| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2271 |
| Prevalence of Second Most Common Vertical Interval |
0.1913 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8426 |
| Vertical Unisons |
0.02547 |
| Vertical Minor Seconds |
0.0088 |
| Vertical Thirds |
0.3018 |
| Vertical Tritones |
0.01188 |
| Vertical Perfect Fourths |
0.05061 |
| Vertical Perfect Fifths |
0.1759 |
| Vertical Sixths |
0.1512 |
| Vertical Sevenths |
0.03876 |
| Vertical Octaves |
0.2016 |
| Perfect Vertical Intervals |
0.4536 |
| Vertical Dissonance Ratio |
0.103 |
| Vertical Minor Third Prevalence |
0.3341 |
| Vertical Major Third Prevalence |
0.2115 |
| Chord Duration |
1.824 |
| Partial Chords |
0.6562 |
| Standard Triads |
0.2092 |
| Diminished and Augmented Triads |
0.02292 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1347 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.825 |
| Average Number of Simultaneous Pitch Classes |
2.127 |
| Variability of Number of Simultaneous Pitch Classes |
0.6583 |
| Average Number of Simultaneous Pitches |
2.524 |
| Variability of Number of Simultaneous Pitches |
0.6158 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.491 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
1.528 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2425 |
| Stepwise Motion |
0.7625 |
| Melodic Thirds |
0.1275 |
| Melodic Perfect Fourths |
0.0425 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0525 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.25 |
| Melodic Embellishments |
0.03474 |
| Direction of Melodic Motion |
0.5025 |
| Average Length of Melodic Arcs |
2.062 |
| Average Interval Spanned by Melodic Arcs |
4.886 |
| Melodic Pitch Variety |
5.35 |
| Mean Melodic Interval |
2.395 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.52 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4663 |
| Amount of Arpeggiation |
0.195 |
| Repeated Notes |
0.005 |
| Importance of Middle Register |
0.665 |
| Importance of High Register |
0.009926 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
57.61 |
| Mean Pitch Class |
5.799 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1117 |
| Prevalence of Most Common Pitch Class |
0.2184 |
| Relative Prevalence of Top Pitches |
0.8222 |
| Relative Prevalence of Top Pitch Classes |
0.7727 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
7.83 |
| Pitch Class Variability |
3.229 |
| Pitch Class Variability After Folding |
3.951 |
| Pitch Skewness |
0.405 |
| Pitch Class Skewness |
-1.116 |
| Pitch Class Skewness After Folding |
0.9835 |
| Pitch Kurtosis |
5.163 |
| Pitch Class Kurtosis |
4.954 |
| Pitch Class Kurtosis After Folding |
4.97 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3251 |
| Note Density per Quarter Note |
0.9664 |
| Note Density per Quarter Note per Voice |
0.3221 |
| Note Density per Quarter Note Variability |
0.381 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5707 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7792 |
| Prevalence of Very Long Rhythmic Values |
0.0273 |
| Prevalence of Dotted Notes |
0.1067 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.665 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3499 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8582 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.545 |
| Rhythmic Value Skewness |
1.291 |
| Rhythmic Value Kurtosis |
13.47 |
| Mean Rhythmic Value Run Length |
1.568 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8222 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.002378 |
| Partial Rests Fraction |
0.3573 |
| Average Rest Fraction Across Voices |
0.1415 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
40.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
7.695 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
11.34 |
| Variability Across Voices of Combined Rests |
26.23 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.558 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2279 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.448 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7859 |
| Rhythmic Variability - Tempo Standardized |
0.05018 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
403.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6091 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
2.5 |
| Average Note Duration |
0.5552 |
| Variability of Note Durations |
0.3219 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
48.0 |
| Second Strongest Rhythmic Pulse |
72.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2429 |
| Strength of Second Strongest Rhythmic Pulse |
0.2418 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.005 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4847 |
| Rhythmic Variability |
0.03453 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000003672 |
| Duration in Seconds |
86.87 |
| Note Density |
4.639 |
| Note Density Variability |
1.562 |
| Average Time Between Attacks |
0.3711 |
| Average Time Between Attacks for Each Voice |
0.6048 |
| Variability of Time Between Attacks |
0.1823 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.3939 |
| Relative Range Isolation of Loudest Voice |
0.6692 |
| Relative Range of Highest Line |
0.3939 |
| Relative Note Density of Highest Line |
0.4988 |
| Relative Note Durations of Lowest Line |
0.9077 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.6576 |
| Voice Separation |
8.5 |
| Variability of Voice Separation |
3.536 |
| Parallel Motion |
0.07713 |
| Average Number of Independent Voices |
2.582 |
| Similar Motion |
0.1185 |
| Contrary Motion |
0.2507 |
| Oblique Motion |
0.5537 |
| Parallel Fifths |
0.00551 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6069 |
| Voice Equality - Number of Notes |
1.528 |
| Voice Equality - Note Duration |
5.465 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.055 |
| Importance of Loudest Voice |
12.5 |