| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2202 |
| Prevalence of Second Most Common Vertical Interval |
0.1763 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8006 |
| Vertical Unisons |
0.04712 |
| Vertical Minor Seconds |
0.004342 |
| Vertical Thirds |
0.3223 |
| Vertical Tritones |
0.01257 |
| Vertical Perfect Fourths |
0.064 |
| Vertical Perfect Fifths |
0.1763 |
| Vertical Sixths |
0.1407 |
| Vertical Sevenths |
0.03425 |
| Vertical Octaves |
0.1731 |
| Perfect Vertical Intervals |
0.4604 |
| Vertical Dissonance Ratio |
0.08289 |
| Vertical Minor Third Prevalence |
0.3019 |
| Vertical Major Third Prevalence |
0.2689 |
| Chord Duration |
1.811 |
| Partial Chords |
0.66 |
| Standard Triads |
0.2171 |
| Diminished and Augmented Triads |
0.02 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1229 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7273 |
| Average Number of Simultaneous Pitch Classes |
2.106 |
| Variability of Number of Simultaneous Pitch Classes |
0.6663 |
| Average Number of Simultaneous Pitches |
2.441 |
| Variability of Number of Simultaneous Pitches |
0.6489 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.552 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
2.517 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2428 |
| Stepwise Motion |
0.7524 |
| Melodic Thirds |
0.1226 |
| Melodic Perfect Fourths |
0.03365 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05288 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009615 |
| Melodic Large Intervals |
0.002404 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.04 |
| Melodic Embellishments |
0.009547 |
| Direction of Melodic Motion |
0.4691 |
| Average Length of Melodic Arcs |
1.985 |
| Average Interval Spanned by Melodic Arcs |
4.775 |
| Melodic Pitch Variety |
5.176 |
| Mean Melodic Interval |
2.377 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5096 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4764 |
| Amount of Arpeggiation |
0.2115 |
| Repeated Notes |
0.02644 |
| Importance of Middle Register |
0.8067 |
| Importance of High Register |
0.05251 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
61.38 |
| Mean Pitch Class |
4.589 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1313 |
| Prevalence of Most Common Pitch Class |
0.2267 |
| Relative Prevalence of Top Pitches |
0.7818 |
| Relative Prevalence of Top Pitch Classes |
0.7579 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.867 |
| Pitch Class Variability |
3.674 |
| Pitch Class Variability After Folding |
2.958 |
| Pitch Skewness |
-0.2075 |
| Pitch Class Skewness |
0.4814 |
| Pitch Class Skewness After Folding |
0.8979 |
| Pitch Kurtosis |
5.523 |
| Pitch Class Kurtosis |
4.946 |
| Pitch Class Kurtosis After Folding |
7.975 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.1408 |
| Note Density per Quarter Note |
0.9859 |
| Note Density per Quarter Note per Voice |
0.3286 |
| Note Density per Quarter Note Variability |
0.3883 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6181 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7852 |
| Prevalence of Very Long Rhythmic Values |
0.02148 |
| Prevalence of Dotted Notes |
0.07876 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.563 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4033 |
| Relative Prevalence of Most Common Rhythmic Values |
0.716 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.4 |
| Rhythmic Value Skewness |
1.207 |
| Rhythmic Value Kurtosis |
12.2 |
| Mean Rhythmic Value Run Length |
1.724 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.379 |
| Mean Rhythmic Value Offset |
0.009547 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1954 |
| Complete Rests Fraction |
0.002333 |
| Partial Rests Fraction |
0.3929 |
| Average Rest Fraction Across Voices |
0.1545 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
58.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
7.576 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.28 |
| Variability Across Voices of Combined Rests |
27.15 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.581 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2172 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.675 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7982 |
| Rhythmic Variability - Tempo Standardized |
0.05119 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
419.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5341 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.536 |
| Variability of Note Durations |
0.3075 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2542 |
| Strength of Second Strongest Rhythmic Pulse |
0.2525 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.007 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5066 |
| Rhythmic Variability |
0.03541 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000003774 |
| Duration in Seconds |
88.54 |
| Note Density |
4.732 |
| Note Density Variability |
1.195 |
| Average Time Between Attacks |
0.3624 |
| Average Time Between Attacks for Each Voice |
0.5865 |
| Variability of Time Between Attacks |
0.1684 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.6207 |
| Relative Range Isolation of Loudest Voice |
0.4214 |
| Relative Range of Highest Line |
0.6207 |
| Relative Note Density of Highest Line |
0.4869 |
| Relative Note Durations of Lowest Line |
1.07 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7804 |
| Voice Separation |
6.5 |
| Variability of Voice Separation |
0.7071 |
| Parallel Motion |
0.04775 |
| Average Number of Independent Voices |
2.542 |
| Similar Motion |
0.1292 |
| Contrary Motion |
0.2219 |
| Oblique Motion |
0.6011 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6167 |
| Voice Equality - Number of Notes |
2.517 |
| Voice Equality - Note Duration |
5.657 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.0 |
| Importance of Loudest Voice |
12.5 |