Line |
0.5702 |
| Relative Note Durations of Lowest Line |
0.9492 |
| Relative Size of Melodic Intervals in Lowest Line |
1.333 |
| Voice Overlap |
0.625 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
4.726 |
| Parallel Motion |
0.07363 |
| Average Number of Independent Voices |
3.013 |
| Similar Motion |
0.1401 |
| Contrary Motion |
0.1853 |
| Oblique Motion |
0.601 |
| Parallel Fifths |
0.002375 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7554 |
| Voice Equality - Number of Notes |
31.32 |
| Voice Equality - Note Duration |
15.42 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
3.948 |
| Importance of Loudest Voice |
11.67 |