| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1899 |
| Prevalence of Second Most Common Vertical Interval |
0.1738 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9153 |
| Vertical Unisons |
0.03526 |
| Vertical Minor Seconds |
0.005159 |
| Vertical Thirds |
0.3198 |
| Vertical Tritones |
0.006342 |
| Vertical Perfect Fourths |
0.09782 |
| Vertical Perfect Fifths |
0.169 |
| Vertical Sixths |
0.1624 |
| Vertical Sevenths |
0.02784 |
| Vertical Octaves |
0.1547 |
| Perfect Vertical Intervals |
0.4568 |
| Vertical Dissonance Ratio |
0.06503 |
| Vertical Minor Third Prevalence |
0.3658 |
| Vertical Major Third Prevalence |
0.3876 |
| Chord Duration |
1.99 |
| Partial Chords |
0.4839 |
| Standard Triads |
0.3974 |
| Diminished and Augmented Triads |
0.0129 |
| Dominant Seventh Chords |
0.005161 |
| Seventh Chords |
0.02065 |
| Non-Standard Chords |
0.09806 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7303 |
| Average Number of Simultaneous Pitch Classes |
2.382 |
| Variability of Number of Simultaneous Pitch Classes |
0.7262 |
| Average Number of Simultaneous Pitches |
2.862 |
| Variability of Number of Simultaneous Pitches |
0.9382 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.943 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
71.91 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2454 |
| Stepwise Motion |
0.702 |
| Melodic Thirds |
0.1318 |
| Melodic Perfect Fourths |
0.07181 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05038 |
| Melodic Sixths |
0.005359 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01179 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.617 |
| Melodic Embellishments |
0.02028 |
| Direction of Melodic Motion |
0.4956 |
| Average Length of Melodic Arcs |
1.961 |
| Average Interval Spanned by Melodic Arcs |
5.015 |
| Melodic Pitch Variety |
5.714 |
| Mean Melodic Interval |
2.504 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4566 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5376 |
| Amount of Arpeggiation |
0.2208 |
| Repeated Notes |
0.0268 |
| Importance of Middle Register |
0.842 |
| Importance of High Register |
0.009605 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.53 |
| Mean Pitch Class |
5.224 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1174 |
| Prevalence of Most Common Pitch Class |
0.1772 |
| Relative Prevalence of Top Pitches |
0.8091 |
| Relative Prevalence of Top Pitch Classes |
1.0 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.259 |
| Pitch Class Variability |
3.603 |
| Pitch Class Variability After Folding |
3.202 |
| Pitch Skewness |
0.466 |
| Pitch Class Skewness |
0.1866 |
| Pitch Class Skewness After Folding |
0.266 |
| Pitch Kurtosis |
5.272 |
| Pitch Class Kurtosis |
4.838 |
| Pitch Class Kurtosis After Folding |
7.039 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
28.0 |
| Importance of Bass Register |
0.1483 |
| Note Density per Quarter Note |
1.073 |
| Note Density per Quarter Note per Voice |
0.2683 |
| Note Density per Quarter Note Variability |
0.5246 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.588 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8634 |
| Prevalence of Very Long Rhythmic Values |
0.05123 |
| Prevalence of Dotted Notes |
0.09178 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.775 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4514 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6525 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.454 |
| Rhythmic Value Skewness |
1.598 |
| Rhythmic Value Kurtosis |
8.427 |
| Mean Rhythmic Value Run Length |
1.585 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.005 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.001216 |
| Partial Rests Fraction |
0.5536 |
| Average Rest Fraction Across Voices |
0.2375 |
| Longest Complete Rest |
1.062 |
| Longest Partial Rest |
285.3 |
| Mean Complete Rest Duration |
1.062 |
| Mean Partial Rest Duration |
16.58 |
| Median Complete Rest Duration |
1.062 |
| Median Partial Rest Duration |
4.282 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
42.45 |
| Variability Across Voices of Combined Rests |
93.62 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.658 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1747 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.767 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8327 |
| Rhythmic Variability - Tempo Standardized |
0.05507 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
937.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.303 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
2.069 |
| Average Note Duration |
0.6865 |
| Variability of Note Durations |
0.3725 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
251.0 |
| Strongest Rhythmic Pulse |
62.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.476 |
| Strength of Strongest Rhythmic Pulse |
0.3031 |
| Strength of Second Strongest Rhythmic Pulse |
0.2889 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.049 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.592 |
| Rhythmic Variability |
0.03956 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
26.51 |
| Duration in Seconds |
210.9 |
| Note Density |
4.443 |
| Note Density Variability |
1.422 |
| Average Time Between Attacks |
0.4362 |
| Average Time Between Attacks for Each Voice |
0.9145 |
| Variability of Time Between Attacks |
0.2161 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6786 |
| Relative Range Isolation of Loudest Voice |
0.2669 |
| Relative Range of Highest Line |
0.6786 |
| Relative Note Density of Highest Line |
0.286 |
| Relative Note Durations of Lowest Line |
1.004 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.9157 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.05216 |
| Average Number of Independent Voices |
2.982 |
| Similar Motion |
0.1609 |
| Contrary Motion |
0.2497 |
| Oblique Motion |
0.5372 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9529 |
| Voice Equality - Number of Notes |
52.18 |
| Voice Equality - Note Duration |
22.61 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.258 |
| Importance of Loudest Voice |
15.0 |