| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2012 |
| Prevalence of Second Most Common Vertical Interval |
0.177 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8796 |
| Vertical Unisons |
0.03239 |
| Vertical Minor Seconds |
0.008937 |
| Vertical Thirds |
0.2792 |
| Vertical Tritones |
0.0118 |
| Vertical Perfect Fourths |
0.09804 |
| Vertical Perfect Fifths |
0.1698 |
| Vertical Sixths |
0.1399 |
| Vertical Sevenths |
0.05002 |
| Vertical Octaves |
0.1689 |
| Perfect Vertical Intervals |
0.4691 |
| Vertical Dissonance Ratio |
0.1258 |
| Vertical Minor Third Prevalence |
0.3684 |
| Vertical Major Third Prevalence |
0.5504 |
| Chord Duration |
1.564 |
| Partial Chords |
0.3142 |
| Standard Triads |
0.3853 |
| Diminished and Augmented Triads |
0.004587 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.02982 |
| Non-Standard Chords |
0.2706 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3548 |
| Average Number of Simultaneous Pitch Classes |
2.717 |
| Variability of Number of Simultaneous Pitch Classes |
0.7079 |
| Average Number of Simultaneous Pitches |
3.362 |
| Variability of Number of Simultaneous Pitches |
0.6375 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.131 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
47.37 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.201 |
| Stepwise Motion |
0.6379 |
| Melodic Thirds |
0.06312 |
| Melodic Perfect Fourths |
0.03821 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.09302 |
| Melodic Sixths |
0.001661 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01993 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.375 |
| Melodic Embellishments |
0.1848 |
| Direction of Melodic Motion |
0.5739 |
| Average Length of Melodic Arcs |
2.315 |
| Average Interval Spanned by Melodic Arcs |
6.378 |
| Melodic Pitch Variety |
5.378 |
| Mean Melodic Interval |
2.385 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4369 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4601 |
| Amount of Arpeggiation |
0.3223 |
| Repeated Notes |
0.1462 |
| Importance of Middle Register |
0.5198 |
| Importance of High Register |
0.0033 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
54.63 |
| Mean Pitch Class |
5.112 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1485 |
| Prevalence of Most Common Pitch Class |
0.2822 |
| Relative Prevalence of Top Pitches |
0.6333 |
| Relative Prevalence of Top Pitch Classes |
0.6316 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.738 |
| Pitch Class Variability |
3.306 |
| Pitch Class Variability After Folding |
4.552 |
| Pitch Skewness |
0.02047 |
| Pitch Class Skewness |
0.1018 |
| Pitch Class Skewness After Folding |
0.9026 |
| Pitch Kurtosis |
5.417 |
| Pitch Class Kurtosis |
5.015 |
| Pitch Class Kurtosis After Folding |
4.298 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.4769 |
| Note Density per Quarter Note |
1.326 |
| Note Density per Quarter Note per Voice |
0.3315 |
| Note Density per Quarter Note Variability |
0.3851 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
4.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5347 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6881 |
| Prevalence of Very Long Rhythmic Values |
0.06601 |
| Prevalence of Dotted Notes |
0.2442 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.64 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.3119 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7249 |
| Difference Between Most Common Rhythmic Values |
3.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.765 |
| Rhythmic Value Skewness |
1.088 |
| Rhythmic Value Kurtosis |
10.26 |
| Mean Rhythmic Value Run Length |
1.237 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.6436 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.00217 |
| Partial Rests Fraction |
0.4573 |
| Average Rest Fraction Across Voices |
0.1247 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
38.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
5.845 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.695 |
| Variability Across Voices of Combined Rests |
34.53 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.3684 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.3229 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.141 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.6913 |
| Rhythmic Variability - Tempo Standardized |
0.04535 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
606.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5004 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
2.5 |
| Average Note Duration |
0.5501 |
| Variability of Note Durations |
0.3678 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2587 |
| Strength of Second Strongest Rhythmic Pulse |
0.1705 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.518 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4292 |
| Rhythmic Variability |
0.03276 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000004146 |
| Duration in Seconds |
95.21 |
| Note Density |
6.365 |
| Note Density Variability |
1.813 |
| Average Time Between Attacks |
0.289 |
| Average Time Between Attacks for Each Voice |
0.6771 |
| Variability of Time Between Attacks |
0.128 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.1585 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.4356 |
| Relative Note Durations of Lowest Line |
0.825 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8597 |
| Voice Separation |
6.667 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.04533 |
| Average Number of Independent Voices |
3.509 |
| Similar Motion |
0.1044 |
| Contrary Motion |
0.1223 |
| Oblique Motion |
0.728 |
| Parallel Fifths |
0.001374 |
| Parallel Octaves |
0.001374 |
| Variability of Number of Independent Voices |
0.5735 |
| Voice Equality - Number of Notes |
47.37 |
| Voice Equality - Note Duration |
7.193 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.109 |
| Importance of Loudest Voice |
11.67 |