| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.175 |
| Prevalence of Second Most Common Vertical Interval |
0.1634 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9342 |
| Vertical Unisons |
0.02554 |
| Vertical Minor Seconds |
0.002807 |
| Vertical Thirds |
0.2933 |
| Vertical Tritones |
0.02792 |
| Vertical Perfect Fourths |
0.1577 |
| Vertical Perfect Fifths |
0.1413 |
| Vertical Sixths |
0.167 |
| Vertical Sevenths |
0.02616 |
| Vertical Octaves |
0.1379 |
| Perfect Vertical Intervals |
0.4624 |
| Vertical Dissonance Ratio |
0.08378 |
| Vertical Minor Third Prevalence |
0.4118 |
| Vertical Major Third Prevalence |
0.2721 |
| Chord Duration |
2.194 |
| Partial Chords |
0.5285 |
| Standard Triads |
0.2928 |
| Diminished and Augmented Triads |
0.06654 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1787 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.333 |
| Average Number of Simultaneous Pitch Classes |
2.423 |
| Variability of Number of Simultaneous Pitch Classes |
0.557 |
| Average Number of Simultaneous Pitches |
2.789 |
| Variability of Number of Simultaneous Pitches |
0.4172 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.316 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
22.12 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2422 |
| Stepwise Motion |
0.7411 |
| Melodic Thirds |
0.1273 |
| Melodic Perfect Fourths |
0.04175 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02505 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01044 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.346 |
| Melodic Embellishments |
0.03734 |
| Direction of Melodic Motion |
0.4614 |
| Average Length of Melodic Arcs |
1.97 |
| Average Interval Spanned by Melodic Arcs |
4.509 |
| Melodic Pitch Variety |
4.769 |
| Mean Melodic Interval |
2.186 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.499 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4854 |
| Amount of Arpeggiation |
0.2171 |
| Repeated Notes |
0.05428 |
| Importance of Middle Register |
0.8237 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.81 |
| Mean Pitch Class |
5.114 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1473 |
| Prevalence of Most Common Pitch Class |
0.2054 |
| Relative Prevalence of Top Pitches |
0.8732 |
| Relative Prevalence of Top Pitch Classes |
0.798 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
5.115 |
| Pitch Class Variability |
3.344 |
| Pitch Class Variability After Folding |
3.56 |
| Pitch Skewness |
-0.3443 |
| Pitch Class Skewness |
0.1024 |
| Pitch Class Skewness After Folding |
0.806 |
| Pitch Kurtosis |
5.303 |
| Pitch Class Kurtosis |
4.9 |
| Pitch Class Kurtosis After Folding |
5.891 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
16.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
22.0 |
| Importance of Bass Register |
0.1763 |
| Note Density per Quarter Note |
0.8844 |
| Note Density per Quarter Note per Voice |
0.2948 |
| Note Density per Quarter Note Variability |
0.3128 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4544 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8755 |
| Prevalence of Very Long Rhythmic Values |
0.09336 |
| Prevalence of Dotted Notes |
0.08506 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
3.224 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3983 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8281 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.737 |
| Rhythmic Value Skewness |
0.3869 |
| Rhythmic Value Kurtosis |
7.269 |
| Mean Rhythmic Value Run Length |
1.516 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9489 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.00182 |
| Partial Rests Fraction |
0.1449 |
| Average Rest Fraction Across Voices |
0.04953 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
12.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
4.262 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
3.108 |
| Variability Across Voices of Combined Rests |
24.98 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6719 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1719 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.909 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8438 |
| Rhythmic Variability - Tempo Standardized |
0.05585 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
482.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4476 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
1.667 |
| Average Note Duration |
0.6717 |
| Variability of Note Durations |
0.3619 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3018 |
| Strength of Second Strongest Rhythmic Pulse |
0.2744 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.1 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5762 |
| Rhythmic Variability |
0.03786 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000002909 |
| Duration in Seconds |
113.5 |
| Note Density |
4.245 |
| Note Density Variability |
0.8405 |
| Average Time Between Attacks |
0.4414 |
| Average Time Between Attacks for Each Voice |
0.7065 |
| Variability of Time Between Attacks |
0.2224 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.4545 |
| Relative Range Isolation of Loudest Voice |
0.15 |
| Relative Range of Highest Line |
0.4545 |
| Relative Note Density of Highest Line |
0.3983 |
| Relative Note Durations of Lowest Line |
1.029 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.9502 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.1038 |
| Average Number of Independent Voices |
2.857 |
| Similar Motion |
0.1271 |
| Contrary Motion |
0.2309 |
| Oblique Motion |
0.5381 |
| Parallel Fifths |
0.006356 |
| Parallel Octaves |
0.002119 |
| Variability of Number of Independent Voices |
0.3505 |
| Voice Equality - Number of Notes |
22.12 |
| Voice Equality - Note Duration |
5.204 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
3.512 |
| Importance of Loudest Voice |
12.5 |