| Distance Between Two Most Common Vertical Intervals |
5.0 |
| Prevalence of Most Common Vertical Interval |
0.16 |
| Prevalence of Second Most Common Vertical Interval |
0.1529 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9555 |
| Vertical Unisons |
0.01267 |
| Vertical Minor Seconds |
0.004401 |
| Vertical Thirds |
0.2926 |
| Vertical Tritones |
0.01373 |
| Vertical Perfect Fourths |
0.1529 |
| Vertical Perfect Fifths |
0.139 |
| Vertical Sixths |
0.1889 |
| Vertical Sevenths |
0.03545 |
| Vertical Octaves |
0.1473 |
| Perfect Vertical Intervals |
0.4518 |
| Vertical Dissonance Ratio |
0.0715 |
| Vertical Minor Third Prevalence |
0.3084 |
| Vertical Major Third Prevalence |
0.3504 |
| Chord Duration |
2.271 |
| Partial Chords |
0.5049 |
| Standard Triads |
0.3846 |
| Diminished and Augmented Triads |
0.01775 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1105 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.294 |
| Average Number of Simultaneous Pitch Classes |
2.383 |
| Variability of Number of Simultaneous Pitch Classes |
0.6213 |
| Average Number of Simultaneous Pitches |
2.741 |
| Variability of Number of Simultaneous Pitches |
0.4464 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
5.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.328 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
11.53 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2378 |
| Stepwise Motion |
0.7378 |
| Melodic Thirds |
0.1545 |
| Melodic Perfect Fourths |
0.03049 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02439 |
| Melodic Sixths |
0.002033 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0122 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.167 |
| Melodic Embellishments |
0.03232 |
| Direction of Melodic Motion |
0.4736 |
| Average Length of Melodic Arcs |
1.979 |
| Average Interval Spanned by Melodic Arcs |
4.565 |
| Melodic Pitch Variety |
5.197 |
| Mean Melodic Interval |
2.236 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4756 |
| Amount of Arpeggiation |
0.2297 |
| Repeated Notes |
0.03862 |
| Importance of Middle Register |
0.8424 |
| Importance of High Register |
0.008081 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.72 |
| Mean Pitch Class |
5.414 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1071 |
| Prevalence of Most Common Pitch Class |
0.1798 |
| Relative Prevalence of Top Pitches |
0.9811 |
| Relative Prevalence of Top Pitch Classes |
0.8764 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
6.077 |
| Pitch Class Variability |
3.637 |
| Pitch Class Variability After Folding |
3.26 |
| Pitch Skewness |
0.4947 |
| Pitch Class Skewness |
0.3416 |
| Pitch Class Skewness After Folding |
0.5262 |
| Pitch Kurtosis |
5.264 |
| Pitch Class Kurtosis |
4.798 |
| Pitch Class Kurtosis After Folding |
6.682 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.1495 |
| Note Density per Quarter Note |
0.9017 |
| Note Density per Quarter Note per Voice |
0.3006 |
| Note Density per Quarter Note Variability |
0.4101 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.499 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8364 |
| Prevalence of Very Long Rhythmic Values |
0.07273 |
| Prevalence of Dotted Notes |
0.1111 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.055 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3535 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9486 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.859 |
| Rhythmic Value Skewness |
0.08802 |
| Rhythmic Value Kurtosis |
11.92 |
| Mean Rhythmic Value Run Length |
1.571 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.051 |
| Mean Rhythmic Value Offset |
0.01616 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.254 |
| Complete Rests Fraction |
0.001758 |
| Partial Rests Fraction |
0.2255 |
| Average Rest Fraction Across Voices |
0.07634 |
| Longest Complete Rest |
0.9651 |
| Longest Partial Rest |
19.46 |
| Mean Complete Rest Duration |
0.9651 |
| Mean Partial Rest Duration |
5.239 |
| Median Complete Rest Duration |
0.9651 |
| Median Partial Rest Duration |
4.109 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
4.838 |
| Variability Across Voices of Combined Rests |
20.04 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5889 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2205 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.67 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8094 |
| Rhythmic Variability - Tempo Standardized |
0.05157 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
495.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5208 |
| Minimum Note Duration |
0.1974 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.6232 |
| Variability of Note Durations |
0.399 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
296.1 |
| Strongest Rhythmic Pulse |
74.0 |
| Second Strongest Rhythmic Pulse |
50.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.48 |
| Strength of Strongest Rhythmic Pulse |
0.2889 |
| Strength of Second Strongest Rhythmic Pulse |
0.2582 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.119 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5471 |
| Rhythmic Variability |
0.0363 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
8.0 |
| Duration in Seconds |
111.3 |
| Note Density |
4.446 |
| Note Density Variability |
1.388 |
| Average Time Between Attacks |
0.4334 |
| Average Time Between Attacks for Each Voice |
0.6637 |
| Variability of Time Between Attacks |
0.2747 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5385 |
| Relative Range Isolation of Loudest Voice |
0.25 |
| Relative Range of Highest Line |
0.5385 |
| Relative Note Density of Highest Line |
0.4061 |
| Relative Note Durations of Lowest Line |
1.057 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.9071 |
| Voice Separation |
5.5 |
| Variability of Voice Separation |
3.536 |
| Parallel Motion |
0.1387 |
| Average Number of Independent Voices |
2.774 |
| Similar Motion |
0.1573 |
| Contrary Motion |
0.2319 |
| Oblique Motion |
0.472 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4184 |
| Voice Equality - Number of Notes |
11.53 |
| Voice Equality - Note Duration |
4.065 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
4.726 |
| Importance of Loudest Voice |
12.5 |