| Distance Between Two Most Common Vertical Intervals |
1.0 |
| Prevalence of Most Common Vertical Interval |
0.499 |
| Prevalence of Second Most Common Vertical Interval |
0.251 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.503 |
| Vertical Unisons |
0.0 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.0 |
| Vertical Tritones |
0.0 |
| Vertical Perfect Fourths |
0.0 |
| Vertical Perfect Fifths |
0.001012 |
| Vertical Sixths |
0.75 |
| Vertical Sevenths |
0.05061 |
| Vertical Octaves |
0.1984 |
| Perfect Vertical Intervals |
0.1994 |
| Vertical Dissonance Ratio |
0.0533 |
| Vertical Minor Third Prevalence |
0.0 |
| Vertical Major Third Prevalence |
0.0 |
| Chord Duration |
3.611 |
| Partial Chords |
1.0 |
| Standard Triads |
0.0 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.0 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.0 |
| Average Number of Simultaneous Pitch Classes |
1.802 |
| Variability of Number of Simultaneous Pitch Classes |
0.3988 |
| Average Number of Simultaneous Pitches |
2.0 |
| Variability of Number of Simultaneous Pitches |
0.0 |
| Most Common Vertical Interval |
8.0 |
| Second Most Common Vertical Interval |
9.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
10.01 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.7071 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2014 |
| Stepwise Motion |
0.5503 |
| Melodic Thirds |
0.06483 |
| Melodic Perfect Fourths |
0.004138 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.01793 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
0.5161 |
| Melodic Embellishments |
0.0 |
| Direction of Melodic Motion |
0.4372 |
| Average Length of Melodic Arcs |
1.73 |
| Average Interval Spanned by Melodic Arcs |
3.461 |
| Melodic Pitch Variety |
3.204 |
| Mean Melodic Interval |
1.283 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3628 |
| Relative Prevalence of Most Common Melodic Intervals |
0.962 |
| Amount of Arpeggiation |
0.4455 |
| Repeated Notes |
0.3628 |
| Importance of Middle Register |
0.9835 |
| Importance of High Register |
0.01651 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
66.51 |
| Mean Pitch Class |
3.902 |
| Most Common Pitch |
72.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.2847 |
| Prevalence of Most Common Pitch Class |
0.3604 |
| Relative Prevalence of Top Pitches |
0.8792 |
| Relative Prevalence of Top Pitch Classes |
0.6947 |
| Interval Between Most Prevalent Pitches |
8.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
4.844 |
| Pitch Class Variability |
3.929 |
| Pitch Class Variability After Folding |
2.335 |
| Pitch Skewness |
-0.1908 |
| Pitch Class Skewness |
-0.07456 |
| Pitch Class Skewness After Folding |
-0.6327 |
| Pitch Kurtosis |
4.731 |
| Pitch Class Kurtosis |
5.035 |
| Pitch Class Kurtosis After Folding |
7.215 |
| Major or Minor |
0.0 |
| First Pitch |
64.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
57.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
12.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
17.0 |
| Importance of Bass Register |
0.0 |
| Note Density per Quarter Note |
0.6984 |
| Note Density per Quarter Note per Voice |
0.3492 |
| Note Density per Quarter Note Variability |
0.233 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
5.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6396 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.945 |
| Prevalence of Very Long Rhythmic Values |
0.01376 |
| Prevalence of Dotted Notes |
0.002751 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.718 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5846 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5882 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.189 |
| Rhythmic Value Skewness |
1.811 |
| Rhythmic Value Kurtosis |
9.201 |
| Mean Rhythmic Value Run Length |
1.913 |
| Median Rhythmic Value Run Length |
2.0 |
| Variability in Rhythmic Value Run Lengths |
1.198 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0509 |
| Partial Rests Fraction |
0.0509 |
| Average Rest Fraction Across Voices |
0.0509 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
4.0 |
| Mean Complete Rest Duration |
3.785 |
| Mean Partial Rest Duration |
3.785 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.804 |
| Variability of Partial Rest Durations |
0.789 |
| Variability Across Voices of Combined Rests |
0.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8781 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.0774 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
11.35 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9555 |
| Rhythmic Variability - Tempo Standardized |
0.0695 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
727.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3897 |
| Minimum Note Duration |
0.2586 |
| Maximum Note Duration |
2.069 |
| Average Note Duration |
0.7029 |
| Variability of Note Durations |
0.3076 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.4923 |
| Strength of Second Strongest Rhythmic Pulse |
0.4543 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.083 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9466 |
| Rhythmic Variability |
0.05268 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0000000004079 |
| Duration in Seconds |
269.2 |
| Note Density |
2.7 |
| Note Density Variability |
0.5178 |
| Average Time Between Attacks |
0.6857 |
| Average Time Between Attacks for Each Voice |
0.7341 |
| Variability of Time Between Attacks |
0.3749 |
| Maximum Number of Independent Voices |
2.0 |
| Relative Range of Loudest Voice |
0.4118 |
| Relative Range Isolation of Loudest Voice |
1.0 |
| Relative Range of Highest Line |
0.4118 |
| Relative Note Density of Highest Line |
0.1953 |
| Relative Note Durations of Lowest Line |
1.001 |
| Relative Size of Melodic Intervals in Lowest Line |
0.0 |
| Voice Overlap |
0.0 |
| Voice Separation |
9.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.1618 |
| Average Number of Independent Voices |
2.0 |
| Similar Motion |
0.3897 |
| Contrary Motion |
0.1471 |
| Oblique Motion |
0.3015 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.0 |
| Voice Equality - Number of Notes |
0.7071 |
| Voice Equality - Note Duration |
0.0 |
| Voice Equality - Dynamics |
14.14 |
| Voice Equality - Melodic Leaps |
0.7071 |
| Voice Equality - Range |
0.7071 |
| Importance of Loudest Voice |
20.0 |