| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.215 |
| Prevalence of Second Most Common Vertical Interval |
0.1927 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8966 |
| Vertical Unisons |
0.06533 |
| Vertical Minor Seconds |
0.0008567 |
| Vertical Thirds |
0.3536 |
| Vertical Tritones |
0.01432 |
| Vertical Perfect Fourths |
0.05516 |
| Vertical Perfect Fifths |
0.1692 |
| Vertical Sixths |
0.139 |
| Vertical Sevenths |
0.02265 |
| Vertical Octaves |
0.1497 |
| Perfect Vertical Intervals |
0.4393 |
| Vertical Dissonance Ratio |
0.07302 |
| Vertical Minor Third Prevalence |
0.3063 |
| Vertical Major Third Prevalence |
0.3697 |
| Chord Duration |
2.151 |
| Partial Chords |
0.6937 |
| Standard Triads |
0.2134 |
| Diminished and Augmented Triads |
0.03162 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.09289 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6364 |
| Average Number of Simultaneous Pitch Classes |
2.164 |
| Variability of Number of Simultaneous Pitch Classes |
0.596 |
| Average Number of Simultaneous Pitches |
2.472 |
| Variability of Number of Simultaneous Pitches |
0.5528 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.047 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
29.7 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.193 |
| Stepwise Motion |
0.6011 |
| Melodic Thirds |
0.1673 |
| Melodic Perfect Fourths |
0.06066 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04412 |
| Melodic Sixths |
0.003676 |
| Melodic Sevenths |
0.001838 |
| Melodic Octaves |
0.02206 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.8958 |
| Melodic Embellishments |
0.01645 |
| Direction of Melodic Motion |
0.4653 |
| Average Length of Melodic Arcs |
1.856 |
| Average Interval Spanned by Melodic Arcs |
5.136 |
| Melodic Pitch Variety |
5.475 |
| Mean Melodic Interval |
2.524 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4081 |
| Relative Prevalence of Most Common Melodic Intervals |
0.473 |
| Amount of Arpeggiation |
0.3346 |
| Repeated Notes |
0.09926 |
| Importance of Middle Register |
0.9031 |
| Importance of High Register |
0.09324 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
64.16 |
| Mean Pitch Class |
4.483 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1645 |
| Prevalence of Most Common Pitch Class |
0.2559 |
| Relative Prevalence of Top Pitches |
0.7667 |
| Relative Prevalence of Top Pitch Classes |
0.7071 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
5.742 |
| Pitch Class Variability |
3.674 |
| Pitch Class Variability After Folding |
3.022 |
| Pitch Skewness |
0.4928 |
| Pitch Class Skewness |
0.3941 |
| Pitch Class Skewness After Folding |
0.7441 |
| Pitch Kurtosis |
5.273 |
| Pitch Class Kurtosis |
4.872 |
| Pitch Class Kurtosis After Folding |
7.895 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
60.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.003656 |
| Note Density per Quarter Note |
0.9613 |
| Note Density per Quarter Note per Voice |
0.3204 |
| Note Density per Quarter Note Variability |
0.3012 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6216 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9342 |
| Prevalence of Very Long Rhythmic Values |
0.01828 |
| Prevalence of Dotted Notes |
0.04022 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.717 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5558 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5888 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.187 |
| Rhythmic Value Skewness |
1.811 |
| Rhythmic Value Kurtosis |
8.634 |
| Mean Rhythmic Value Run Length |
1.954 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.374 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.001743 |
| Partial Rests Fraction |
0.3743 |
| Average Rest Fraction Across Voices |
0.1295 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
64.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
5.139 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
9.98 |
| Variability Across Voices of Combined Rests |
56.01 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8213 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.09107 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
9.018 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9124 |
| Rhythmic Variability - Tempo Standardized |
0.0654 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
547.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5223 |
| Minimum Note Duration |
0.2586 |
| Maximum Note Duration |
2.069 |
| Average Note Duration |
0.7026 |
| Variability of Note Durations |
0.3069 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.4641 |
| Strength of Second Strongest Rhythmic Pulse |
0.4363 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.064 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9005 |
| Rhythmic Variability |
0.05028 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0000000001982 |
| Duration in Seconds |
147.2 |
| Note Density |
3.717 |
| Note Density Variability |
0.8322 |
| Average Time Between Attacks |
0.5114 |
| Average Time Between Attacks for Each Voice |
0.775 |
| Variability of Time Between Attacks |
0.1745 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.7308 |
| Relative Range Isolation of Loudest Voice |
0.526 |
| Relative Range of Highest Line |
0.7308 |
| Relative Note Density of Highest Line |
0.3839 |
| Relative Note Durations of Lowest Line |
1.086 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8117 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
6.364 |
| Parallel Motion |
0.05337 |
| Average Number of Independent Voices |
2.616 |
| Similar Motion |
0.1798 |
| Contrary Motion |
0.2556 |
| Oblique Motion |
0.5112 |
| Parallel Fifths |
0.005618 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5076 |
| Voice Equality - Number of Notes |
29.7 |
| Voice Equality - Note Duration |
14.49 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.646 |
| Importance of Loudest Voice |
12.5 |