| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2122 |
| Prevalence of Second Most Common Vertical Interval |
0.1887 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8892 |
| Vertical Unisons |
0.02829 |
| Vertical Minor Seconds |
0.003085 |
| Vertical Thirds |
0.3162 |
| Vertical Tritones |
0.007318 |
| Vertical Perfect Fourths |
0.08339 |
| Vertical Perfect Fifths |
0.184 |
| Vertical Sixths |
0.1583 |
| Vertical Sevenths |
0.02022 |
| Vertical Octaves |
0.1839 |
| Perfect Vertical Intervals |
0.4796 |
| Vertical Dissonance Ratio |
0.04813 |
| Vertical Minor Third Prevalence |
0.3791 |
| Vertical Major Third Prevalence |
0.2639 |
| Chord Duration |
2.155 |
| Partial Chords |
0.6434 |
| Standard Triads |
0.2831 |
| Diminished and Augmented Triads |
0.01189 |
| Dominant Seventh Chords |
0.001486 |
| Seventh Chords |
0.003715 |
| Non-Standard Chords |
0.06984 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.381 |
| Average Number of Simultaneous Pitch Classes |
2.181 |
| Variability of Number of Simultaneous Pitch Classes |
0.6668 |
| Average Number of Simultaneous Pitches |
2.631 |
| Variability of Number of Simultaneous Pitches |
0.9598 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.128 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
97.92 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1828 |
| Stepwise Motion |
0.664 |
| Melodic Thirds |
0.1599 |
| Melodic Perfect Fourths |
0.07392 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04839 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009409 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.103 |
| Melodic Embellishments |
0.01872 |
| Direction of Melodic Motion |
0.488 |
| Average Length of Melodic Arcs |
1.986 |
| Average Interval Spanned by Melodic Arcs |
5.123 |
| Melodic Pitch Variety |
5.449 |
| Mean Melodic Interval |
2.485 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4812 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3799 |
| Amount of Arpeggiation |
0.2621 |
| Repeated Notes |
0.04435 |
| Importance of Middle Register |
0.75 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.16 |
| Mean Pitch Class |
5.179 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1257 |
| Prevalence of Most Common Pitch Class |
0.2045 |
| Relative Prevalence of Top Pitches |
0.9149 |
| Relative Prevalence of Top Pitch Classes |
0.9085 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.342 |
| Pitch Class Variability |
3.501 |
| Pitch Class Variability After Folding |
3.181 |
| Pitch Skewness |
-0.2871 |
| Pitch Class Skewness |
0.1535 |
| Pitch Class Skewness After Folding |
0.4968 |
| Pitch Kurtosis |
5.436 |
| Pitch Class Kurtosis |
4.764 |
| Pitch Class Kurtosis After Folding |
6.91 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
57.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
28.0 |
| Importance of Bass Register |
0.25 |
| Note Density per Quarter Note |
0.9578 |
| Note Density per Quarter Note per Voice |
0.2394 |
| Note Density per Quarter Note Variability |
0.5613 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01872 |
| Prevalence of Medium Rhythmic Values |
0.5735 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8155 |
| Prevalence of Very Long Rhythmic Values |
0.07487 |
| Prevalence of Dotted Notes |
0.1404 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.834 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.389 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6598 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.789 |
| Rhythmic Value Skewness |
1.399 |
| Rhythmic Value Kurtosis |
11.65 |
| Mean Rhythmic Value Run Length |
1.704 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.447 |
| Mean Rhythmic Value Offset |
0.03075 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3076 |
| Complete Rests Fraction |
0.001124 |
| Partial Rests Fraction |
0.675 |
| Average Rest Fraction Across Voices |
0.3035 |
| Longest Complete Rest |
0.8777 |
| Longest Partial Rest |
319.5 |
| Mean Complete Rest Duration |
0.8777 |
| Mean Partial Rest Duration |
17.56 |
| Median Complete Rest Duration |
0.8777 |
| Median Partial Rest Duration |
2.198 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
61.33 |
| Variability Across Voices of Combined Rests |
206.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5884 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1841 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.195 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7725 |
| Rhythmic Variability - Tempo Standardized |
0.05051 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
748.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9126 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
5.172 |
| Average Note Duration |
0.6847 |
| Variability of Note Durations |
0.4608 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
257.9 |
| Strongest Rhythmic Pulse |
64.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.2834 |
| Strength of Second Strongest Rhythmic Pulse |
0.2716 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.044 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5549 |
| Rhythmic Variability |
0.03707 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
27.92 |
| Duration in Seconds |
183.8 |
| Note Density |
4.069 |
| Note Density Variability |
1.459 |
| Average Time Between Attacks |
0.4407 |
| Average Time Between Attacks for Each Voice |
0.8433 |
| Variability of Time Between Attacks |
0.2691 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6071 |
| Relative Range Isolation of Loudest Voice |
0.2977 |
| Relative Range of Highest Line |
0.6071 |
| Relative Note Density of Highest Line |
0.3422 |
| Relative Note Durations of Lowest Line |
1.097 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.8422 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
4.041 |
| Parallel Motion |
0.04198 |
| Average Number of Independent Voices |
2.709 |
| Similar Motion |
0.1799 |
| Contrary Motion |
0.2129 |
| Oblique Motion |
0.5652 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9534 |
| Voice Equality - Number of Notes |
97.92 |
| Voice Equality - Note Duration |
48.63 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.732 |
| Importance of Loudest Voice |
11.67 |