| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1932 |
| Prevalence of Second Most Common Vertical Interval |
0.1743 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9024 |
| Vertical Unisons |
0.04972 |
| Vertical Minor Seconds |
0.004073 |
| Vertical Thirds |
0.3163 |
| Vertical Tritones |
0.01221 |
| Vertical Perfect Fourths |
0.117 |
| Vertical Perfect Fifths |
0.1705 |
| Vertical Sixths |
0.129 |
| Vertical Sevenths |
0.03805 |
| Vertical Octaves |
0.1434 |
| Perfect Vertical Intervals |
0.4806 |
| Vertical Dissonance Ratio |
0.07989 |
| Vertical Minor Third Prevalence |
0.5397 |
| Vertical Major Third Prevalence |
0.6075 |
| Chord Duration |
3.056 |
| Partial Chords |
0.2067 |
| Standard Triads |
0.5721 |
| Diminished and Augmented Triads |
0.02163 |
| Dominant Seventh Chords |
0.01202 |
| Seventh Chords |
0.02885 |
| Non-Standard Chords |
0.1923 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5159 |
| Average Number of Simultaneous Pitch Classes |
2.834 |
| Variability of Number of Simultaneous Pitch Classes |
0.6138 |
| Average Number of Simultaneous Pitches |
3.509 |
| Variability of Number of Simultaneous Pitches |
0.5532 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.499 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
28.25 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2122 |
| Stepwise Motion |
0.6631 |
| Melodic Thirds |
0.1857 |
| Melodic Perfect Fourths |
0.06897 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02387 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01061 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.917 |
| Melodic Embellishments |
0.04724 |
| Direction of Melodic Motion |
0.4457 |
| Average Length of Melodic Arcs |
1.983 |
| Average Interval Spanned by Melodic Arcs |
4.884 |
| Melodic Pitch Variety |
5.089 |
| Mean Melodic Interval |
2.374 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4509 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4706 |
| Amount of Arpeggiation |
0.2679 |
| Repeated Notes |
0.04775 |
| Importance of Middle Register |
0.7559 |
| Importance of High Register |
0.002625 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.98 |
| Mean Pitch Class |
5.0 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1129 |
| Prevalence of Most Common Pitch Class |
0.1732 |
| Relative Prevalence of Top Pitches |
0.7907 |
| Relative Prevalence of Top Pitch Classes |
0.9848 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.316 |
| Pitch Class Variability |
3.444 |
| Pitch Class Variability After Folding |
3.379 |
| Pitch Skewness |
-0.2431 |
| Pitch Class Skewness |
0.0 |
| Pitch Class Skewness After Folding |
0.3915 |
| Pitch Kurtosis |
5.131 |
| Pitch Class Kurtosis |
5.021 |
| Pitch Class Kurtosis After Folding |
6.689 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
17.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.2415 |
| Note Density per Quarter Note |
0.8881 |
| Note Density per Quarter Note per Voice |
0.222 |
| Note Density per Quarter Note Variability |
0.4505 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.2887 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8766 |
| Prevalence of Very Long Rhythmic Values |
0.2546 |
| Prevalence of Dotted Notes |
0.1785 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.189 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4016 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4118 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.476 |
| Rhythmic Value Skewness |
0.2289 |
| Rhythmic Value Kurtosis |
7.163 |
| Mean Rhythmic Value Run Length |
1.438 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.047 |
| Mean Rhythmic Value Offset |
0.04199 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6475 |
| Complete Rests Fraction |
0.001858 |
| Partial Rests Fraction |
0.2249 |
| Average Rest Fraction Across Voices |
0.06047 |
| Longest Complete Rest |
0.7969 |
| Longest Partial Rest |
19.6 |
| Mean Complete Rest Duration |
0.7969 |
| Mean Partial Rest Duration |
6.486 |
| Median Complete Rest Duration |
0.7969 |
| Median Partial Rest Duration |
4.9 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.899 |
| Variability Across Voices of Combined Rests |
22.13 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5648 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2271 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.487 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7919 |
| Rhythmic Variability - Tempo Standardized |
0.05048 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
381.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5982 |
| Minimum Note Duration |
0.1367 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.7197 |
| Variability of Note Durations |
0.4417 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
8.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
368.6 |
| Strongest Rhythmic Pulse |
89.0 |
| Second Strongest Rhythmic Pulse |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.978 |
| Strength of Strongest Rhythmic Pulse |
0.2571 |
| Strength of Second Strongest Rhythmic Pulse |
0.2571 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.0 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5142 |
| Rhythmic Variability |
0.03335 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
75.33 |
| Duration in Seconds |
72.96 |
| Note Density |
5.222 |
| Note Density Variability |
0.7214 |
| Average Time Between Attacks |
0.4076 |
| Average Time Between Attacks for Each Voice |
0.8117 |
| Variability of Time Between Attacks |
0.2138 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5769 |
| Relative Range Isolation of Loudest Voice |
0.1349 |
| Relative Range of Highest Line |
0.5769 |
| Relative Note Density of Highest Line |
0.6929 |
| Relative Note Durations of Lowest Line |
1.043 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.9554 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.05437 |
| Average Number of Independent Voices |
3.766 |
| Similar Motion |
0.1418 |
| Contrary Motion |
0.1844 |
| Oblique Motion |
0.6194 |
| Parallel Fifths |
0.002364 |
| Parallel Octaves |
0.002364 |
| Variability of Number of Independent Voices |
0.4447 |
| Voice Equality - Number of Notes |
28.25 |
| Voice Equality - Note Duration |
3.765 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
10.0 |