| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1897 |
| Prevalence of Second Most Common Vertical Interval |
0.1879 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9904 |
| Vertical Unisons |
0.04352 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.304 |
| Vertical Tritones |
0.02219 |
| Vertical Perfect Fourths |
0.1103 |
| Vertical Perfect Fifths |
0.1879 |
| Vertical Sixths |
0.134 |
| Vertical Sevenths |
0.02292 |
| Vertical Octaves |
0.1462 |
| Perfect Vertical Intervals |
0.4879 |
| Vertical Dissonance Ratio |
0.08011 |
| Vertical Minor Third Prevalence |
0.3214 |
| Vertical Major Third Prevalence |
0.3968 |
| Chord Duration |
1.908 |
| Partial Chords |
0.5839 |
| Standard Triads |
0.2484 |
| Diminished and Augmented Triads |
0.04969 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1677 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6216 |
| Average Number of Simultaneous Pitch Classes |
2.357 |
| Variability of Number of Simultaneous Pitch Classes |
0.5594 |
| Average Number of Simultaneous Pitches |
2.734 |
| Variability of Number of Simultaneous Pitches |
0.4594 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.564 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
50.65 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2063 |
| Stepwise Motion |
0.6653 |
| Melodic Thirds |
0.1558 |
| Melodic Perfect Fourths |
0.05895 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04211 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.004211 |
| Melodic Octaves |
0.01684 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.056 |
| Melodic Embellishments |
0.05858 |
| Direction of Melodic Motion |
0.4241 |
| Average Length of Melodic Arcs |
1.956 |
| Average Interval Spanned by Melodic Arcs |
5.1 |
| Melodic Pitch Variety |
5.746 |
| Mean Melodic Interval |
2.501 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4589 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4495 |
| Amount of Arpeggiation |
0.2758 |
| Repeated Notes |
0.05684 |
| Importance of Middle Register |
0.9247 |
| Importance of High Register |
0.07113 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.31 |
| Mean Pitch Class |
4.992 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1548 |
| Prevalence of Most Common Pitch Class |
0.2134 |
| Relative Prevalence of Top Pitches |
0.8649 |
| Relative Prevalence of Top Pitch Classes |
0.9608 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
5.426 |
| Pitch Class Variability |
3.627 |
| Pitch Class Variability After Folding |
3.152 |
| Pitch Skewness |
0.07866 |
| Pitch Class Skewness |
-0.006921 |
| Pitch Class Skewness After Folding |
0.9596 |
| Pitch Kurtosis |
5.361 |
| Pitch Class Kurtosis |
4.865 |
| Pitch Class Kurtosis After Folding |
7.403 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
60.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
17.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
24.0 |
| Importance of Bass Register |
0.004184 |
| Note Density per Quarter Note |
0.9466 |
| Note Density per Quarter Note per Voice |
0.3155 |
| Note Density per Quarter Note Variability |
0.3456 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0251 |
| Prevalence of Medium Rhythmic Values |
0.5481 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8368 |
| Prevalence of Very Long Rhythmic Values |
0.06695 |
| Prevalence of Dotted Notes |
0.1423 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.937 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3849 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7391 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.973 |
| Rhythmic Value Skewness |
1.425 |
| Rhythmic Value Kurtosis |
13.93 |
| Mean Rhythmic Value Run Length |
1.578 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9798 |
| Mean Rhythmic Value Offset |
0.06695 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8163 |
| Complete Rests Fraction |
0.001964 |
| Partial Rests Fraction |
0.1525 |
| Average Rest Fraction Across Voices |
0.05213 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
20.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.761 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.45 |
| Variability Across Voices of Combined Rests |
18.04 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5785 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2076 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.786 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7861 |
| Rhythmic Variability - Tempo Standardized |
0.05081 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
478.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.8037 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.7769 |
| Variability of Note Durations |
0.6215 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.3971 |
| Strength of Second Strongest Rhythmic Pulse |
0.335 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.185 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.732 |
| Rhythmic Variability |
0.04276 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000001484 |
| Duration in Seconds |
130.6 |
| Note Density |
3.66 |
| Note Density Variability |
1.084 |
| Average Time Between Attacks |
0.4639 |
| Average Time Between Attacks for Each Voice |
0.8727 |
| Variability of Time Between Attacks |
0.2745 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.7083 |
| Relative Range Isolation of Loudest Voice |
0.5152 |
| Relative Range of Highest Line |
0.7083 |
| Relative Note Density of Highest Line |
0.4331 |
| Relative Note Durations of Lowest Line |
1.495 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7824 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
5.657 |
| Parallel Motion |
0.03153 |
| Average Number of Independent Voices |
2.849 |
| Similar Motion |
0.1036 |
| Contrary Motion |
0.1982 |
| Oblique Motion |
0.6667 |
| Parallel Fifths |
0.004505 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3579 |
| Voice Equality - Number of Notes |
50.65 |
| Voice Equality - Note Duration |
4.665 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.646 |
| Importance of Loudest Voice |
12.5 |