Distance Between Two Most Common Vertical Intervals |
4.0 |
Prevalence of Most Common Vertical Interval |
0.3379 |
Prevalence of Second Most Common Vertical Interval |
0.2916 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.863 |
Vertical Unisons |
0.0 |
Vertical Minor Seconds |
0.0 |
Vertical Thirds |
0.2191 |
Vertical Tritones |
0.003995 |
Vertical Perfect Fourths |
0.2916 |
Vertical Perfect Fifths |
0.03076 |
Vertical Sixths |
0.3786 |
Vertical Sevenths |
0.01493 |
Vertical Octaves |
0.06106 |
Perfect Vertical Intervals |
0.3834 |
Vertical Dissonance Ratio |
0.01929 |
Vertical Minor Third Prevalence |
0.0597 |
Vertical Major Third Prevalence |
0.4507 |
Chord Duration |
5.106 |
Partial Chords |
0.4363 |
Standard Triads |
0.5414 |
Diminished and Augmented Triads |
0.003185 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.0 |
Non-Standard Chords |
0.02229 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
7.947 |
Average Number of Simultaneous Pitch Classes |
2.466 |
Variability of Number of Simultaneous Pitch Classes |
0.6117 |
Average Number of Simultaneous Pitches |
2.6 |
Variability of Number of Simultaneous Pitches |
0.4899 |
Most Common Vertical Interval |
9.0 |
Second Most Common Vertical Interval |
5.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
8.774 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
51.38 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
3.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1328 |
Stepwise Motion |
0.4448 |
Melodic Thirds |
0.04655 |
Melodic Perfect Fourths |
0.001724 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.006897 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.0 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
0.0 |
Minor Major Melodic Third Ratio |
1.077 |
Melodic Embellishments |
0.0 |
Direction of Melodic Motion |
0.4517 |
Average Length of Melodic Arcs |
1.696 |
Average Interval Spanned by Melodic Arcs |
3.263 |
Melodic Pitch Variety |
2.782 |
Mean Melodic Interval |
0.9759 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.5 |
Relative Prevalence of Most Common Melodic Intervals |
0.6241 |
Amount of Arpeggiation |
0.5534 |
Repeated Notes |
0.5 |
Importance of Middle Register |
0.9897 |
Importance of High Register |
0.0 |
Dominant Spread |
2.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
63.38 |
Mean Pitch Class |
5.094 |
Most Common Pitch |
69.0 |
Most Common Pitch Class |
9.0 |
Prevalence of Most Common Pitch |
0.2693 |
Prevalence of Most Common Pitch Class |
0.3087 |
Relative Prevalence of Top Pitches |
0.9873 |
Relative Prevalence of Top Pitch Classes |
0.8611 |
Interval Between Most Prevalent Pitches |
9.0 |
Interval Between Most Prevalent Pitch Classes |
9.0 |
Pitch Variability |
4.322 |
Pitch Class Variability |
3.814 |
Pitch Class Variability After Folding |
3.107 |
Pitch Skewness |
-0.2405 |
Pitch Class Skewness |
0.07421 |
Pitch Class Skewness After Folding |
0.09441 |
Pitch Kurtosis |
4.902 |
Pitch Class Kurtosis |
4.476 |
Pitch Class Kurtosis After Folding |
7.184 |
Major or Minor |
0.0 |
First Pitch |
57.0 |
First Pitch Class |
9.0 |
Last Pitch |
55.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
13.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
9.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
2.0 |
Range |
17.0 |
Importance of Bass Register |
0.01029 |
Note Density per Quarter Note |
0.8365 |
Note Density per Quarter Note per Voice |
0.2788 |
Note Density per Quarter Note Variability |
0.354 |
Range of Rhythmic Values |
6.0 |
Number of Different Rhythmic Values Present |
4.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.518 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.9691 |
Prevalence of Very Long Rhythmic Values |
0.01372 |
Prevalence of Dotted Notes |
0.0 |
Shortest Rhythmic Value |
1.0 |
Longest Rhythmic Value |
8.0 |
Mean Rhythmic Value |
2.988 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4871 |
Relative Prevalence of Most Common Rhythmic Values |
0.9613 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.193 |
Rhythmic Value Skewness |
2.484 |
Rhythmic Value Kurtosis |
8.053 |
Mean Rhythmic Value Run Length |
1.97 |
Median Rhythmic Value Run Length |
2.0 |
Variability in Rhythmic Value Run Lengths |
1.062 |
Mean Rhythmic Value Offset |
0.0 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.0 |
Complete Rests Fraction |
0.03873 |
Partial Rests Fraction |
0.4232 |
Average Rest Fraction Across Voices |
0.1669 |
Longest Complete Rest |
4.0 |
Longest Partial Rest |
104.0 |
Mean Complete Rest Duration |
3.374 |
Mean Partial Rest Duration |
14.54 |
Median Complete Rest Duration |
4.0 |
Median Partial Rest Duration |
4.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
1.19 |
Variability of Partial Rest Durations |
30.56 |
Variability Across Voices of Combined Rests |
154.7 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.9084 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.06107 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
14.87 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9695 |
Rhythmic Variability - Tempo Standardized |
0.07175 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
583.0 |
Initial Tempo |
232.0 |
Average Variability of Time Between Attacks for Each Voice |
1.501 |
Minimum Note Duration |
0.2586 |
Maximum Note Duration |
2.069 |
Average Note Duration |
0.7728 |
Variability of Note Durations |
0.3086 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
2.0 |
Number of Moderate Rhythmic Pulses |
4.0 |
Number of Relatively Strong Rhythmic Pulses |
2.0 |
Mean Tempo |
232.0 |
Strongest Rhythmic Pulse |
58.0 |
Second Strongest Rhythmic Pulse |
116.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.5602 |
Strength of Second Strongest Rhythmic Pulse |
0.4121 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.359 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9723 |
Rhythmic Variability |
0.05465 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.00000000001822 |
Duration in Seconds |
180.3 |
Note Density |
3.234 |
Note Density Variability |
1.151 |
Average Time Between Attacks |
0.7627 |
Average Time Between Attacks for Each Voice |
0.9781 |
Variability of Time Between Attacks |
0.3695 |
Maximum Number of Independent Voices |
3.0 |
Relative Range of Loudest Voice |
0.3529 |
Relative Range Isolation of Loudest Voice |
0.9018 |
Relative Range of Highest Line |
0.3529 |
Relative Note Density of Highest Line |
0.3499 |
Relative Note Durations of Lowest Line |
1.003 |
Relative Size of Melodic Intervals in Lowest Line |
0.0 |
Voice Overlap |
0.5386 |
Voice Separation |
4.5 |
Variability of Voice Separation |
0.7071 |
Parallel Motion |
0.4727 |
Average Number of Independent Voices |
2.6 |
Similar Motion |
0.2305 |
Contrary Motion |
0.1016 |
Oblique Motion |
0.1953 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.4899 |
Voice Equality - Number of Notes |
51.38 |
Voice Equality - Note Duration |
40.02 |
Voice Equality - Dynamics |
10.0 |
Voice Equality - Melodic Leaps |
0.5774 |
Voice Equality - Range |
1.732 |
Importance of Loudest Voice |
15.0 |