Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.2263 |
Prevalence of Second Most Common Vertical Interval |
0.1893 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8366 |
Vertical Unisons |
0.03894 |
Vertical Minor Seconds |
0.002654 |
Vertical Thirds |
0.3082 |
Vertical Tritones |
0.02029 |
Vertical Perfect Fourths |
0.08117 |
Vertical Perfect Fifths |
0.1642 |
Vertical Sixths |
0.1423 |
Vertical Sevenths |
0.03077 |
Vertical Octaves |
0.1874 |
Perfect Vertical Intervals |
0.4717 |
Vertical Dissonance Ratio |
0.08423 |
Vertical Minor Third Prevalence |
0.5156 |
Vertical Major Third Prevalence |
0.3568 |
Chord Duration |
2.102 |
Partial Chords |
0.459 |
Standard Triads |
0.3552 |
Diminished and Augmented Triads |
0.05191 |
Dominant Seventh Chords |
0.002732 |
Seventh Chords |
0.002732 |
Non-Standard Chords |
0.1831 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.9118 |
Average Number of Simultaneous Pitch Classes |
2.503 |
Variability of Number of Simultaneous Pitch Classes |
0.6415 |
Average Number of Simultaneous Pitches |
3.148 |
Variability of Number of Simultaneous Pitches |
0.7815 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
3.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
6.432 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
26.34 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
4.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2214 |
Stepwise Motion |
0.6771 |
Melodic Thirds |
0.151 |
Melodic Perfect Fourths |
0.05208 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.05469 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.005208 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.412 |
Melodic Embellishments |
0.0232 |
Direction of Melodic Motion |
0.4432 |
Average Length of Melodic Arcs |
2.006 |
Average Interval Spanned by Melodic Arcs |
4.872 |
Melodic Pitch Variety |
5.071 |
Mean Melodic Interval |
2.336 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4557 |
Relative Prevalence of Most Common Melodic Intervals |
0.4857 |
Amount of Arpeggiation |
0.2708 |
Repeated Notes |
0.0599 |
Importance of Middle Register |
0.6366 |
Importance of High Register |
0.01031 |
Dominant Spread |
4.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
56.97 |
Mean Pitch Class |
4.943 |
Most Common Pitch |
57.0 |
Most Common Pitch Class |
2.0 |
Prevalence of Most Common Pitch |
0.1082 |
Prevalence of Most Common Pitch Class |
0.2165 |
Relative Prevalence of Top Pitches |
0.9762 |
Relative Prevalence of Top Pitch Classes |
0.8452 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.8 |
Pitch Class Variability |
3.581 |
Pitch Class Variability After Folding |
3.085 |
Pitch Skewness |
0.1615 |
Pitch Class Skewness |
0.7903 |
Pitch Class Skewness After Folding |
0.4462 |
Pitch Kurtosis |
5.322 |
Pitch Class Kurtosis |
4.805 |
Pitch Class Kurtosis After Folding |
7.241 |
Major or Minor |
0.0 |
First Pitch |
50.0 |
First Pitch Class |
2.0 |
Last Pitch |
50.0 |
Last Pitch Class |
2.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
23.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
9.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
1.0 |
Range |
31.0 |
Importance of Bass Register |
0.3531 |
Note Density per Quarter Note |
1.008 |
Note Density per Quarter Note per Voice |
0.252 |
Note Density per Quarter Note Variability |
0.4609 |
Range of Rhythmic Values |
7.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.4716 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.866 |
Prevalence of Very Long Rhythmic Values |
0.09021 |
Prevalence of Dotted Notes |
0.09278 |
Shortest Rhythmic Value |
1.0 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.263 |
Most Common Rhythmic Value |
4.0 |
Prevalence of Most Common Rhythmic Value |
0.3814 |
Relative Prevalence of Most Common Rhythmic Values |
0.8851 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.043 |
Rhythmic Value Skewness |
0.386 |
Rhythmic Value Kurtosis |
11.08 |
Mean Rhythmic Value Run Length |
1.528 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
0.9562 |
Mean Rhythmic Value Offset |
0.01031 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.2031 |
Complete Rests Fraction |
0.002576 |
Partial Rests Fraction |
0.5169 |
Average Rest Fraction Across Voices |
0.1753 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
36.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
8.999 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
4.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
10.18 |
Variability Across Voices of Combined Rests |
46.91 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
1.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6656 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.176 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.782 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8416 |
Rhythmic Variability - Tempo Standardized |
0.0555 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
388.0 |
Initial Tempo |
232.0 |
Average Variability of Time Between Attacks for Each Voice |
0.971 |
Minimum Note Duration |
0.2586 |
Maximum Note Duration |
4.138 |
Average Note Duration |
0.8465 |
Variability of Note Durations |
0.5422 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
2.0 |
Number of Moderate Rhythmic Pulses |
4.0 |
Number of Relatively Strong Rhythmic Pulses |
2.0 |
Mean Tempo |
232.0 |
Strongest Rhythmic Pulse |
58.0 |
Second Strongest Rhythmic Pulse |
116.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.4534 |
Strength of Second Strongest Rhythmic Pulse |
0.3622 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.252 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.8156 |
Rhythmic Variability |
0.04661 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.00000000001035 |
Duration in Seconds |
99.57 |
Note Density |
3.897 |
Note Density Variability |
1.318 |
Average Time Between Attacks |
0.5096 |
Average Time Between Attacks for Each Voice |
1.002 |
Variability of Time Between Attacks |
0.2766 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.4839 |
Relative Range Isolation of Loudest Voice |
0.4535 |
Relative Range of Highest Line |
0.4839 |
Relative Note Density of Highest Line |
0.6701 |
Relative Note Durations of Lowest Line |
0.9615 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.8376 |
Voice Separation |
5.0 |
Variability of Voice Separation |
1.0 |
Parallel Motion |
0.05249 |
Average Number of Independent Voices |
3.307 |
Similar Motion |
0.1188 |
Contrary Motion |
0.1823 |
Oblique Motion |
0.6464 |
Parallel Fifths |
0.002762 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.753 |
Voice Equality - Number of Notes |
26.34 |
Voice Equality - Note Duration |
12.13 |
Voice Equality - Dynamics |
8.66 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.9574 |
Importance of Loudest Voice |
10.0 |