Distance Between Two Most Common Vertical Intervals |
1.0 |
Prevalence of Most Common Vertical Interval |
0.5608 |
Prevalence of Second Most Common Vertical Interval |
0.2049 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.3653 |
Vertical Unisons |
0.0 |
Vertical Minor Seconds |
0.0 |
Vertical Thirds |
0.0 |
Vertical Tritones |
0.0 |
Vertical Perfect Fourths |
0.0006402 |
Vertical Perfect Fifths |
0.01472 |
Vertical Sixths |
0.7657 |
Vertical Sevenths |
0.04097 |
Vertical Octaves |
0.178 |
Perfect Vertical Intervals |
0.1933 |
Vertical Dissonance Ratio |
0.04272 |
Vertical Minor Third Prevalence |
0.0 |
Vertical Major Third Prevalence |
0.0 |
Chord Duration |
3.902 |
Partial Chords |
1.0 |
Standard Triads |
0.0 |
Diminished and Augmented Triads |
0.0 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.0 |
Non-Standard Chords |
0.0 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.0 |
Average Number of Simultaneous Pitch Classes |
1.819 |
Variability of Number of Simultaneous Pitch Classes |
0.3851 |
Average Number of Simultaneous Pitches |
1.996 |
Variability of Number of Simultaneous Pitches |
0.06174 |
Most Common Vertical Interval |
9.0 |
Second Most Common Vertical Interval |
8.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
10.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
1.414 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
2.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1574 |
Stepwise Motion |
0.4732 |
Melodic Thirds |
0.1011 |
Melodic Perfect Fourths |
0.01163 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.01073 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.0 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
0.0 |
Minor Major Melodic Third Ratio |
1.354 |
Melodic Embellishments |
0.002679 |
Direction of Melodic Motion |
0.4438 |
Average Length of Melodic Arcs |
1.853 |
Average Interval Spanned by Melodic Arcs |
3.925 |
Melodic Pitch Variety |
3.482 |
Mean Melodic Interval |
1.268 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.4034 |
Relative Prevalence of Most Common Melodic Intervals |
0.7827 |
Amount of Arpeggiation |
0.5152 |
Repeated Notes |
0.4034 |
Importance of Middle Register |
0.9795 |
Importance of High Register |
0.0 |
Dominant Spread |
3.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
62.49 |
Mean Pitch Class |
5.947 |
Most Common Pitch |
69.0 |
Most Common Pitch Class |
9.0 |
Prevalence of Most Common Pitch |
0.2902 |
Prevalence of Most Common Pitch Class |
0.3884 |
Relative Prevalence of Top Pitches |
0.8769 |
Relative Prevalence of Top Pitch Classes |
0.6552 |
Interval Between Most Prevalent Pitches |
9.0 |
Interval Between Most Prevalent Pitch Classes |
9.0 |
Pitch Variability |
4.946 |
Pitch Class Variability |
3.892 |
Pitch Class Variability After Folding |
3.443 |
Pitch Skewness |
0.6916 |
Pitch Class Skewness |
-0.8115 |
Pitch Class Skewness After Folding |
0.2295 |
Pitch Kurtosis |
4.625 |
Pitch Class Kurtosis |
4.757 |
Pitch Class Kurtosis After Folding |
6.584 |
Major or Minor |
0.0 |
First Pitch |
57.0 |
First Pitch Class |
9.0 |
Last Pitch |
53.0 |
Last Pitch Class |
5.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
12.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
8.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
2.0 |
Range |
17.0 |
Importance of Bass Register |
0.02054 |
Note Density per Quarter Note |
0.6792 |
Note Density per Quarter Note per Voice |
0.3396 |
Note Density per Quarter Note Variability |
0.2081 |
Range of Rhythmic Values |
6.0 |
Number of Different Rhythmic Values Present |
5.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.6125 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.9661 |
Prevalence of Very Long Rhythmic Values |
0.01607 |
Prevalence of Dotted Notes |
0.01071 |
Shortest Rhythmic Value |
1.0 |
Longest Rhythmic Value |
8.0 |
Mean Rhythmic Value |
2.795 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.5786 |
Relative Prevalence of Most Common Rhythmic Values |
0.6235 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.198 |
Rhythmic Value Skewness |
1.989 |
Rhythmic Value Kurtosis |
9.423 |
Mean Rhythmic Value Run Length |
2.113 |
Median Rhythmic Value Run Length |
2.0 |
Variability in Rhythmic Value Run Lengths |
1.305 |
Mean Rhythmic Value Offset |
0.0 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.0 |
Complete Rests Fraction |
0.04912 |
Partial Rests Fraction |
0.05275 |
Average Rest Fraction Across Voices |
0.05094 |
Longest Complete Rest |
4.0 |
Longest Partial Rest |
4.0 |
Mean Complete Rest Duration |
3.857 |
Mean Partial Rest Duration |
3.733 |
Median Complete Rest Duration |
4.0 |
Median Partial Rest Duration |
4.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.6565 |
Variability of Partial Rest Durations |
0.7818 |
Variability Across Voices of Combined Rests |
4.243 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.9176 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.05229 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
17.55 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9699 |
Rhythmic Variability - Tempo Standardized |
0.07243 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
1120.0 |
Initial Tempo |
232.0 |
Average Variability of Time Between Attacks for Each Voice |
0.3972 |
Minimum Note Duration |
0.2586 |
Maximum Note Duration |
2.069 |
Average Note Duration |
0.7228 |
Variability of Note Durations |
0.3099 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
2.0 |
Number of Moderate Rhythmic Pulses |
4.0 |
Number of Relatively Strong Rhythmic Pulses |
2.0 |
Mean Tempo |
232.0 |
Strongest Rhythmic Pulse |
58.0 |
Second Strongest Rhythmic Pulse |
116.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.5096 |
Strength of Second Strongest Rhythmic Pulse |
0.4505 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.131 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9601 |
Rhythmic Variability |
0.05346 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0000000007262 |
Duration in Seconds |
426.5 |
Note Density |
2.626 |
Note Density Variability |
0.4273 |
Average Time Between Attacks |
0.6971 |
Average Time Between Attacks for Each Voice |
0.7584 |
Variability of Time Between Attacks |
0.3803 |
Maximum Number of Independent Voices |
2.0 |
Relative Range of Loudest Voice |
0.4706 |
Relative Range Isolation of Loudest Voice |
0.9928 |
Relative Range of Highest Line |
0.4706 |
Relative Note Density of Highest Line |
0.1196 |
Relative Note Durations of Lowest Line |
1.001 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.01607 |
Voice Separation |
9.0 |
Variability of Voice Separation |
0.0 |
Parallel Motion |
0.1641 |
Average Number of Independent Voices |
1.996 |
Similar Motion |
0.3737 |
Contrary Motion |
0.1338 |
Oblique Motion |
0.3283 |
Parallel Fifths |
0.002525 |
Parallel Octaves |
0.0202 |
Variability of Number of Independent Voices |
0.06174 |
Voice Equality - Number of Notes |
1.414 |
Voice Equality - Note Duration |
1.097 |
Voice Equality - Dynamics |
14.14 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
0.7071 |
Importance of Loudest Voice |
20.0 |