Distance Between Two Most Common Vertical Intervals |
1.0 |
Prevalence of Most Common Vertical Interval |
0.2139 |
Prevalence of Second Most Common Vertical Interval |
0.2007 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9382 |
Vertical Unisons |
0.02603 |
Vertical Minor Seconds |
0.001559 |
Vertical Thirds |
0.4145 |
Vertical Tritones |
0.005301 |
Vertical Perfect Fourths |
0.0466 |
Vertical Perfect Fifths |
0.1873 |
Vertical Sixths |
0.1299 |
Vertical Sevenths |
0.02415 |
Vertical Octaves |
0.1374 |
Perfect Vertical Intervals |
0.3973 |
Vertical Dissonance Ratio |
0.06185 |
Vertical Minor Third Prevalence |
0.4257 |
Vertical Major Third Prevalence |
0.4022 |
Chord Duration |
2.282 |
Partial Chords |
0.5965 |
Standard Triads |
0.2963 |
Diminished and Augmented Triads |
0.0117 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.0 |
Non-Standard Chords |
0.1072 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.6522 |
Average Number of Simultaneous Pitch Classes |
2.304 |
Variability of Number of Simultaneous Pitch Classes |
0.5942 |
Average Number of Simultaneous Pitches |
2.625 |
Variability of Number of Simultaneous Pitches |
0.5604 |
Most Common Vertical Interval |
3.0 |
Second Most Common Vertical Interval |
4.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
8.478 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
3.055 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
3.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2095 |
Stepwise Motion |
0.7137 |
Melodic Thirds |
0.1473 |
Melodic Perfect Fourths |
0.05602 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.0332 |
Melodic Sixths |
0.004149 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01037 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.087 |
Melodic Embellishments |
0.01237 |
Direction of Melodic Motion |
0.4602 |
Average Length of Melodic Arcs |
1.845 |
Average Interval Spanned by Melodic Arcs |
4.5 |
Melodic Pitch Variety |
5.182 |
Mean Melodic Interval |
2.378 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.5041 |
Relative Prevalence of Most Common Melodic Intervals |
0.4156 |
Amount of Arpeggiation |
0.2261 |
Repeated Notes |
0.03527 |
Importance of Middle Register |
0.7113 |
Importance of High Register |
0.02474 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
58.92 |
Mean Pitch Class |
5.223 |
Most Common Pitch |
55.0 |
Most Common Pitch Class |
0.0 |
Prevalence of Most Common Pitch |
0.09897 |
Prevalence of Most Common Pitch Class |
0.1753 |
Relative Prevalence of Top Pitches |
0.9583 |
Relative Prevalence of Top Pitch Classes |
0.9176 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
7.173 |
Pitch Class Variability |
3.602 |
Pitch Class Variability After Folding |
3.166 |
Pitch Skewness |
0.1501 |
Pitch Class Skewness |
0.1855 |
Pitch Class Skewness After Folding |
0.2892 |
Pitch Kurtosis |
5.295 |
Pitch Class Kurtosis |
4.869 |
Pitch Class Kurtosis After Folding |
7.203 |
Major or Minor |
0.0 |
First Pitch |
59.0 |
First Pitch Class |
11.0 |
Last Pitch |
45.0 |
Last Pitch Class |
9.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
22.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
9.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
0.0 |
Range |
31.0 |
Importance of Bass Register |
0.2639 |
Note Density per Quarter Note |
0.877 |
Note Density per Quarter Note per Voice |
0.2923 |
Note Density per Quarter Note Variability |
0.3663 |
Range of Rhythmic Values |
7.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.4701 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.833 |
Prevalence of Very Long Rhythmic Values |
0.05979 |
Prevalence of Dotted Notes |
0.06804 |
Shortest Rhythmic Value |
1.0 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.052 |
Most Common Rhythmic Value |
4.0 |
Prevalence of Most Common Rhythmic Value |
0.4268 |
Relative Prevalence of Most Common Rhythmic Values |
0.7101 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.627 |
Rhythmic Value Skewness |
0.09503 |
Rhythmic Value Kurtosis |
8.752 |
Mean Rhythmic Value Run Length |
1.672 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.176 |
Mean Rhythmic Value Offset |
0.008247 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.1816 |
Complete Rests Fraction |
0.001793 |
Partial Rests Fraction |
0.2839 |
Average Rest Fraction Across Voices |
0.1055 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
32.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
5.644 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
7.982 |
Variability Across Voices of Combined Rests |
30.09 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6292 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2192 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.871 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8484 |
Rhythmic Variability - Tempo Standardized |
0.05366 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
485.0 |
Initial Tempo |
288.0 |
Average Variability of Time Between Attacks for Each Voice |
0.5737 |
Minimum Note Duration |
0.2083 |
Maximum Note Duration |
3.333 |
Average Note Duration |
0.6375 |
Variability of Note Durations |
0.3504 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
6.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
288.0 |
Strongest Rhythmic Pulse |
72.0 |
Second Strongest Rhythmic Pulse |
48.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.2988 |
Strength of Second Strongest Rhythmic Pulse |
0.2739 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.091 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.5726 |
Rhythmic Variability |
0.03741 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
0.0000000002729 |
Duration in Seconds |
115.2 |
Note Density |
4.21 |
Note Density Variability |
1.555 |
Average Time Between Attacks |
0.4445 |
Average Time Between Attacks for Each Voice |
0.6828 |
Variability of Time Between Attacks |
0.2317 |
Maximum Number of Independent Voices |
3.0 |
Relative Range of Loudest Voice |
0.5484 |
Relative Range Isolation of Loudest Voice |
0.6352 |
Relative Range of Highest Line |
0.5484 |
Relative Note Density of Highest Line |
0.4144 |
Relative Note Durations of Lowest Line |
1.04 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.7711 |
Voice Separation |
7.0 |
Variability of Voice Separation |
4.243 |
Parallel Motion |
0.07039 |
Average Number of Independent Voices |
2.688 |
Similar Motion |
0.1675 |
Contrary Motion |
0.2694 |
Oblique Motion |
0.4927 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.522 |
Voice Equality - Number of Notes |
3.055 |
Voice Equality - Note Duration |
6.268 |
Voice Equality - Dynamics |
10.41 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
1.155 |
Importance of Loudest Voice |
12.5 |