| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2997 |
| Prevalence of Second Most Common Vertical Interval |
0.2554 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8522 |
| Vertical Unisons |
0.0 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.1934 |
| Vertical Tritones |
0.02205 |
| Vertical Perfect Fourths |
0.2554 |
| Vertical Perfect Fifths |
0.03363 |
| Vertical Sixths |
0.411 |
| Vertical Sevenths |
0.01929 |
| Vertical Octaves |
0.06528 |
| Perfect Vertical Intervals |
0.3543 |
| Vertical Dissonance Ratio |
0.04312 |
| Vertical Minor Third Prevalence |
0.1527 |
| Vertical Major Third Prevalence |
0.2605 |
| Chord Duration |
4.04 |
| Partial Chords |
0.535 |
| Standard Triads |
0.4061 |
| Diminished and Augmented Triads |
0.03344 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.05892 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.148 |
| Average Number of Simultaneous Pitch Classes |
2.377 |
| Variability of Number of Simultaneous Pitch Classes |
0.5956 |
| Average Number of Simultaneous Pitches |
2.509 |
| Variability of Number of Simultaneous Pitches |
0.4999 |
| Most Common Vertical Interval |
9.0 |
| Second Most Common Vertical Interval |
5.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.922 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
62.07 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2047 |
| Stepwise Motion |
0.5943 |
| Melodic Thirds |
0.03411 |
| Melodic Perfect Fourths |
0.02693 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0 |
| Melodic Sixths |
0.001795 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
5.333 |
| Melodic Embellishments |
0.0 |
| Direction of Melodic Motion |
0.4481 |
| Average Length of Melodic Arcs |
1.803 |
| Average Interval Spanned by Melodic Arcs |
3.36 |
| Melodic Pitch Variety |
3.204 |
| Mean Melodic Interval |
1.241 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3896 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8802 |
| Amount of Arpeggiation |
0.377 |
| Repeated Notes |
0.3429 |
| Importance of Middle Register |
0.9732 |
| Importance of High Register |
0.0 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.41 |
| Mean Pitch Class |
5.562 |
| Most Common Pitch |
69.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.2143 |
| Prevalence of Most Common Pitch Class |
0.2821 |
| Relative Prevalence of Top Pitches |
0.9917 |
| Relative Prevalence of Top Pitch Classes |
0.7595 |
| Interval Between Most Prevalent Pitches |
9.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
4.617 |
| Pitch Class Variability |
3.839 |
| Pitch Class Variability After Folding |
2.645 |
| Pitch Skewness |
-0.6695 |
| Pitch Class Skewness |
0.4396 |
| Pitch Class Skewness After Folding |
0.002025 |
| Pitch Kurtosis |
5.148 |
| Pitch Class Kurtosis |
4.659 |
| Pitch Class Kurtosis After Folding |
8.555 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
15.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
20.0 |
| Importance of Bass Register |
0.02679 |
| Note Density per Quarter Note |
0.8035 |
| Note Density per Quarter Note per Voice |
0.2678 |
| Note Density per Quarter Note Variability |
0.3374 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4714 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9268 |
| Prevalence of Very Long Rhythmic Values |
0.005357 |
| Prevalence of Dotted Notes |
0.01071 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.993 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.5143 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7743 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.146 |
| Rhythmic Value Skewness |
-2.637 |
| Rhythmic Value Kurtosis |
5.637 |
| Mean Rhythmic Value Run Length |
1.892 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.171 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0416 |
| Partial Rests Fraction |
0.5122 |
| Average Rest Fraction Across Voices |
0.1985 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
144.0 |
| Mean Complete Rest Duration |
3.624 |
| Mean Partial Rest Duration |
18.04 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
1.064 |
| Variability of Partial Rest Durations |
39.05 |
| Variability Across Voices of Combined Rests |
189.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7844 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1313 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.975 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9157 |
| Rhythmic Variability - Tempo Standardized |
0.06292 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
560.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.883 |
| Minimum Note Duration |
0.2586 |
| Maximum Note Duration |
2.069 |
| Average Note Duration |
0.774 |
| Variability of Note Durations |
0.2963 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.5612 |
| Strength of Second Strongest Rhythmic Pulse |
0.3674 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.527 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9287 |
| Rhythmic Variability |
0.05282 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.00000000001822 |
| Duration in Seconds |
180.3 |
| Note Density |
3.107 |
| Note Density Variability |
1.051 |
| Average Time Between Attacks |
0.7594 |
| Average Time Between Attacks for Each Voice |
1.06 |
| Variability of Time Between Attacks |
0.3674 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.6054 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.3589 |
| Relative Note Durations of Lowest Line |
1.007 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7018 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
0.7071 |
| Parallel Motion |
0.3048 |
| Average Number of Independent Voices |
2.509 |
| Similar Motion |
0.4222 |
| Contrary Motion |
0.08571 |
| Oblique Motion |
0.1873 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4999 |
| Voice Equality - Number of Notes |
62.07 |
| Voice Equality - Note Duration |
48.98 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
15.0 |