Distance Between Two Most Common Vertical Intervals |
5.0 |
Prevalence of Most Common Vertical Interval |
0.16 |
Prevalence of Second Most Common Vertical Interval |
0.1529 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9555 |
Vertical Unisons |
0.01267 |
Vertical Minor Seconds |
0.004401 |
Vertical Thirds |
0.2926 |
Vertical Tritones |
0.01373 |
Vertical Perfect Fourths |
0.1529 |
Vertical Perfect Fifths |
0.139 |
Vertical Sixths |
0.1889 |
Vertical Sevenths |
0.03545 |
Vertical Octaves |
0.1473 |
Perfect Vertical Intervals |
0.4518 |
Vertical Dissonance Ratio |
0.0715 |
Vertical Minor Third Prevalence |
0.3084 |
Vertical Major Third Prevalence |
0.3504 |
Chord Duration |
2.271 |
Partial Chords |
0.5049 |
Standard Triads |
0.3846 |
Diminished and Augmented Triads |
0.01775 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.0 |
Non-Standard Chords |
0.1105 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
1.294 |
Average Number of Simultaneous Pitch Classes |
2.383 |
Variability of Number of Simultaneous Pitch Classes |
0.6213 |
Average Number of Simultaneous Pitches |
2.741 |
Variability of Number of Simultaneous Pitches |
0.4464 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
5.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
8.328 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
11.53 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
3.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2378 |
Stepwise Motion |
0.7378 |
Melodic Thirds |
0.1545 |
Melodic Perfect Fourths |
0.03049 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.02439 |
Melodic Sixths |
0.002033 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.0122 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.167 |
Melodic Embellishments |
0.03232 |
Direction of Melodic Motion |
0.4736 |
Average Length of Melodic Arcs |
1.979 |
Average Interval Spanned by Melodic Arcs |
4.565 |
Melodic Pitch Variety |
5.197 |
Mean Melodic Interval |
2.236 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.5 |
Relative Prevalence of Most Common Melodic Intervals |
0.4756 |
Amount of Arpeggiation |
0.2297 |
Repeated Notes |
0.03862 |
Importance of Middle Register |
0.8424 |
Importance of High Register |
0.008081 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
60.72 |
Mean Pitch Class |
5.414 |
Most Common Pitch |
60.0 |
Most Common Pitch Class |
9.0 |
Prevalence of Most Common Pitch |
0.1071 |
Prevalence of Most Common Pitch Class |
0.1798 |
Relative Prevalence of Top Pitches |
0.9811 |
Relative Prevalence of Top Pitch Classes |
0.8764 |
Interval Between Most Prevalent Pitches |
3.0 |
Interval Between Most Prevalent Pitch Classes |
9.0 |
Pitch Variability |
6.077 |
Pitch Class Variability |
3.637 |
Pitch Class Variability After Folding |
3.26 |
Pitch Skewness |
0.4947 |
Pitch Class Skewness |
0.3416 |
Pitch Class Skewness After Folding |
0.5262 |
Pitch Kurtosis |
5.264 |
Pitch Class Kurtosis |
4.798 |
Pitch Class Kurtosis After Folding |
6.682 |
Major or Minor |
0.0 |
First Pitch |
50.0 |
First Pitch Class |
2.0 |
Last Pitch |
52.0 |
Last Pitch Class |
4.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
21.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
0.0 |
Range |
26.0 |
Importance of Bass Register |
0.1495 |
Note Density per Quarter Note |
0.9017 |
Note Density per Quarter Note per Voice |
0.3006 |
Note Density per Quarter Note Variability |
0.4101 |
Range of Rhythmic Values |
7.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.499 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8364 |
Prevalence of Very Long Rhythmic Values |
0.07273 |
Prevalence of Dotted Notes |
0.1111 |
Shortest Rhythmic Value |
1.0 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.055 |
Most Common Rhythmic Value |
4.0 |
Prevalence of Most Common Rhythmic Value |
0.3535 |
Relative Prevalence of Most Common Rhythmic Values |
0.9486 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.859 |
Rhythmic Value Skewness |
0.08802 |
Rhythmic Value Kurtosis |
11.92 |
Mean Rhythmic Value Run Length |
1.571 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.051 |
Mean Rhythmic Value Offset |
0.01616 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.254 |
Complete Rests Fraction |
0.001758 |
Partial Rests Fraction |
0.2255 |
Average Rest Fraction Across Voices |
0.07634 |
Longest Complete Rest |
0.9651 |
Longest Partial Rest |
19.46 |
Mean Complete Rest Duration |
0.9651 |
Mean Partial Rest Duration |
5.239 |
Median Complete Rest Duration |
0.9651 |
Median Partial Rest Duration |
4.109 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
4.838 |
Variability Across Voices of Combined Rests |
20.04 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5889 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2205 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.67 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8094 |
Rhythmic Variability - Tempo Standardized |
0.05157 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
495.0 |
Initial Tempo |
288.0 |
Average Variability of Time Between Attacks for Each Voice |
0.5208 |
Minimum Note Duration |
0.1974 |
Maximum Note Duration |
3.333 |
Average Note Duration |
0.6232 |
Variability of Note Durations |
0.399 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
6.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
296.1 |
Strongest Rhythmic Pulse |
74.0 |
Second Strongest Rhythmic Pulse |
50.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.48 |
Strength of Strongest Rhythmic Pulse |
0.2889 |
Strength of Second Strongest Rhythmic Pulse |
0.2582 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.119 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.5471 |
Rhythmic Variability |
0.0363 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
8.0 |
Duration in Seconds |
111.3 |
Note Density |
4.446 |
Note Density Variability |
1.388 |
Average Time Between Attacks |
0.4334 |
Average Time Between Attacks for Each Voice |
0.6637 |
Variability of Time Between Attacks |
0.2747 |
Maximum Number of Independent Voices |
3.0 |
Relative Range of Loudest Voice |
0.5385 |
Relative Range Isolation of Loudest Voice |
0.25 |
Relative Range of Highest Line |
0.5385 |
Relative Note Density of Highest Line |
0.4061 |
Relative Note Durations of Lowest Line |
1.057 |
Relative Size of Melodic Intervals in Lowest Line |
0.6 |
Voice Overlap |
0.9071 |
Voice Separation |
5.5 |
Variability of Voice Separation |
3.536 |
Parallel Motion |
0.1387 |
Average Number of Independent Voices |
2.774 |
Similar Motion |
0.1573 |
Contrary Motion |
0.2319 |
Oblique Motion |
0.472 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.4184 |
Voice Equality - Number of Notes |
11.53 |
Voice Equality - Note Duration |
4.065 |
Voice Equality - Dynamics |
10.41 |
Voice Equality - Melodic Leaps |
0.5774 |
Voice Equality - Range |
4.726 |
Importance of Loudest Voice |
12.5 |