| Distance Between Two Most Common Vertical Intervals |
2.0 |
| Prevalence of Most Common Vertical Interval |
0.1779 |
| Prevalence of Second Most Common Vertical Interval |
0.17 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9555 |
| Vertical Unisons |
0.01845 |
| Vertical Minor Seconds |
0.003311 |
| Vertical Thirds |
0.3014 |
| Vertical Tritones |
0.02713 |
| Vertical Perfect Fourths |
0.17 |
| Vertical Perfect Fifths |
0.1366 |
| Vertical Sixths |
0.1616 |
| Vertical Sevenths |
0.03437 |
| Vertical Octaves |
0.1342 |
| Perfect Vertical Intervals |
0.4592 |
| Vertical Dissonance Ratio |
0.08433 |
| Vertical Minor Third Prevalence |
0.4041 |
| Vertical Major Third Prevalence |
0.2965 |
| Chord Duration |
2.142 |
| Partial Chords |
0.5153 |
| Standard Triads |
0.3313 |
| Diminished and Augmented Triads |
0.04908 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1534 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.348 |
| Average Number of Simultaneous Pitch Classes |
2.407 |
| Variability of Number of Simultaneous Pitch Classes |
0.5882 |
| Average Number of Simultaneous Pitches |
2.756 |
| Variability of Number of Simultaneous Pitches |
0.4296 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
5.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.223 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
12.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.244 |
| Stepwise Motion |
0.7229 |
| Melodic Thirds |
0.1536 |
| Melodic Perfect Fourths |
0.03916 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03614 |
| Melodic Sixths |
0.003012 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01205 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
4.667 |
| Melodic Embellishments |
0.03881 |
| Direction of Melodic Motion |
0.4798 |
| Average Length of Melodic Arcs |
1.855 |
| Average Interval Spanned by Melodic Arcs |
4.358 |
| Melodic Pitch Variety |
5.072 |
| Mean Melodic Interval |
2.307 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4789 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5094 |
| Amount of Arpeggiation |
0.2349 |
| Repeated Notes |
0.03313 |
| Importance of Middle Register |
0.7672 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
57.91 |
| Mean Pitch Class |
4.988 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1343 |
| Prevalence of Most Common Pitch Class |
0.2119 |
| Relative Prevalence of Top Pitches |
0.9333 |
| Relative Prevalence of Top Pitch Classes |
0.7465 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
5.084 |
| Pitch Class Variability |
3.308 |
| Pitch Class Variability After Folding |
3.45 |
| Pitch Skewness |
-0.3558 |
| Pitch Class Skewness |
-0.01083 |
| Pitch Class Skewness After Folding |
0.7477 |
| Pitch Kurtosis |
5.149 |
| Pitch Class Kurtosis |
5.106 |
| Pitch Class Kurtosis After Folding |
6.259 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
16.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
23.0 |
| Importance of Bass Register |
0.2328 |
| Note Density per Quarter Note |
0.971 |
| Note Density per Quarter Note per Voice |
0.3237 |
| Note Density per Quarter Note Variability |
0.347 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5343 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8955 |
| Prevalence of Very Long Rhythmic Values |
0.03284 |
| Prevalence of Dotted Notes |
0.06866 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.878 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4299 |
| Relative Prevalence of Most Common Rhythmic Values |
0.875 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.358 |
| Rhythmic Value Skewness |
1.939 |
| Rhythmic Value Kurtosis |
8.333 |
| Mean Rhythmic Value Run Length |
1.611 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9048 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.002874 |
| Partial Rests Fraction |
0.2 |
| Average Rest Fraction Across Voices |
0.06858 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
8.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.736 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
2.602 |
| Variability Across Voices of Combined Rests |
16.04 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7033 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1514 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.646 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8547 |
| Rhythmic Variability - Tempo Standardized |
0.05769 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
335.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.481 |
| Minimum Note Duration |
0.2586 |
| Maximum Note Duration |
2.069 |
| Average Note Duration |
0.7442 |
| Variability of Note Durations |
0.3512 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.4519 |
| Strength of Second Strongest Rhythmic Pulse |
0.3837 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.178 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8356 |
| Rhythmic Variability |
0.04735 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.00000000005701 |
| Duration in Seconds |
89.22 |
| Note Density |
3.755 |
| Note Density Variability |
0.6518 |
| Average Time Between Attacks |
0.5342 |
| Average Time Between Attacks for Each Voice |
0.7897 |
| Variability of Time Between Attacks |
0.207 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.6087 |
| Relative Range Isolation of Loudest Voice |
0.02586 |
| Relative Range of Highest Line |
0.6087 |
| Relative Note Density of Highest Line |
0.5642 |
| Relative Note Durations of Lowest Line |
1.089 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.991 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.414 |
| Parallel Motion |
0.1358 |
| Average Number of Independent Voices |
2.802 |
| Similar Motion |
0.2119 |
| Contrary Motion |
0.255 |
| Oblique Motion |
0.3974 |
| Parallel Fifths |
0.009934 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3983 |
| Voice Equality - Number of Notes |
12.1 |
| Voice Equality - Note Duration |
4.149 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.887 |
| Importance of Loudest Voice |
12.5 |