| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2007 |
| Prevalence of Second Most Common Vertical Interval |
0.1908 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9504 |
| Vertical Unisons |
0.03019 |
| Vertical Minor Seconds |
0.004168 |
| Vertical Thirds |
0.3266 |
| Vertical Tritones |
0.01024 |
| Vertical Perfect Fourths |
0.08234 |
| Vertical Perfect Fifths |
0.1692 |
| Vertical Sixths |
0.1524 |
| Vertical Sevenths |
0.03458 |
| Vertical Octaves |
0.1706 |
| Perfect Vertical Intervals |
0.4523 |
| Vertical Dissonance Ratio |
0.07385 |
| Vertical Minor Third Prevalence |
0.3952 |
| Vertical Major Third Prevalence |
0.3053 |
| Chord Duration |
3.43 |
| Partial Chords |
0.5848 |
| Standard Triads |
0.2932 |
| Diminished and Augmented Triads |
0.02033 |
| Dominant Seventh Chords |
0.003909 |
| Seventh Chords |
0.01173 |
| Non-Standard Chords |
0.1102 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9036 |
| Average Number of Simultaneous Pitch Classes |
2.255 |
| Variability of Number of Simultaneous Pitch Classes |
0.7334 |
| Average Number of Simultaneous Pitches |
2.721 |
| Variability of Number of Simultaneous Pitches |
0.9318 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.714 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
80.01 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2111 |
| Stepwise Motion |
0.7142 |
| Melodic Thirds |
0.1284 |
| Melodic Perfect Fourths |
0.05629 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03342 |
| Melodic Sixths |
0.001759 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01143 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.056 |
| Melodic Embellishments |
0.01665 |
| Direction of Melodic Motion |
0.4465 |
| Average Length of Melodic Arcs |
1.976 |
| Average Interval Spanned by Melodic Arcs |
4.772 |
| Melodic Pitch Variety |
5.217 |
| Mean Melodic Interval |
2.301 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5031 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4196 |
| Amount of Arpeggiation |
0.2278 |
| Repeated Notes |
0.05453 |
| Importance of Middle Register |
0.6389 |
| Importance of High Register |
0.0008764 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.76 |
| Mean Pitch Class |
4.94 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1122 |
| Prevalence of Most Common Pitch Class |
0.2086 |
| Relative Prevalence of Top Pitches |
0.8828 |
| Relative Prevalence of Top Pitch Classes |
0.8067 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.476 |
| Pitch Class Variability |
3.305 |
| Pitch Class Variability After Folding |
3.441 |
| Pitch Skewness |
0.1311 |
| Pitch Class Skewness |
-0.0549 |
| Pitch Class Skewness After Folding |
0.6823 |
| Pitch Kurtosis |
5.106 |
| Pitch Class Kurtosis |
4.937 |
| Pitch Class Kurtosis After Folding |
6.266 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3602 |
| Note Density per Quarter Note |
0.7684 |
| Note Density per Quarter Note per Voice |
0.1921 |
| Note Density per Quarter Note Variability |
0.4615 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001753 |
| Prevalence of Medium Rhythmic Values |
0.4373 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8896 |
| Prevalence of Very Long Rhythmic Values |
0.1788 |
| Prevalence of Dotted Notes |
0.1052 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.634 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3479 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9395 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.243 |
| Rhythmic Value Skewness |
-0.4899 |
| Rhythmic Value Kurtosis |
7.527 |
| Mean Rhythmic Value Run Length |
1.546 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.139 |
| Mean Rhythmic Value Offset |
0.02454 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6151 |
| Complete Rests Fraction |
0.0004706 |
| Partial Rests Fraction |
0.7126 |
| Average Rest Fraction Across Voices |
0.3223 |
| Longest Complete Rest |
0.6988 |
| Longest Partial Rest |
394.7 |
| Mean Complete Rest Duration |
0.6988 |
| Mean Partial Rest Duration |
31.9 |
| Median Complete Rest Duration |
0.6988 |
| Median Partial Rest Duration |
4.297 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
75.22 |
| Variability Across Voices of Combined Rests |
256.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6829 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1666 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.099 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8495 |
| Rhythmic Variability - Tempo Standardized |
0.05646 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1141.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.562 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
8.276 |
| Average Note Duration |
0.6843 |
| Variability of Note Durations |
0.4264 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
335.1 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3337 |
| Strength of Second Strongest Rhythmic Pulse |
0.2745 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.216 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6082 |
| Rhythmic Variability |
0.03889 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
93.8 |
| Duration in Seconds |
288.0 |
| Note Density |
3.962 |
| Note Density Variability |
1.417 |
| Average Time Between Attacks |
0.4801 |
| Average Time Between Attacks for Each Voice |
1.039 |
| Variability of Time Between Attacks |
0.2643 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.1512 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.2244 |
| Relative Note Durations of Lowest Line |
0.9981 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8983 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.06337 |
| Average Number of Independent Voices |
2.813 |
| Similar Motion |
0.1822 |
| Contrary Motion |
0.2475 |
| Oblique Motion |
0.5069 |
| Parallel Fifths |
0.00396 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9747 |
| Voice Equality - Number of Notes |
80.01 |
| Voice Equality - Note Duration |
49.76 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
10.0 |