| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2086 |
| Prevalence of Second Most Common Vertical Interval |
0.1771 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8491 |
| Vertical Unisons |
0.02827 |
| Vertical Minor Seconds |
0.0061 |
| Vertical Thirds |
0.3091 |
| Vertical Tritones |
0.01362 |
| Vertical Perfect Fourths |
0.08048 |
| Vertical Perfect Fifths |
0.1771 |
| Vertical Sixths |
0.1406 |
| Vertical Sevenths |
0.03341 |
| Vertical Octaves |
0.1803 |
| Perfect Vertical Intervals |
0.4662 |
| Vertical Dissonance Ratio |
0.09185 |
| Vertical Minor Third Prevalence |
0.3877 |
| Vertical Major Third Prevalence |
0.364 |
| Chord Duration |
1.727 |
| Partial Chords |
0.501 |
| Standard Triads |
0.3295 |
| Diminished and Augmented Triads |
0.01871 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01391 |
| Non-Standard Chords |
0.1556 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.085 |
| Average Number of Simultaneous Pitch Classes |
2.355 |
| Variability of Number of Simultaneous Pitch Classes |
0.7284 |
| Average Number of Simultaneous Pitches |
2.882 |
| Variability of Number of Simultaneous Pitches |
0.8758 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.841 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
57.81 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2329 |
| Stepwise Motion |
0.6929 |
| Melodic Thirds |
0.1565 |
| Melodic Perfect Fourths |
0.06118 |
| Melodic Tritones |
0.001176 |
| Melodic Perfect Fifths |
0.03882 |
| Melodic Sixths |
0.001176 |
| Melodic Sevenths |
0.001176 |
| Melodic Octaves |
0.01529 |
| Melodic Large Intervals |
0.001176 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.595 |
| Melodic Embellishments |
0.03271 |
| Direction of Melodic Motion |
0.46 |
| Average Length of Melodic Arcs |
2.0 |
| Average Interval Spanned by Melodic Arcs |
5.075 |
| Melodic Pitch Variety |
5.442 |
| Mean Melodic Interval |
2.475 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.46 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5064 |
| Amount of Arpeggiation |
0.2424 |
| Repeated Notes |
0.03059 |
| Importance of Middle Register |
0.6764 |
| Importance of High Register |
0.005841 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.29 |
| Mean Pitch Class |
5.652 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1133 |
| Prevalence of Most Common Pitch Class |
0.215 |
| Relative Prevalence of Top Pitches |
0.7113 |
| Relative Prevalence of Top Pitch Classes |
0.7283 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.444 |
| Pitch Class Variability |
3.305 |
| Pitch Class Variability After Folding |
3.981 |
| Pitch Skewness |
0.323 |
| Pitch Class Skewness |
-1.224 |
| Pitch Class Skewness After Folding |
0.9738 |
| Pitch Kurtosis |
5.248 |
| Pitch Class Kurtosis |
4.836 |
| Pitch Class Kurtosis After Folding |
4.869 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
12.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3178 |
| Note Density per Quarter Note |
1.085 |
| Note Density per Quarter Note per Voice |
0.2712 |
| Note Density per Quarter Note Variability |
0.4941 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.009346 |
| Prevalence of Medium Rhythmic Values |
0.6215 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7664 |
| Prevalence of Very Long Rhythmic Values |
0.07126 |
| Prevalence of Dotted Notes |
0.1577 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.72 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3879 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5482 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.961 |
| Rhythmic Value Skewness |
1.102 |
| Rhythmic Value Kurtosis |
13.48 |
| Mean Rhythmic Value Run Length |
1.548 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.042 |
| Mean Rhythmic Value Offset |
0.02512 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3054 |
| Complete Rests Fraction |
0.001257 |
| Partial Rests Fraction |
0.6819 |
| Average Rest Fraction Across Voices |
0.2614 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
408.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
23.57 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
69.07 |
| Variability Across Voices of Combined Rests |
198.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5301 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2343 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.263 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7644 |
| Rhythmic Variability - Tempo Standardized |
0.04825 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
856.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.79 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
4.138 |
| Average Note Duration |
0.7091 |
| Variability of Note Durations |
0.5411 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.3496 |
| Strength of Second Strongest Rhythmic Pulse |
0.3269 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.069 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6765 |
| Rhythmic Variability |
0.04065 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000001321 |
| Duration in Seconds |
204.0 |
| Note Density |
4.195 |
| Note Density Variability |
1.548 |
| Average Time Between Attacks |
0.4239 |
| Average Time Between Attacks for Each Voice |
1.575 |
| Variability of Time Between Attacks |
0.2515 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5758 |
| Relative Range Isolation of Loudest Voice |
0.3647 |
| Relative Range of Highest Line |
0.5758 |
| Relative Note Density of Highest Line |
0.3084 |
| Relative Note Durations of Lowest Line |
1.001 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7722 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
4.041 |
| Parallel Motion |
0.04509 |
| Average Number of Independent Voices |
2.958 |
| Similar Motion |
0.1102 |
| Contrary Motion |
0.2094 |
| Oblique Motion |
0.6353 |
| Parallel Fifths |
0.003006 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8853 |
| Voice Equality - Number of Notes |
114.9 |
| Voice Equality - Note Duration |
51.43 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.986 |
| Importance of Loudest Voice |
15.0 |