Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2025 |
Prevalence of Second Most Common Vertical Interval |
0.1912 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9441 |
Vertical Unisons |
0.03025 |
Vertical Minor Seconds |
0.002319 |
Vertical Thirds |
0.2921 |
Vertical Tritones |
0.01208 |
Vertical Perfect Fourths |
0.08894 |
Vertical Perfect Fifths |
0.1912 |
Vertical Sixths |
0.1576 |
Vertical Sevenths |
0.02832 |
Vertical Octaves |
0.1723 |
Perfect Vertical Intervals |
0.4826 |
Vertical Dissonance Ratio |
0.07266 |
Vertical Minor Third Prevalence |
0.4129 |
Vertical Major Third Prevalence |
0.3306 |
Chord Duration |
2.159 |
Partial Chords |
0.5206 |
Standard Triads |
0.3375 |
Diminished and Augmented Triads |
0.01866 |
Dominant Seventh Chords |
0.003245 |
Seventh Chords |
0.02271 |
Non-Standard Chords |
0.1193 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
1.391 |
Average Number of Simultaneous Pitch Classes |
2.425 |
Variability of Number of Simultaneous Pitch Classes |
0.6805 |
Average Number of Simultaneous Pitches |
2.973 |
Variability of Number of Simultaneous Pitches |
0.8804 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
6.388 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
72.19 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
4.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2219 |
Stepwise Motion |
0.7071 |
Melodic Thirds |
0.1447 |
Melodic Perfect Fourths |
0.05301 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.03863 |
Melodic Sixths |
0.002695 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.007188 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.5 |
Melodic Embellishments |
0.04297 |
Direction of Melodic Motion |
0.4703 |
Average Length of Melodic Arcs |
2.179 |
Average Interval Spanned by Melodic Arcs |
5.255 |
Melodic Pitch Variety |
5.543 |
Mean Melodic Interval |
2.313 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4852 |
Relative Prevalence of Most Common Melodic Intervals |
0.4574 |
Amount of Arpeggiation |
0.2372 |
Repeated Notes |
0.04672 |
Importance of Middle Register |
0.684 |
Importance of High Register |
0.01253 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
58.11 |
Mean Pitch Class |
5.167 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
2.0 |
Prevalence of Most Common Pitch |
0.09937 |
Prevalence of Most Common Pitch Class |
0.1889 |
Relative Prevalence of Top Pitches |
0.8919 |
Relative Prevalence of Top Pitch Classes |
0.9763 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
7.308 |
Pitch Class Variability |
3.493 |
Pitch Class Variability After Folding |
3.171 |
Pitch Skewness |
-0.09261 |
Pitch Class Skewness |
0.143 |
Pitch Class Skewness After Folding |
0.581 |
Pitch Kurtosis |
5.102 |
Pitch Class Kurtosis |
4.82 |
Pitch Class Kurtosis After Folding |
6.861 |
Major or Minor |
0.0 |
First Pitch |
55.0 |
First Pitch Class |
7.0 |
Last Pitch |
43.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
27.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
1.0 |
Number of Common Pitch Classes |
0.0 |
Range |
31.0 |
Importance of Bass Register |
0.3035 |
Note Density per Quarter Note |
0.8456 |
Note Density per Quarter Note per Voice |
0.2114 |
Note Density per Quarter Note Variability |
0.3629 |
Range of Rhythmic Values |
8.0 |
Number of Different Rhythmic Values Present |
9.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.4548 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8156 |
Prevalence of Very Long Rhythmic Values |
0.1495 |
Prevalence of Dotted Notes |
0.1656 |
Shortest Rhythmic Value |
0.75 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.482 |
Most Common Rhythmic Value |
4.0 |
Prevalence of Most Common Rhythmic Value |
0.3196 |
Relative Prevalence of Most Common Rhythmic Values |
0.8459 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.437 |
Rhythmic Value Skewness |
0.5933 |
Rhythmic Value Kurtosis |
8.928 |
Mean Rhythmic Value Run Length |
1.52 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
0.99 |
Mean Rhythmic Value Offset |
0.1694 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
1.256 |
Complete Rests Fraction |
0.0007507 |
Partial Rests Fraction |
0.5624 |
Average Rest Fraction Across Voices |
0.2301 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
80.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
19.93 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
4.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
22.64 |
Variability Across Voices of Combined Rests |
103.9 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5713 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2049 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.788 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7762 |
Rhythmic Variability - Tempo Standardized |
0.05005 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
1117.0 |
Initial Tempo |
288.0 |
Average Variability of Time Between Attacks for Each Voice |
1.792 |
Minimum Note Duration |
0.1389 |
Maximum Note Duration |
6.667 |
Average Note Duration |
0.7587 |
Variability of Note Durations |
0.67 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
6.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
288.0 |
Strongest Rhythmic Pulse |
72.0 |
Second Strongest Rhythmic Pulse |
48.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.2994 |
Strength of Second Strongest Rhythmic Pulse |
0.2477 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.208 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.5471 |
Rhythmic Variability |
0.03584 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
0.000000000547 |
Duration in Seconds |
275.2 |
Note Density |
4.059 |
Note Density Variability |
1.463 |
Average Time Between Attacks |
0.4314 |
Average Time Between Attacks for Each Voice |
1.047 |
Variability of Time Between Attacks |
0.244 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.5484 |
Relative Range Isolation of Loudest Voice |
0.1893 |
Relative Range of Highest Line |
0.5484 |
Relative Note Density of Highest Line |
0.2363 |
Relative Note Durations of Lowest Line |
0.8753 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.9445 |
Voice Separation |
5.333 |
Variability of Voice Separation |
0.5774 |
Parallel Motion |
0.04528 |
Average Number of Independent Voices |
3.082 |
Similar Motion |
0.1101 |
Contrary Motion |
0.1561 |
Oblique Motion |
0.6885 |
Parallel Fifths |
0.003123 |
Parallel Octaves |
0.001561 |
Variability of Number of Independent Voices |
0.9059 |
Voice Equality - Number of Notes |
72.19 |
Voice Equality - Note Duration |
21.64 |
Voice Equality - Dynamics |
8.66 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
1.5 |
Importance of Loudest Voice |
10.0 |